The Comfort of Strangers Page #3

Synopsis: An English couple holiday in Venice to sort out their relationship. There is some friction and distance between them, and we also sense they are being watched. One evening, they lose their way looking for a restaurant, and a stranger invites them to accompany him. He plies them with wine and grotesque stories from his childhood. They leave disoriented, physically ill, and morally repelled. But, next day, when the stranger sees them in the piazza, they accept an invitation to his sumptuous flat. After this visit, the pair find the depth to face questions about each other, only to be drawn back into the mysterious and menacing fantasies of the stranger and his mate.
Genre: Drama, Thriller
Director(s): Paul Schrader
Production: Madacy Home Video
  1 win.
 
IMDB:
6.4
Metacritic:
61
Rotten Tomatoes:
50%
R
Year:
1990
107 min
672 Views


- My father was a... very big man.

All his life he wore a black moustache.

When it turned grey

he used a little brush to keep it black,

such as ladies use

for their eyes - mascara.

Everyone was afraid of him.

My mother, my four sisters.

At the dining table you could not speak

unless spoken to first by my father.

But he loved me.

I was his favourite.

He was a diplomat all his life.

We spent years in London. Knightsbridge.

Every morning he got out of bed at six

and went to the bathroom to shave.

No one was allowed out of bed

until he'd finished.

My eldest sisters were 14, 15. I was 10.

One weekend the house was empty

for the whole afternoon.

My sisters whispered together.

Their names were Eva and Maria.

They called me and they led me

into my parents' bedroom.

They told me to sit

on the bed and be quiet.

They went to my mother's dressing table.

They painted their fingernails, they put

powder on their faces, they used lipstick.

They pulled hairs from their eyebrows

and brushed mascara on their lashes.

They took off their socks and put

on my mother's silk stockings, panties.

They sauntered about the room looking

at the mirror, like beautiful women.

They laughed and kissed, they stroked

each other, they giggled. I was enchanted.

They fed my enchantment.

They whispered to me

that it was our secret,

that we would keep it in our hearts

forever, never reveal it.

But that night at dinner I felt my father

staring at me, staring deep into me.

He chewed, swallowed, he put his

knife and fork down. He looked at me.

My heart started to beat.

To thump, not to beat.

My father said "Tell me, Robert. What

have you been doing this afternoon?"

He knew.

I knew he knew.

He was God. He was testing me.

So I told him. I told him all that my sisters

had done. I told him everything.

My mother was silent. My sisters'

faces were white. No one spoke.

My father said "Thank you."

Finished his dinner.

After dinner my sisters and I

were called to my father's study.

They were beaten with a leather belt

without mercy. I watched this.

A month later they took their revenge.

We children were again alone

in the house. Nanny was away.

My youngest sisters...

Grazie.

...Alice and Lisa

came to me in the garden.

They said "Robert, come to the kitchen.

Eva and Maria have a treat for you."

I was suspicious, but I went.

I was so...

innocent.

On the table were two big bottles

of lemonade, cream cake,

cooking chocolate,

big box of marshmallows,

and Maria said

"Look, this is all for you."

"But first" Eva said

"you must drink some medicine."

"This is very rich food and it will protect

your stomach. Help you to enjoy it."

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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