The Chase Page #2

Synopsis: Most everyone in town thinks that Sheriff Calder is merely a puppet of rich oil-man Val Rogers. When it is learned that local baddie Bubber Reeves has escaped prison, Rogers' son is concerned because he is having an affair with Reeves' wife. It seems many others in town feel they may have reasons to fear Reeves. Calder's aim is to bring Reeves in alive, unharmed. Calder will have to oppose the powerful Rogers on one hand and mob violence on the other, in his quest for justice.
Genre: Crime, Drama, Thriller
Director(s): Arthur Penn
Production: Columbia Pictures
 
IMDB:
7.3
Rotten Tomatoes:
80%
APPROVED
Year:
1966
134 min
853 Views


I got a right to know.

- You're not my father.

- I married your mother.

That didn't make you my father.

Well, she said sometimes

maybe I was.

You're lying.

She told me who he was,

and he's dead.

I don't want you

around here no more.

As soon as Bubber's out of the pen,

I'm gonna ask him to take you away.

Pay me my mother's part

of this business...

...and I will be out of here in one hour.

Man, I wish I could.

I sit here thinking...

...and sometimes I think I know

where I can find that money.

You just try it.

You try it, and you're not gonna live

an hour past it. You've got my word.

Howdy, Mrs. Reeves.

What is it?

I was wondering if I could come on in

and talk to you and Mr. Reeves.

Mr. Reeves, the sheriff's here.

Well, what is it?

I got a call a while ago

from the state farm...

...and Hearst says

that Bubber's busted out.

- Where is he?

- Well, we don't know.

What'll they do to him?

Howdy, Mr. Reeves.

Most likely, they'll catch him and send

him back and add to his sentence.

That's too bad, because Bubber

just had a few months to go.

And I figured that Bubber isn't gonna...

Well, he's got enough sense not

to come back here...

...but if you get in touch with him,

try and talk him into going back...

...because it'll be a whole lot

easier on him.

He escaped with

a real hard-knocked fella.

- I'm sorry about it, Mrs. Reeves.

- I don't believe you're sorry.

Mr. Reeves.

He won't come home.

No.

Do you think Anna

will hear from Bubber?

I don't want to hear her name.

I told you that.

I've been thinking and thinking.

What did I do wrong?

Other people had bad boys.

Leroy, Jake Rogers.

Jake Rogers.

They all grew out

of their boy meanness.

What did I do wrong?

- What are we gonna do tonight?

- Well, nothing would be nice.

It's Saturday night.

Why don't you ask Val Rogers

to ask us to his party.

- When he wants us, he'll ask us.

- He'll never ask us.

Never ask his own vice president.

I think it's a disgrace.

- Always asks the sheriff and Ruby.

- Now, Emily, it's not our business.

- Where's Damon?

- Go shopping or something.

Mr. Rogers doesn't much

like visitors around.

You got it ready?

Hello, Damon.

- I said, hello, Damon.

- Hello, Emily.

And now a happy birthday

to a great gentleman, Mr. Val.

- Thank you.

- Happy birthday, Mr. Rogers.

Thank you all very much. I'm really...

Thank you. Well, good day.

Have a pleasant weekend.

- Ask him. Go on.

- Mr. Rogers, before you go...

Edwin would like to invite you

to have a birthday drink with us.

- Just a few of us.

- Thank you, I'm having guests.

Yes, we all heard that.

Just thought you'd like to see

how the lower classes live.

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Horton Foote

Albert Horton Foote Jr. (March 14, 1916 – March 4, 2009) was an American playwright and screenwriter, perhaps best known for his screenplays for the 1962 film To Kill a Mockingbird and the 1983 film Tender Mercies, and his notable live television dramas during the Golden Age of Television. He received the Pulitzer Prize for Drama in 1995 for his play The Young Man From Atlanta and two Academy Awards, one for an original screenplay, Tender Mercies, and one for adapted screenplay, To Kill a Mockingbird. In 1995, Foote was the inaugural recipient of the Austin Film Festival's Distinguished Screenwriter Award. In describing his three-play work, The Orphans' Home Cycle, the drama critic for the Wall Street Journal said this: "Foote, who died last March, left behind a masterpiece, one that will rank high among the signal achievements of American theater in the 20th century." In 2000, he was awarded the National Medal of Arts. more…

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Submitted on August 05, 2018

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