The Butterfly Effect 2 Page #5

Synopsis: Nick Larson and his best friends Trevor Eastman and Amanda are celebrating the twentieth-fourth birthday of his girlfriend Julie Miller in a beautiful lake on a Sunday morning. Nick is expecting to be promoted in the company where he works, and Julie is planning to move to his place instead of going to New York for her Master degree. However, Nick is called by his colleague Dave Bristol, who is disputing the promotion with Nick, for a meeting with a client. While on the road, Nick has an accident and Julie and his friends die. One year later, Nick finds that he can travel in time and tries to fix the past, with tragic consequences for the future.
Director(s): John R. Leonetti
Production: New Line Cinema
  1 nomination.
 
IMDB:
4.5
R
Year:
2006
92 min
$57,000,000
Website
189 Views


-Yeah, a couple.

- Um...

What?

Hey, guys. Bristol just called

a staff meeting.

Conference room, five minutes.

Oh, God. What does

that prick want now?

l don't know, but he wants to see you

in his office beforehand.

What?

Oh. Oh, guys?

l think l can already

feel his foot up my ass.

All right, people,

let's get right to it.

You've all heard me warn you

about the problems

of the average start-up company.

Well, it seems that we've been on

the losing end this week.

l had five deals

fall through,

including R.S.B.

Financial.

That's...

That's Trevor's account.

He said it was a sure thing.

Well,

he was wrong.

And unfortunately,

Mr. Callahan felt

like he had to send

a message on this one.

We've had to let

Trevor go.

So l suggest that we all

get back to work, hmm?

Doesn't that seem

a little harsh?

Yes.

- So what actually happened?

- Excuse me?

Well, if Trevorthought

it was a sure thing,

why'd the deal fall apart?

Come on, Bristol.

You had Trevor's job once,

and you know

how hard it is.

Yeah, and l worked my ass off,

l didn't make mistakes

and l got rewarded.

Why? 'Cause

the Strike Line deal

fell on your lap?

You were supposed to close

the R.S.B. deal, not Trevor.

And you think you know

something we don't?

What l know

is Mr. Callahan pays me

to be the judge of you people,

and right now my judgment is telling me

that you'd much rather be

at home watching ''Oprah''

with yourfriend

than working

on this team any longer.

Congratulations, Nick.

You're fired too.

Anyone else?

l love you, man,

but this was not your problem.

F*** that.

lf it wasn't for us, Bristol wouldn't

have been promoted in the first place.

l'm not taking

orders from him.

Nick, you worked your ass

off at this place.

You put your blood

into this place, man.

Yeah, l put my blood into this place,

and Bristol's the one who gets promoted.

Nick, that's business.

You taught me that.

Now, look.

Go tell Bristol you're sorry.

Tell him you're still having

side effects from the accident.

Only side effect l'm having is knowing

life is way too short forthis.

What is this,

a guy thing?

Trevor gets canned, so you just jump off

the bridge with him?

Look, l was never gonna move up with

Bristol as my supervisor anyway.

Ever since the guy got promoted,

he's just been looking

for an excuse to fire me.

-Well, you didn't have to give him one.

-You know what? The truth is,

he's the weak link.

He's ruined the whole company,

and everybody knows it.

And you know what?

l am better off

just getting out from under him.

No, Nick.

You're better off with a job.

l told you,

l'll find another one.

A better one.

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John Frankenheimer

John Michael Frankenheimer (February 19, 1930 – July 6, 2002) was an American film and television director known for social dramas and action/suspense films. Among his credits were Birdman of Alcatraz (1962), The Manchurian Candidate (1962), Seven Days in May (1964), The Train (1964), Seconds (1966), Grand Prix (1966), French Connection II (1975), Black Sunday (1977), and Ronin (1998). Frankenheimer won four Emmy Awards--three consecutive--in the 1990s for directing the television movies Against the Wall, The Burning Season, Andersonville, and George Wallace, the latter of which also received a Golden Globe Award for Best Miniseries or Television Film. He was considered one of the last remaining directors who insisted on having complete control over all elements of production, making his style unique in Hollywood. Frankenheimer's 30 feature films and over 50 plays for television were notable for their influence on contemporary thought. He became a pioneer of the "modern-day political thriller," having begun his career at the peak of the Cold War.He was technically highly accomplished from his days in live television; many of his films were noted for creating "psychological dilemmas" for his male protagonists along with having a strong "sense of environment," similar in style to films by director Sidney Lumet, for whom he had earlier worked as assistant director. He developed a "tremendous propensity for exploring political situations" which would ensnare his characters.Movie critic Leonard Maltin writes that "in his time [1960s]... Frankenheimer worked with the top writers, producers and actors in a series of films that dealt with issues that were just on top of the moment—things that were facing us all." more…

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