The Browning Version Page #3

Synopsis: Andrew Crocker-Harris, a classics teacher at an English school, is afflicted with a heart ailment and an unfaithful wife. His interest in his pupils wanes as he looks towards his final days in employment.
Genre: Drama
Director(s): Anthony Asquith
Production: Criterion Collection
  Nominated for 2 BAFTA Film Awards. Another 7 wins & 1 nomination.
 
IMDB:
8.2
Rotten Tomatoes:
88%
APPROVED
Year:
1951
90 min
273 Views


What's sadistic?

- Well, the Crock is.

- I don't agree.

He's not like Makepeace or Sanders.

They get a kick

out of twisting ears, et cetera.

I don't think the Crock

gets a kick out of anything.

In fact, I don't think

he has any feelings at all.

He's just dead, that's all.

That is a physiological

and psychological impossibility.

All right. Then the Crock's different.

He can't hate people,

and he can't like people.

And what's more,

he doesn't like people to like him.

- He doesn't have to worry much about that.

- Oh, I don't know.

If he'd give me the chance,

I think I'd quite like him.

What?

I'd feel sorry for him, which is

more or less the same thing, isn't it?

Sorry? Sorry for the Crock?

[ Door Opens ]

- Wilson.

- Sir?

You were late

for chapel this morning.

I have therefore

submitted your name as an absentee.

I wasn't really late, sir.

Only a few seconds, sir.

I was in the library,

and you can't hear the bell.

You will no doubt recount those excuses

to your housemaster, Wilson.

I fear I am not interested in them.

These are your Latin verses.

Only one boy's version --

Bryant's--had any merit...

and that somewhat doubtful.

The rest were mainly abominable.

One boy-- Mason --

produced the most melancholy

dissonance...

that I have experienced

in all my 1 8 years with this class.

It seems to me that the best way

of employing the period...

would be for you all

to attempt the verses again.

- The passage for translation, if you remember--

- [ Distant Laughter ]

The passage for translation...

is the first three stanzas

ofTennyson's ''The Lady of Shalott''...

which you will find on page 821 ...

of your Oxford Book of English Verse.

[ Distant Chattering ]

And if,in the throes of composition...

you should find the disturbance

from the science upper fifth distracting...

you may, as good classicists...

console yourself with the thought that --

to amend an aphorism --

Scientia est celare scientiam.

[ Chuckles ]

Taplow.

Sir?

You laughed

at my little epigram, I noticed.

Yes, sir.

I must confess I am flattered

at the evident advance your Latin has made...

that you should so readily have understood

what the rest of the class did not.

Perhaps now you will be

good enough to explain it to them...

so that they, too,

may share your pleasure.

I --

Come along, Taplow. Do not be

so selfish as to keep a good joke to yourself.

Tell the others.

I didn't hear it properly, sir.

You didn't hear it?

They why, may I ask,

did you laugh?

Why did you laugh

at what you did not hear?

Politeness, sir.

Toujours la politesse.

I am touched, Taplow.

May I go back to my seat now, sir?

You may.

- And Taplow.

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Terence Rattigan

Sir Terence Mervyn Rattigan, CBE (10 June 1911 – 30 November 1977) was a British dramatist. He was one of England's most popular mid twentieth century dramatists. His plays are typically set in an upper-middle-class background. He wrote The Winslow Boy (1946), The Browning Version (1948), The Deep Blue Sea (1952) and Separate Tables (1954), among many others. A troubled homosexual, who saw himself as an outsider, his plays centred on issues of sexual frustration, failed relationships, and a world of repression and reticence. more…

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Submitted on August 05, 2018

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