The Bridge on the River Kwai Page #5

Synopsis: The film deals with the situation of British prisoners of war during World War II who are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge but, under the leadership of Colonel Nicholson, they are persuaded that the bridge should be constructed as a symbol of British morale, spirit and dignity in adverse circumstances. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of the Japanese commandant Saito. He is an honorable but arrogant man, who is slowly revealed to be a deluded obsessive. He convinces himself that the bridge is a monument to British character, but actually is a monument to himself, and his insistence on its construction becomes a subtle form of collaboration with the enemy. Unknown to him, the Allies have sent a mission into the jungle, led by Warden and an American, Shears, to blow up the bridge.
Genre: Adventure, Drama, War
Director(s): David Lean
Production: Columbia Pictures
  Won 7 Oscars. Another 23 wins & 7 nominations.
 
IMDB:
8.2
Metacritic:
87
Rotten Tomatoes:
94%
PG
Year:
1957
161 min
2,272 Views


Sir, we're lost in the jungle,

a thousand miles from anywhere.

We're under a man who'll stop at

nothing to get his way. Principle!

No one will ever know or care

what happens to us.

Give in, sir. Please!

I'm adamant.

I will not have an officer

from my battalion working as a coolie.

- Time.

- All right.

Please thank those concerned.

Everybody in the hospital

contributed one piece.

Reynolds stole the coconut.

We'll be able to get you

food sometimes.

We've bribed one of your guards.

Goodbye, sir. And good luck.

Many thanks.

Did you say that American

was killed?

Yes, sir. Shot and drowned.

It's insane to plan escapes.

Three men killed, and to what end?

Time!

Here is where we must win through.

Doc just looked at us and shook

his head. Whatever that means.

Means only one thing,

the colonel won't give in.

Well?

It's like this.

Colonel Nicholson

won't give in to force.

It's a question of principle.

As medical officer, I protest

the way he's being treated.

It's a wonder he's still alive.

Should a tragedy occur,

it would be tantamount to murder.

He is responsible.

Not I.

You sick?

Are they both mad?

Or am I going mad?

Or is it the sun?

Attention!

Battalion, attention.

English prisoners.

Let us ask the question...

...why does the bridge not progress?

You know why,

because your officers are lazy!

They think themselves too good

to share your burden.

This is not just.

Therefore, you are not happy

in your work.

Therefore, the bridge

does not progress.

But there is another cause.

I do not hide the truth.

With deep shame and regret...

...I admit to you the failure...

...of a member of the Japanese staff.

I refer to Lieutenant Miura.

He is a bad engineer.

He is unworthy of command.

Therefore, I have removed him

from his post.

Tomorrow we begin again.

I shall be in personal command.

Today we rest.

All work and no play

make Jack a dull boy!

As token of regard

for your efforts in the future...

...I give presents to you all.

Let us be happy in our work.

Company, dismissed.

Battalion, dismissed.

Hey, take a look at this.

Red Cross! He's given us our-

Hey, he's given us

our own Red Cross parcels.

"Tomorrow we begin again. "

Hey, Harry, look!

They're letting the old man out.

Most likely going to give him

another pasting.

Good evening, colonel.

Do you mind sitting over here?

I am having rather a late supper.

English corned beef.

No, thank you.

Produce of Scotland.

I prefer it to sake.

I spent three years in London,

you know.

I studied at the London Polytechnic.

Cheers!

Sorry.

Later, perhaps?

Perhaps.

I was not a good artist.

My father disapproved.

He felt I belonged in the army.

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Carl Foreman

Carl Foreman, CBE (July 23, 1914 – June 26, 1984) was an American screenwriter and film producer who wrote the award-winning films The Bridge on the River Kwai and High Noon among others. He was one of the screenwriters that were blacklisted in Hollywood in the 1950s because of their suspected Communist sympathy or membership in the Communist Party. more…

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Submitted on August 05, 2018

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