The Black Orchid Page #3

Synopsis: After mobsters murder her husband, Rose Bianco works long hours making artificial flowers, to support herself and her son. Some suspect that Rose's demand for a lavish lifestyle pushed her husband to a life of crime, and they blame her for his death. Widower Frank Valente is attracted to Rose, and must convince her that real love exists. He must also deal with his own daughter, who has her own reasons for opposing his marriage to Rose.
Genre: Drama, Romance
Director(s): Martin Ritt
Production: Paramount Pictures
  2 wins & 1 nomination.
 
IMDB:
6.7
Rotten Tomatoes:
20%
NOT RATED
Year:
1958
96 min
129 Views


makes me look ugly?

Aw, come on, now.

Tears for somebody else

don't make you look ugly.

I'd like to come with you,

if you'd let me.

I can't make you out.

What do you want with me?

Look.

Now, what time is the bus?

It's supposed to leave

at 11:
00.

It's never on time.

All right, I'll meet you

at the station.

Is that the one

on 13th Street?

All right, I'll be there

at 10:
30, huh?

Look, I didn't say yes.

Look, I'm going

to be there at 10:30.

I didn't say yes!

You know, one of these days,

you're going to break your

throat with all that yelling.

Thanks for the flower.

I-- I'm going to leave now.

Oh, no, no,

please don't bother.

I'll see myself

to the door.

( melancholy theme plays )

( door closes )

( humming )

Papa, I polished those

before we went to church.

Yeah? Well, those pews

are too narrow.

You know,

I got stepped all over. Look.

It's a sin

to criticize a church.

What do you mean,

the church?

It's the builders

who skimp on the pews.

Come on in

and have breakfast.

Come on.

All right, all right.

( continues humming )

Hey, that helps

your digestion?

What?

That hat.

Oh, Papa. You know, you looked

so hungry when we came home,

I started rushing,

and I forgot all about it.

That hat.

Stop.

( humming )

Papa, come on and eat.

Oh, honey, I'm not hungry.

Besides, I gotta go out.

What do you mean, go...?

But Noble's coming.

We're all going for a ride

in his new car. You forgot.

Some other time, baby.

It's imported from Italy.

Your future husband,

he's supposed to be so modern,

he buys a car

from the old country.

Where are you going?

Out.

What do you mean, "out"?

Well, just-- Just out.

Papa.

Hey, uh...

Hey, Mary, you know the widow

lives next door to the Gallos?

Rose Bianco?

Well, her son's in a...

Well, it's like a farm.

Well, anyway, she invited me

to ride with her

on the bus and go visit him.

The truth of the matter is,

I kind of invited myself.

Why, Papa?

Why? Well, because she's

a nice-looking woman,

and I like her.

A gangster's wife?

Now, if you don't mind, Mary.

Come on, now. Come on, will you

take that look off your face?

Well,

how am I supposed to look

when I hear my father's going

out with a woman like that?

What's the matter?

You don't want me to have

a nice time with a nice woman?

Gee, honey, ain't it better,

now you're getting married,

I find company for myself?

Gee, all these years

we been like, like two hermits

living in a cave.

Come on, honey. Ain't it--

Ain't it better?

All right.

But I didn't know that

when a girl gets married

she's supposed to stop

caring about her father.

Oh, baby. What do you mean,

"stop caring," honey?

Rate this script:4.0 / 1 vote

Joseph Stefano

Joseph William Stefano was an American screenwriter, best known for adapting Robert Bloch's novel for Alfred Hitchcock's film Psycho and for being the producer and co-writer of the original The Outer Limits TV series. more…

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Submitted on August 05, 2018

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