The Baron of Arizona Page #5

Synopsis: The U.S. government recognizes land grants made when the West was under Spanish rule. This inspires James Reavis to forge a chain of historical evidence that makes a foundling girl the Baroness of Arizona. Reavis marries the girl and presses his claim to the entire Arizona territory.
Director(s): Samuel Fuller
Production: Criterion Collection
 
IMDB:
7.0
Rotten Tomatoes:
86%
APPROVED
Year:
1950
97 min
49 Views


As it is, they chase us like

dogs from one province to another.

Madrid!

The marqus would order half

of Spain to hunt us down.

Does a girl make decisions for you?

She has a man's shrewdness.

A shrewd woman would

know when to trust a man.

Well, why should we trust you?

We don't know who you really

are or... where you come from.

Tomorrow you leave our camp!

I told you to leave tomorrow!

Take me with you. I want to go with you.

I will not be in the way.

I will be good to you.

I will be very friendly.

- Perhaps.

- You will take me?

Yes.

Yes, I can see you in

Paris, London, America...

everybody bowing to you,

treating you like a lady.

But you'll marry one of your own...

and have many dirty-faced children.

No, no, no, no, no.

But you can't leave your people, Rita.

They depend on you. They listen to you.

I hate them.

Oh, Rita, you're like a rich

curtain before a doorway...

of wild, wonderful miracles.

There is no longer a curtain.

Each band is a sin...

and I want to confess them all to you.

You make it very hard to refuse.

I've known many women, but with you

it's different. With you I'm afraid.

Is it true what you said? That no

washing will turn a gypsy white?

It takes money.

It's all yours. Money I've saved,

stolen, hidden from the others.

I hate living in the woods like an animal...

people spitting at me and

treating me like a mongrel.

- It's not enough for what we both want.

- Then we shall get more.

The Marqus de Santella has much gold.

Enough to dress you in fine gowns

and take you far away from here.

Anything! Anything you say! Only

promise you'll take me with you.

I don't understand Rita.

Last night...

she said it was too

dangerous to go to Madrid.

Today she says we go to Madrid.

Mm-hmm.

I don't like this moving around all the time!

It makes me feel like a vagabond.

Where is the tall gypsy? The

one with the lovely beard.

Ah, Marquesa, I see a

rich, fat man in your life.

My husband is not a fat man.

The Marqus de Santella is a handsome man.

Oh, yes, Marquesa, he is beautiful.

It was because of me that

he permitted this party.

Unless you bring me the tall gypsy

at once, I'll have you driven off.

No, wait. I thought I

saw him go into the house.

No. He's in the woods...

making a love potion for you.

- I think he's in the house.

- No.

He's waiting for you in

the woods. He told me.

What are you doing here?

The gypsy girl told me

that you would be here.

She lied. She's jealous.

And so am I.

Last night you promised you'd

spend every moment with me tonight.

We must be cautious. Your husband.

I love my husband, but I'm bored with him...

and his musty, old books.

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Samuel Fuller

Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist, and film director known for low-budget, understated genre movies with controversial themes, often made outside the conventional studio system. Fuller wrote his first screenplay for Hats Off in 1936, and made his directorial debut with the Western I Shot Jesse James (1949). He would continue to direct several other Westerns and war thrillers throughout the 1950s. Fuller shifted from Westerns and war thrillers in the 1960s with his low-budget thriller Shock Corridor in 1963, followed by the neo-noir The Naked Kiss (1964). He was inactive in filmmaking for most of the 1970s, before writing and directing the war epic The Big Red One (1980), and the experimental White Dog (1982), whose screenplay he co-wrote with Curtis Hanson. more…

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Submitted on August 05, 2018

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