The Arrangement Page #3

Synopsis: Eddie is a very rich man who has everything he wants; money, family, success, but a car crash causes him to reevaluate the life he leads. Searching for the happiness he lost, he remembers his one-time lover, Gwen, even as his wife conspires to take his fortune...
Genre: Drama, Romance
Director(s): Elia Kazan
Production: Warner Home Video
  1 win & 2 nominations.
 
IMDB:
6.6
Rotten Tomatoes:
14%
R
Year:
1969
125 min
247 Views


I mean, around the office?

I don't always. Just when

I wanna get a reaction to something.

You know, she's on my personal payroll

because she's got a built-in crap detector.

Very useful. So you watch it.

You're great.

Delicious. May I have another one?

- Yes, of course.

- Beautiful grapes.

What are they, Thompson Seedless?

What- What amuses you?

All right.

We'll talk some other day perhaps, huh?

We'll have another little talk,

just a little chat.

And he's been this way all along?

He's said exactly one sentence

since the accident.

And that was?

"I'm not going back. "

To work, he meant.

Mrs. Anderson, as your analyst...

...I must warn you.

Something serious is going on here.

Yes, but what? Tell me what.

For one thing, I think we should

stop calling it "the accident. "

- That's an inaccurate-

- That's what it was.

There's a Chinese proverb:

The peasant always hangs himself

in the landlord's doorway.

Oh, bosh. I'm not his landlord,

I'm his wife.

But is he your husband?

I'm sorry.

I can discuss that.

Remember how he used to be?

Well, ever since

he broke up with her, he...

Well, I told you.

He's lost all interest in it.

Not only with me,

but as far as I can tell, with anyone.

Well, "It's better than if he were

off with some tramp," I tell myself.

"More to marriage than sex,"

I tell myself.

By the way, I have your check.

You're really convinced there

was nothing more to that relationship?

A sex thing. Pure and simple.

She was the office tramp.

That happens. I understand that.

Now, I must admit, there are nights

when I feel ready to go through the roof.

I'll fire that girl.

If he can get along without it, I can.

And it's highly unlikely

that he'll ever leave you, is that it?

Because he'll never find anyone

who'll put up with what you had to-

That's the way I am. I waited that

b*tch out and I'm going to wait this out.

I'm raising the question,

is this what's best for you?

That's the way I am!

Well...

...we can never be too sure of that.

Let me just say this.

In every suicide,

there's an element of revenge.

He's very angry with somebody.

Probably himself, but-

- I hate...

- Who is it you hate, Eddie?

Is it me?

Eddie, tell me.

- Oh, I wish, just for once...

- Don't!

T rust me enough to tell me

what she meant to you.

I can take it.

Eddie, just once, say it all.

Then we can both forget it.

Eddie.

Please.

Little over- Over a year ago.

Christmas.

The office party.

What're you opening that now for?

It says, "Open immediately.

Organic matter, perishable. "

From your friends at the office.

- Look at this.

- Oh, isn't that nice?

Thank you. Appreciate it.

- Merry Christmas.

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Elia Kazan

Elia Kazan (; born Elias Kazantzoglou; September 7, 1909 – September 28, 2003) was a Greek-American director, producer, writer and actor, described by The New York Times as "one of the most honored and influential directors in Broadway and Hollywood history".He was born in Constantinople (now Istanbul, Turkey), to Cappadocian Greek parents. After attending Williams College and then the Yale School of Drama, he acted professionally for eight years, later joining the Group Theatre in 1932, and co-founded the Actors Studio in 1947. With Robert Lewis and Cheryl Crawford, his actors' studio introduced "Method Acting" under the direction of Lee Strasberg. Kazan acted in a few films, including City for Conquest (1940).Noted for drawing out the best dramatic performances from his actors, he directed 21 actors to Oscar nominations, resulting in nine wins. He directed a string of successful films, including A Streetcar Named Desire (1951), On the Waterfront (1954), and East of Eden (1955). During his career, he won two Oscars as Best Director, three Tony Awards, and four Golden Globes. He also received an Honorary Oscar. His films were concerned with personal or social issues of special concern to him. Kazan writes, "I don't move unless I have some empathy with the basic theme." His first such "issue" film was Gentleman's Agreement (1947), with Gregory Peck, which dealt with anti-Semitism in America. It received 8 Oscar nominations and 3 wins, including Kazan's first for Best Director. It was followed by Pinky, one of the first films in mainstream Hollywood to address racial prejudice against black people. In 1954, he directed On the Waterfront, a film about union corruption on the New York harbor waterfront. A Streetcar Named Desire (1951), an adaptation of the stage play which he had also directed, received 12 Oscar nominations, winning 4, and was Marlon Brando's breakthrough role. In 1955, he directed John Steinbeck's East of Eden, which introduced James Dean to movie audiences. A turning point in Kazan's career came with his testimony as a witness before the House Committee on Un-American Activities in 1952 at the time of the Hollywood blacklist, which brought him strong negative reactions from many liberal friends and colleagues. His testimony helped end the careers of former acting colleagues Morris Carnovsky and Art Smith, along with ending the work of playwright Clifford Odets. Kazan later justified his act by saying he took "only the more tolerable of two alternatives that were either way painful and wrong." Nearly a half-century later, his anti-Communist testimony continued to cause controversy. When Kazan was awarded an honorary Oscar in 1999, dozens of actors chose not to applaud as 250 demonstrators picketed the event.Kazan influenced the films of the 1950s and '60s with his provocative, issue-driven subjects. Director Stanley Kubrick called him, "without question, the best director we have in America, [and] capable of performing miracles with the actors he uses." Film author Ian Freer concludes that even "if his achievements are tainted by political controversy, the debt Hollywood—and actors everywhere—owes him is enormous." In 2010, Martin Scorsese co-directed the documentary film A Letter to Elia as a personal tribute to Kazan. more…

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Submitted on August 05, 2018

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