The Americanization of Emily Page #6

Synopsis: During the build-up to D-Day in 1944, the British found their island hosting many thousands of American soldiers who were "oversexed, overpaid, and over here". That's Charlie Madison exactly; he knows all the angles to make life as smooth and risk-free as possible for himself. But things become complicated when he falls for an English woman, and his commanding officer's nervous breakdown leads to Charlie being sent on a senseless and dangerous mission.
Genre: Comedy, Drama, War
Director(s): Arthur Hiller
Production: WARNER BROTHERS PICTURES
  Nominated for 2 Oscars. Another 4 nominations.
 
IMDB:
7.4
Rotten Tomatoes:
100%
APPROVED
Year:
1964
115 min
Website
1,070 Views


Communist. Five years at the most.

Here's your drink, sir.

Murderers, boy. Murderers.

You're on the nose there, George.

Andrew, for one.

Take the steam out of it.

And your damned Army in China, anyway.

I'll leave your drink on the bed table, sir.

Come to think of it, I don't have a girl.

I don't have a man.

You think we can keep it on that level?

Not a chance.

It's going to be just one of those things,

you and I.

I like your spirit, Commander.

- I'm not your type, you know.

- Like hell, you're not.

I would have thought you'd fancy heroes.

I'm yellow, honey, clear through.

That's your most attractive quality.

I've had it with heroes.

Every man I've loved has died in this war.

You'll never get caught in the shooting.

That's one thing I'm sure of.

You can't imagine how attractive

that makes you to me.

Easy, tiger. That's a tailored shirt.

Shut up and let me kiss you.

The first dead man on Omaha Beach

must be a sailor.

You read me, sir?

The first dead man on Omaha Beach

must be a sailor.

Put your mind on that, sir.

Dear me, what was that about?

What did he say?

I think he said, "The first dead man

on Omaha Beach must be a sailor. "

That's a very piquant thing to say,

don't you think?

Yes, I think I'd call it piquant.

Does he do that often?

No. I don't think I ever remember him

doing that before.

Excuse me a minute, will you, please?

Hello, Charlie.

The first dead man on Omaha Beach

must be a sailor.

Think about that for a minute.

In what reference, sir?

The Unknown Sailor.

Let me kick that around

in my own mind for a minute.

Charlie, I want the whole team

in my office tomorrow morning at 0900...

to discuss just that.

To discuss just what, sir?

Arrange that, Charlie.

Good night, Charlie.

Good night, sir.

- Who is it?

- Always barging in...

- Bus, the strangest thing happened.

- Close the door!

The Admiral came into my room

in his nightshirt...

yelling, "The first dead man

on Omaha Beach must be a sailor. "

What's up? You can see

the obvious state of affairs here.

The Admiral's ripped a braid.

He came barging in, yelling,

"The first dead... "

- For Pete's sake, tomorrow morning...

- Tomorrow morning at 0900...

the Admiral wants the team

in his office to discuss...

"The first dead man on Omaha Beach

must be a sailor. "

Yeah. Swell. Great.

Where are my ruddy shoes?

Tomorrow morning, Charlie?

- Bloody rude Americans!

- All right.

- They're all the same!

- Tomorrow morning.

I think Charlie's flipped his screw.

This hotel's like a ruddy circus,

if you don't mind me saying.

I mean, really!

Now, it's okay, baby.

We've got about a month.

I want a movie made that shows

Rate this script:0.0 / 0 votes

Paddy Chayefsky

Sidney Aaron "Paddy" Chayefsky was an American playwright, screenwriter and novelist. He is the only person to have won three solo Academy Awards for Best Screenplay. more…

All Paddy Chayefsky scripts | Paddy Chayefsky Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Americanization of Emily" Scripts.com. STANDS4 LLC, 2024. Web. 2 May 2024. <https://www.scripts.com/script/the_americanization_of_emily_2728>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Americanization of Emily

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.