Suddenly, Last Summer Page #3

Synopsis: A wealthy harridan, Violet Venable, attempts to bribe Dr. Cukrowicz, a young psycho-surgeon from a New Orleans mental hospital that is desperately in need of funds, into lobotomizing her niece, Catherine Holly. Violet wants the operation performed in order to prevent Catherine from defiling the memory of her son, the poet Sebastian. Catherine has been babbling obscenely about Sebastian's mysterious death that she witnessed while on holiday together in Spain the previous summer.
Production: Sony Pictures Home Entertainment
  Nominated for 3 Oscars. Another 4 wins & 4 nominations.
 
IMDB:
7.6
Rotten Tomatoes:
69%
APPROVED
Year:
1959
114 min
1,843 Views


No, Chicago. Actually, dementia

praecox is a meaningless phrase...

Chicago. I've always wanted

to see two places before I die.

Hong Kong...

...and Chicago.

Now I shall never see either.

Because I must use every inch and ounce

of what little strength I have...

...in doing just what I'm doing.

The foundation you referred to?

Building a memorial to my son.

You see, Sebastian had

no public name as a poet.

He didn't want one.

He refused to have one.

He abhorred the false values

that come from being publicly known...

...from fame,

from personal exploitation.

He'd say to me, "Violet, Mother,

you're going to live longer than me.

When I'm gone, it will be yours

to do whatever you please with."

Meaning, of course,

his future recognition.

-You're very like him, doctor.

-ln what way?

Because you, a doctor, a surgeon...

...are dedicated to your art.

Yes, to your art.

It is an art, what you do.

Using people the way he did.

Grandly, creatively.

Almost like God.

I'm afraid my art is to help.

Not to use, but to be used.

Well, it comes to the same,

doesn't it?

I mean, in the end.

Oh, I don't know what I mean.

There is the atelier,

Sebastian's studio.

Most people's lives...

...what are they

but trails of debris?

Each day more debris, more debris.

Long, long trails of debris...

...with nothing to clean it all up

but, finally, death.

I guess...

...quiet desperation

is the word for most lives.

But ours were different.

Sebastian's and mine.

I know it sounds

hopelessly vain to say...

...but we were a famous couple.

People didn't speak of

Sebastian and his mother...

...or Mrs. Venable and her son.

They said Sebastian and Violet.

Violet and Sebastian

are staying at the Lido.

They're at the Ritz.

And every appearance,

every time we appeared...

...attention was centered on us.

Everyone else eclipsed.

My son, Sebastian...

...and I...

...constructed our days.

Each day, we would carve each day

like a piece of sculpture.

We left behind us a trail of days...

...like a gallery of sculpture...

...until suddenly, last summer...

Your son died?

You say that your niece suffers

from dementia praecox.

There must have been

a more exact diagnosis.

Such a pretty name for a disease.

Sounds like a rare flower,

doesn't it?

Night-blooming dementia praecox.

What form does her disturbance take?

Madness.

Obsession, memory.

She lacerates herself with memory.

Memory of what?

Visions, hallucinations.

It all started last summer.

The first I knew, there was a cable...

...from this clinic in Paris...

...saying, "Your niece is out

of her mind. What shall we do?"

I was almost out of

my own mind last summer.

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Gore Vidal

Eugene Luther Gore Vidal (; born Eugene Louis Vidal; October 3, 1925 – July 31, 2012) was an American writer and public intellectual known for his patrician manner, epigrammatic wit, and polished style of writing.Vidal was born to a political family; his maternal grandfather, Thomas Pryor Gore, served as United States senator from Oklahoma (1907–1921 and 1931–1937). He was a Democratic Party politician who twice sought elected office; first to the United States House of Representatives (New York, 1960), then to the U.S. Senate (California, 1982).As a political commentator and essayist, Vidal's principal subject was the history of the United States and its society, especially how the militaristic foreign policy reduced the country to a decadent empire. His political and cultural essays were published in The Nation, the New Statesman, the New York Review of Books, and Esquire magazines. As a public intellectual, Gore Vidal's topical debates on sex, politics, and religion with other intellectuals and writers occasionally turned into quarrels with the likes of William F. Buckley Jr. and Norman Mailer. Vidal thought all men and women are potentially bisexual, so he rejected the adjectives "homosexual" and "heterosexual" when used as nouns, as inherently false terms used to classify and control people in society.As a novelist Vidal explored the nature of corruption in public and private life. His polished and erudite style of narration readily evoked the time and place of his stories, and perceptively delineated the psychology of his characters. His third novel, The City and the Pillar (1948), offended the literary, political, and moral sensibilities of conservative book reviewers, with a dispassionately presented male homosexual relationship. In the historical novel genre, Vidal re-created in Julian (1964) the imperial world of Julian the Apostate (r. AD 361–63), the Roman emperor who used general religious toleration to re-establish pagan polytheism to counter the political subversion of Christian monotheism. In the genre of social satire, Myra Breckinridge (1968) explores the mutability of gender role and sexual orientation as being social constructs established by social mores. In Burr (1973) and Lincoln (1984), the protagonist is presented as "A Man of the People" and as "A Man" in a narrative exploration of how the public and private facets of personality affect the national politics of the U.S. more…

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