Steve Jobs: The Man in the Machine Page #5

Synopsis: In his signature black turtleneck and blue jeans, shrouded in shadows below a milky apple, Steve Jobs' image was ubiquitous. But who was the man on the stage? What accounted for the grief of so many across the world when he died? From Oscar-winning director Alex Gibney, 'Steve Jobs: The Man In The Machine' is a critical examination of Jobs who was at once revered as an iconoclastic genius and a barbed-tongued tyrant. A candid look at Jobs' legacy featuring interviews with a handful of those close to him at different stages in his life, the film is evocative and nuanced in capturing the essence of the Apple legend and his values which shape the culture of Silicon Valley to this day.
Genre: Documentary
Director(s): Alex Gibney
Production: Magnolia Pictures
 
IMDB:
6.9
Metacritic:
72
Rotten Tomatoes:
77%
R
Year:
2015
128 min
Website
633 Views


They said, "No, it's a person."

Wozniak had a technical article

on the Apple II.

He wanted us to try to get it

placed into a magazine.

Nobody could read it. It was

all technical jargon and so forth.

And so I told him

I'd have to rewrite it,

and he wasn't happy about that.

He said, "No one's going to rewrite

my stuff."

I said, "Well,

then there's nothing I can do for you,

so you might as well leave."

Steve called back,

and he pretty much convinced me

that he would be the person

that we'd be dealing with

and that Wozniak would be designing

and building things,

which is the way it happens

in most businesses.

The engineers are more back room

and you work with either the

entrepreneur or the marketing people.

Did you think early on

that Steve could be the guy?

Oh, definitely. You just had to spend

a few minutes with him and you knew it.

He had the ability

to talk about the possibility

of what this computer could be.

And I think the key is not just

talking about the product,

but giving you an idea

of what is possible using this product

and what the next generation

is going to be like.

So he gives people this feeling

of forward movement.

- How many calculators do you own?

- Two, maybe.

Right, and do you use

the automatic bank-telling machines?

- Sure.

- Life is already seducing you

into learning this stuff.

It's not going to happen at once,

and it's certainly not

a 1984-ish vision at all.

It's just going to be very gradual

and very human

and will seduce you

into learning how to use it.

Transitioning from a hobby

to a personal computer,

that whole idea was driven by Steve.

He was trying to say

we need to differentiate ourselves

and really move out

of this hobbyist realm.

It ended up

coming out of the room saying,

"We're going to call ourselves

the personal computer."

Industry experts say

we're no longer on the verge

of the personal computer revolution.

We're right in the midst of it,

thank you.

And it's gathering steam

with more and more people

jumping aboard every day.

I use my computer right now

for mostly word processing.

I use it for solar evaluation programs.

We put our entire accounting system

on it.

The wife can use it to store recipes.

To balance my checkbook for me.

We do the computer club's bulletin.

- Playing games.

- Shopping by mail.

- Budgeting.

- Bowling-league type scores.

- Electronic mail.

- A guy can be creative on it.

I mean, he can use it

for whatever he can dream up.

This is a 21st-century bicycle

that amplifies a certain intellectual

ability that man has.

The effects that it's going to

have on society

are actually going to far outstrip

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Alex Gibney

Philip Alexander "Alex" Gibney (born October 23, 1953) is an American documentary film director and producer. In 2010, Esquire magazine said Gibney "is becoming the most important documentarian of our time".His works as director include Going Clear: Scientology and the Prison of Belief (winner of three Emmys in 2015), We Steal Secrets: The Story of Wikileaks, Mea Maxima Culpa: Silence in the House of God (the winner of three primetime Emmy awards), Enron: The Smartest Guys in the Room (nominated in 2005 for Academy Award for Best Documentary Feature); Client 9: The Rise and Fall of Eliot Spitzer (short-listed in 2011 for the Academy Award for Best Documentary Feature); Casino Jack and the United States of Money; and Taxi to the Dark Side (winner of the 2007 Academy Award for Best Documentary Feature), focusing on a taxi driver in Afghanistan who was tortured and killed at Bagram Air Force Base in 2002. more…

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Submitted on August 05, 2018

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