Shoot The Moon Page #4

Synopsis: A fifteen year marriage dissolves, leaving both the husband and wife, and their four children, devastated. He's preoccupied with a career and a mistress, she with a career and caring for four young children. While they attempt to go their separate ways, jealousy and bitterness reconnect them.
Genre: Drama
Director(s): Alan Parker
Production: Warner Home Video
  Nominated for 2 Golden Globes. Another 5 nominations.
 
IMDB:
7.0
Rotten Tomatoes:
80%
R
Year:
1982
124 min
433 Views


She's on a diet.

What do you mean, a diet?

Well, then, give it to her teacher, honey!

- Bye!

- Bye!

Oh, God!

- What's the matter?

- What's the matter?

- I can't find my glasses. Christ!

- Well, where'd you leave them?

- I left them right here!

- You sure they're not on your desk?

I'm losing everything.

I can't find anything anymore.

Can't even find a goddamn pencil.

What do the kids do?

Use them for pick-up sticks?

And when I do finally rescue one,

it's chewed over like a piece of licorice,

it's got a point like a gumdrop!

What do the kids do

with my pencil points?

Stick them in their goddamn Jujubes?

Oh, George, please stop.

Stop what?

I can't find my goddamn glasses.

Where are my goddamn glasses?

How can I be expected to work

if I can't find my glasses?

Then don't work, George. Just don't work.

I'm late on a Sunday piece.

I've got the cover.

They're closed tomorrow.

Don't work, don't earn money.

- That way, we can all starve.

- Nobody's starving, George.

No orange juice.

Not even a goddamn glass of orange juice.

I've got the energy of a $2 whore

in the morning. You know why?

The goddamn kids drink

all the goddamn orange juice!

Well, we ran out and I meant

to get some on the way back last night.

What? At 2:
00 in the morning?

has been perfectly fine for you lately.

What are you talking about?

I'm talking about the night before last,

George.

I was in town. I was working.

You were with your lady friend.

- My what?

- Lady friend.

Lady friend. What kind of a word's that?

It's like "f***ing," only you don't

tell anyone about it! That's what it is!

Do you want to talk about it?

Don't you think we ought to talk about it?

I said,

"Don't you think

we ought to talk about it?"

No, George,

I don't think I wanna talk about it!

I think we ought to talk about it!

And I don't want to talk about it!

And I wanna talk about it!

- I'm leaving.

- Good.

- I'm packing my bag.

- It's already packed.

What?

It's on the chair upstairs.

I packed it last night.

Hi. Yeah.

Are you the service or are you Dr. Moore?

Oh, you're Dr. Moore's nurse.

Well, I'd like to make an appointment

for Jill Dunlap.

Oh, sh*t. No, not you.

Damn.

Yeah, she hurt her foot

in ballet class last week.

She's limping and she's getting worse.

No, I'm sorry. She doesn't even

get out of school till 3:30.

Piano lesson's at 4:15.

No, her sister. Yeah.

Oh, 4:
45. That's great.

Thank you so much. Bye.

Hey, I'm throwing it out!

Hey, you guys, I said I'm throwing it out!

Go on! Throw your sh*t out!

I'm warning you, guys!

You get down here and eat breakfast

or I'm gonna throw this stuff out!

I don't want any breakfast.

Rate this script:0.0 / 0 votes

Bo Goldman

There are but a few select screenwriters who are spoken of with the kind of reverence usually reserved for film Directors - Robert Towne, Alvin Sargent and Bo Goldman. Goldman is a screenwriter's screenwriter, and one of the most honored in motion picture history. The recipient of two Academy Awards, a New York Film Critics Award, two Writers Guild Awards, three Golden Globes, additional Academy Award and Writers Guild nominations and, ultimately, the Guild's life achievement Award - The Laurel. Born in New York City, Goldman was educated at Exeter and Princeton where he wrote, produced, composed the lyrics and was president of the famed Triangle show, a proving ground for James Stewart and director Joshua Logan. On graduation, he went directly to Broadway as the lyricist for "First Impressions", based on Jane Austen's "Pride and Prejudice", produced by composer Jule Styne and directed by Abe Burrows, starring Hermione Gingold, Polly Bergen and Farley Granger. Moving into television, Goldman was mentored by the redoubtable Fred Coe (the "D.W. Griffith of dramatic television") and became part of the twilight of The Golden Age, associate producing and script editing Coe's prestigious Playhouse 90 (1956)'s, "The Days of Wine and Roses", "A Plot to Kill Stalin" and Horton Foote's "Old Man". Goldman went on to himself produce and write for Public Television on the award-winning NET Playhouse. During this period, Goldman first tried his hand at screen-writing, resulting in an early version of Shoot the Moon (1982) which stirred the interest of Hollywood and became his calling card. After reading Shoot the Moon (1982), Milos Forman asked Goldman to write the screenplay for One Flew Over the Cuckoo's Nest (1975). Goldman's first produced film won all five top Academy Awards including Best Screenplay for Goldman. "Cuckoo's Nest" was the first film to win the top five awards since Frank Capra's It Happened One Night (1934). Goldman also received the Writers Guild Award and the Golden Globe Award for his work on the film. He next wrote The Rose (1979), which was nominated for four Academy Awards, followed by his original screenplay, Melvin and Howard (1980), which garnered Goldman his second Oscar, second Writers Guild Award and the New York Film Critics Circle Award for Screenplay of the Year. Goldman's first screenplay, Shoot the Moon (1982), that started it all, was then filmed by Alan Parker, starring Diane Keaton and Albert Finney, the film received international acclaim and was embraced by America's most respected film critics including Pauline Kael and Richard Schickel. For Shoot the Moon (1982), Goldman earned his third Writers Guild nomination. Over the next few years, he contributed uncredited work to countless scripts, including Milos Forman's Ragtime (1981), starring James Cagney and Donald O'Connor, The Flamingo Kid (1984), starring Matt Dillon, and Warren Beatty's Dick Tracy (1990). Goldman tried his hand at directing an adaptation of Susan Minot's novel "Monkeys", and a re-imagining of Ingmar Bergman's Wild Strawberries (1957) (aka "Wild Strawberries") as a vehicle for Gregory Peck, but for budgetary and scheduling reasons, both movies lost their start dates. Goldman returned solely to screen-writing with Scent of a Woman (1992), starring Al Pacino. Goldman was honored with his third Academy Award nomination and his third Golden Globe Award. He followed this with Harold Becker's City Hall (1996), starring Al Pacino and John Cusack, and then co-wrote Meet Joe Black (1998), starring Brad Pitt and Anthony Hopkins. More recently, Goldman did a page one uncredited rewrite of The Perfect Storm (2000). It was Goldman's script that green lit the movie at Warner Bros. and convinced George Clooney to star in the film, which went on to earn $327,000,000. In 2005, he helped prepare the shooting script for Milos Forman's Goya's Ghosts (2006), produced by Saul Zaentz and starring Natalie Portman and Javier Bardem. He wrote a script for a remake of Jules Dassin's Rififi (1955) (aka Rififi), for director Harold Becker, starring Al Pacino. Goldman is married to Mab Ashforth, and is the father of six children, seven grandchildren and one great grandchild. He resides in Rockville, Maine. more…

All Bo Goldman scripts | Bo Goldman Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Shoot The Moon" Scripts.com. STANDS4 LLC, 2024. Web. 6 May 2024. <https://www.scripts.com/script/shoot_the_moon_18030>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Shoot The Moon

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.