Shock Corridor Page #3

Synopsis: Johnny Barrett, an ambitious journalist, is determined to win a Pulitzer Prize by solving a murder committed in a lunatic asylum and witnessed only by three inmates, from whom the police have been unable to extract the information. With the connivance of a psychiatrist, and the reluctant help of his girlfriend, he succeeds in having himself declared insane and sent to the asylum. There he slowly tracks down and interviews the witnesses - but things are stranger than they seem ...
Genre: Drama, Mystery
Director(s): Samuel Fuller
Production: Criterion Collection
  Nominated for 1 Golden Globe. Another 2 wins.
 
IMDB:
7.5
Rotten Tomatoes:
94%
NOT RATED
Year:
1963
101 min
438 Views


this story will write itself!

What made you feel differently toward her?

Her braids.

Tell me about her braids.

I caressed them...

kissed them.

Did you pull on them?

I'd never hurt her.

The next question's gotta be

about fetishist, according to Doc Fong's script.

Oh, I don't like this.

He's stalling too much.

If he doesn't come through with that question,

I'll fall right on my typographical face.

Do you know what a fetishist is?

There's no contest in this.

Sure, I know.

As a reporter, did you ever cover a story...

where a man became intensely excited

whenever he saw a woman with long hair...

long, loose hair?

Yes.

- Did he make love to her?

- Yes, he killed her.

You don't want to wake up some fine morning

to learn you killed your sister.

Oh, now, Doctor, I'm no epileptic

with some kind of fetish for hair!

- Of course, Cathy - Now, her hair is different.

- I understand.

- I figured you would. Yes.

- I understand.

Didn't you threaten to commit suicide

if she ever got married?

Didn't you threaten your sister

if she wouldn't let you make love to her?

- That's different.

- Why?

- Because she's different.

- Why is she different?

- Because!

- Because why?

Because I want her,

and nobody's gonna keep her from me!

I want her, Doc!

Cathy! Cathy!

Cathy! Cathy!

Cathy! Cathy!

Cathy!

Cathy! Cathy!

Cathy! No!

Overlapping Voices]

Personality synthesis. Test emotional state.

emotional tendencies.

personality synthesis.

Emotional state.

You were a healthy lover,

until you started this crazy idea.

And now it's consumed you.

You made a nervous wreck out of me.

Well, reverse the situation, Johnny.

What if I -

I were going away on a trip

that could separate us for weeks...

or months?

Would you help me...

put a gap between us?

The drama critic on your paper...

said my "Chablis-tinted hair...

"is like a soft halo...

"over wide-set...

inviting eyes."

And my mouth -

my mouth was a lush tunnel...

through which golden notes came.

Stop it, Cathy.

And my movements...

evoke the most inflammatory passions...

in all -

I miss you, Cathy.

My yen for you goes up and down

like a fever chart.

- I love you, Cathy.

- I don't like being alone, Johnny.

But you made me be alone, Johnny.

And I have a right...

to find another Johnny.

No!

Let me have his frequency table.

Yeah. Yeah. Mm-hmm.

Shows a culmination of

internal sexual conflict...

generally of old standing...

and based on a constitutionally determined

chaotic sexual pattern.

There's no doubt.

"His pattern of symptoms...

"in a mental disease is familiar.

"We've got to resolve the underlying...

"sexual conflict.

"Whenever he wants his sister physically...

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Samuel Fuller

Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist, and film director known for low-budget, understated genre movies with controversial themes, often made outside the conventional studio system. Fuller wrote his first screenplay for Hats Off in 1936, and made his directorial debut with the Western I Shot Jesse James (1949). He would continue to direct several other Westerns and war thrillers throughout the 1950s. Fuller shifted from Westerns and war thrillers in the 1960s with his low-budget thriller Shock Corridor in 1963, followed by the neo-noir The Naked Kiss (1964). He was inactive in filmmaking for most of the 1970s, before writing and directing the war epic The Big Red One (1980), and the experimental White Dog (1982), whose screenplay he co-wrote with Curtis Hanson. more…

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Submitted on August 05, 2018

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