Shakha Proshakha Page #3

Year:
1990
219 Views


If needed, he will help out.

Arrangements for your stay...

Your Manager has put us in that room.

Can I take your leave?

Are you going now?

I shall go now.

I will see you tomorrow.

Your father is highly respected.

Last night the telephone

was horrible. Unexpected...

- I was there.

- Were you there?

At the reception?

It happened in front of me.

That's why everything

could be arranged so quickly.

But, Dr. Sahay to be here...

It's just unbelievable...

Yes, in a small place...

Else it would be very difficult.

Otherwise... there isn't

another Cardiologist like him here.

We are very, very lucky.

But he still has regular checkups...

Yes. There is no complaint.

Pressure, cholesterol, blood sugar...

Everything normal.

Surprising. One can never tell...

Rest. You must be very tired.

I will be in that room.

Uma, please ask Laxman

to make some tea.

You sit Didi, I'll go.

Please keep quiet and

do not speak loudly.

Will you have a cup of tea?

I do not mind. Pratab?

Yes, please.

Mezda will you have tea?

Will you have tea, Mezda?

Are you all okay?

Softly, Mezda. Baba is sleeping.

Sleep. Sleep. Sleep.

Knits up the ravelled sleeve of care.

Baba, why is the man doing this?

He is your Mejo Jetu.

Have you forgotten? He is not well.

Proshanto,

did you go to the reception?

No... No...

I knew... I knew...

What do you know?

I know. I know...

Did you know,

Baba would suffer like this?

I know.

Will all of you have a bath?

Should I ask for hot water?

Yes please. So dusty...

Ditto. For everyone...

Won't any of you meet him? Who?

- Thakurda?

- I refuse to go...

I cannot handle senility.

He won't recognize us. No use.

Then I will go and see him...

- Greetings Ma'am.

- How is he?

Better. Watch.

Please raise your hand, Khuda Babu.

Please raise your hand...

Don't you want

to wear your pullover?

Raise your hand...

Very good... Very good...

Good... Good...

Let's wear it.

Put your arm in... Good boy...

Good boy. Good boy.

Very good boy...

I am your grand daughter-in-law...

Grand daughter-in-law...

Understood?

I'll take your leave now.

I'll come tomorrow. May I go?

Grand daughter-in-law...

- How is he?

- Like the last time.

Come let's go Dingu.

What an useless existence...

He is now 93... Isn't it so, Proshanto?

Hasn't grandfather turned 93?

You all are working people.

Work... Work is...

Tea is ready.

Please come here everyone...

How is your Hi fi doing?

Hi... Fine, very fine...

Come Probir...

Enough. Stop licking... Get up.

Today is the first day.

Please don't expect too much.

Laxman...

As long as there's chicken...

Will you have some roti?

Thakurpo... Rice or Roti?

Rice?

Baba, when will we go back?

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Satyajit Ray

Satyajit Ray (Bengali: [ˈʃɔt̪ːodʒit̪ ˈrai̯] ( listen); 2 May 1921 – 23 April 1992) was an Indian filmmaker, screenwriter, graphic artist, music composer and author, widely regarded as one of the greatest filmmakers of the 20th century. Ray was born in the city of Calcutta into a Bengali Brahmo family of Bengali Kayastha origin which was prominent in the field of arts and literature. Starting his career as a commercial artist, Ray was drawn into independent filmmaking after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film Bicycle Thieves (1948) during a visit to London. Ray directed 36 films, including feature films, documentaries and shorts. He was also a fiction writer, publisher, illustrator, calligrapher, music composer, graphic designer and film critic. He authored several short stories and novels, meant primarily for young children and teenagers. Feluda, the sleuth, and Professor Shonku, the scientist in his science fiction stories, are popular fictional characters created by him. He was awarded an honorary degree by Oxford University. Ray's first film, Pather Panchali (1955), won eleven international prizes, including the inaugural Best Human Document award at the 1956 Cannes Film Festival. This film, along with Aparajito (1956), and Apur Sansar (The World of Apu) (1959) form The Apu Trilogy. Ray did the scripting, casting, scoring, and editing, and designed his own credit titles and publicity material. Ray received many major awards in his career, including 32 Indian National Film Awards, a Golden Lion, a Golden Bear, 2 Silver Bears, a number of additional awards at international film festivals and award ceremonies, and an Academy Honorary Award in 1992. The Government of India honored him with the Bharat Ratna, its highest civilian award, in 1992. more…

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