Secrets & Lies Page #3

Synopsis: Cynthia lives in London with her sullen street-sweeper daughter. Her brother has been successful with his photographer's business and now lives nearby in a more upmarket house. But Cynthia hasn't even been invited round there after a year. So, all round, she feels rather lonely and isolated. Meanwhile, in another part of town, Hortense, adopted at birth but now grown up, starts to try and trace her mother.
Genre: Drama
Director(s): Mike Leigh
Production: Twentieth Century Fox Home Entertainment
  Nominated for 5 Oscars. Another 33 wins & 41 nominations.
 
IMDB:
8.0
Metacritic:
91
Rotten Tomatoes:
95%
R
Year:
1996
136 min
3,227 Views


Now, you're under no obligation,

but you can, if you want to...

Give me a lovely big smile.

Thank you.

Oh, go on! Come on!

Lovely.

You're under no obligation to me,

but you can smile if you like.

Yes.! Thank you.

- Did you smile, Mother?

- No.

That's it. To me.

Now look at each other.

That's lovely.

- Don't.

- Go on. Look up. Keep your face up.

- Wait, wait, wait. Wait, please.

- That's lovely.

- Yeah. You were closing your eyes.

- Wait a minute.

Don't forget to burp it properly.

Give it a drop of gripe water.

We used to pour it down Roxanne

by the gallon.

She farted like a trouper.

Runs in the family.

Would madame care to

test the temperature?

I'm sure it'll be fine.

Thanks.

- Been bad, has it?

- It eased off at lunchtime.

Managed a couple of crackers.

It's unpredictable, isn't it?

No, it's not unpredictable.

- You've drawn the short straw, mate.

- You're telling me.

I wish it was unpredictable.

- What are you gonna have for your tea?

- Tonight I'm eating fancy.

- What?

- A steak.

- Don't worry about me.

- You'll be keeling over with a heart attack.

Don't we still have

something a bit lighter?

There's a chicken Kiev

in the freezer.

Be a bit cold, wouldn't it?

Anyway, I'm on a diet.

You're disgusting.

Okay. That's very good.

And we can see the ring perfectly.

All right now.

Sir, if you just bring your chin up...

Yeah. Just like that.

That's brilliant.

- All right. Great.

- Wait. Sorry. Listen.

- Um, take your glasses off.

- I don't want to take my glasses off.

Take them off!

- Doesn't matter... keep 'em on, take 'em off.

- No, it's all right.

- It looks better without them.

- It's not what I look like, okay?

- Come on. Just... here.

- Right. Okay. And to the...

Can you... One moment, please.

Can you take the cross out, please?

- Mm?

- Take the cross out. The gift. Take it out.

- I just think it looks awful.

- It doesn't look awful.

It looks awful 'cause it's not gold.

I told you to buy gold.

Okay. Right.

Okay. And to me again.

Right. That's lovely.

Now, if you want to look happy

or sad, I don't mind.

That's it!

Ah, look at me! And lovely!

Hello. My name's

Hortense Cumberbatch.

I got your letter. Hi.

All right. Tuesday.

Hello.

- Hortense. Hello. Jenny Ford. Nice to meet you.

- Oh, hi.

- Come this way. How are you? All right?

- Fine. Thank you.

Good. I'm sorry

about this prison cell.

We've been going on about it

for years, but there you go.

Have a seat.

Make yourself at home.

Now, before we go any further, have you

got any I.D... passport, driving license?

- Oh, yeah.

- I have to get used to all this red tape.

- Would you like a Rollo?

- No, thank you.

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Mike Leigh

Mike Leigh (born 20 February 1943) is an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Art (RADA) before honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by a gritty "kitchen sink realism" style. His well-known films include the comedy-dramas Life is Sweet (1990) and Career Girls (1997), the Gilbert and Sullivan biographical film Topsy-Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are the black comedy-drama Naked (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA and Palme d'Or-winning drama Secrets & Lies (1996), the Golden Lion winning working-class drama Vera Drake (2004), and the Palme d'Or nominated biopic Mr. Turner (2014). Some of his notable stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. His purpose is to capture reality and present "emotional, subjective, intuitive, instinctive, vulnerable films." His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu. His films and stage plays, according to critic Michael Coveney, "comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." Coveney further noted Leigh's role in helping to create stars – Liz Smith in Hard Labour, Alison Steadman in Abigail's Party, Brenda Blethyn in Grown-Ups, Antony Sher in Goose-Pimples, Gary Oldman and Tim Roth in Meantime, Jane Horrocks in Life is Sweet, David Thewlis in Naked—and remarked that the list of actors who have worked with him over the years—including Paul Jesson, Phil Daniels, Lindsay Duncan, Lesley Sharp, Kathy Burke, Stephen Rea, Julie Walters – "comprises an impressive, almost representative, nucleus of outstanding British acting talent." Ian Buruma, writing in The New York Review of Books in January 1994, noted: "It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. Like other wholly original artists, he has staked out his own territory. Leigh's London is as distinctive as Fellini's Rome or Ozu's Tokyo." more…

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Submitted on August 05, 2018

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