Secret Ceremony Page #3

Synopsis: Leonora, a prostitute, mourns the death by drowning years earlier of her daughter. She encounters a strange waif-like girl, Cenci, who bears a strong resemblance to her lost child. Cenci is herself struck by the great resemblance of Leonora to her own mother, whose death the mentally unstable Cenci has been unable to accept or even acknowledge. The two women quickly develop a symbiotic relationship, moving in and out of the illusion that each is the lost loved one of the other. The complicating factor is the arrival of Albert, Cenci's stepfather, whose incestuous attachment to her may well be the cause of her mind's unbalance. With Albert's arrival, no one in the strange trio is safe.
Genre: Drama, Thriller
Director(s): Joseph Losey
Production: Universal Pictures
  Nominated for 1 BAFTA Film Award. Another 1 nomination.
 
IMDB:
6.5
Rotten Tomatoes:
50%
R
Year:
1968
109 min
146 Views


And when did you last have a bath?

We have a perfect right

to visit your mother's bedroom.

You've lit the fire.

Why a fire when it's unseasonably warm?

- Wasting all that money.

- It's stifling hot in here.

Stifling.

Oh... Ooh!

Look! Hannah, look!

All these dresses!

Cenci, they'll hang here till they rot.

Cenci, you might as well get rid of them.

You might give us one or two.

This one, for instance,

looks just right for me.

Oh, the black fox!

Oh, dear, the black fox.

Christmas '55, everyone sloshed...

and Gustav still alive.

- Ah, dear Gustav.

- Carving the roast.

The most generous brother that ever...

Gave me an electric razor by mistake.

And sang.

Oh, Cenci, the moths will get at it.

It's too middle-aged for a girl like you.

What would you want with a thing like this?

Isn't it, Hannah?

Oh...

No! You can't have the mink.

Look at your mother's bed!

It's warm.

At 11 o'clock in the morning.

No, it's nearly noon.

A decent bed isn't supposed to be warm.

Cenci, are you alone?

Yes.

Have they left?

You didn't tell them about me, did you?

They think you're dead, Mummy.

Hello! Anybody home?

Hello. Margaret, is that you?

Hi there.

How have you been?

No, no, don't tell me.

Aren't you going to let me in?

You know I'm harmless before lunch.

Now, for Christ's sake, come on out.

I'll see you around the campus.

Where have you been?

Christ! Who gave you all that money?

- I've been to the bank.

- What bank?

It's Tuesday. If you don't want me to go

to the bank any more, just say so!

No need to shout.

Sorry.

Did you... go anyplace else?

Did you... meet anyone... else?

No?

Darling, you know you can trust me.

I wouldn't trust you with a crooked penny.

Somebody... called.

Who?

Albert.

- I don't know anyone by that name.

- Give Mummy a kiss.

Oh, my God!

Was...?

Was... Daddy Albert a great lover?

What do you mean?

Was he greater than Daddy Gustav?

I guess so.

Was he... stupendous?

Stupendously... gentle?

And also brutal?

Did he make you give out...

a sound?

What kind of sound?

Let me hear you do it.

Are all men clever like that?

They're just little boys

that... need to have their...

bottoms wiped.

I'm going out.

- Can I come too?

- No, darling.

Please, let me come with you.

- Will you put that bloody thing down?

- Please?

- It's laundry day.

- I wouldn't touch your filthy laundry.

Cenci, you do the laundry

or no telly this week.

- Ha! We haven't got a telly!

- Oh, you're impossible today!

- You're coming back, aren't you, Mummy?

- Oh, don't be silly, of course I am.

- Come back soon!

- I will.

Coming...

Coming...

Oh, my God!

Hilda!

- Hilda!

- Yes? What is it?

Oh, really... Oh, all right.

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Marco Denevi

Marco Denevi (May 12, 1922 – December 12, 1998) was an Argentine author of novels and short stories, as well as a lawyer and journalist. His work is characterized by its originality and depth, as well as a criticism of human incompetence. His first work, a mystery novel titled Rosaura a las diez (1955), was a Kraft award winner and a bestseller. In 1964, it was translated into English as Rosa at Ten O'Clock. Other famous works of his include Los expedientes (1957), Ceremonia Secreta (1960), El cuarto de la noche (1962), and Falsificaciones (1966). Ceremonia Secreta was filmed as Secret Ceremony in 1968 starring Elizabeth Taylor, Mia Farrow, Robert Mitchum, and Peggy Ashcroft. It was directed by Joseph Losey, with a screenplay written by George Tabori. In his edition of this and other Denevi works (Macmillan, 1965), Donald A. Yates mentions Denevi's admiration for Wilkie Collins, whose work this novella resembles. He is less known as an essayist, but he also cultivated that genre with his República de Trapalanda (1989), a late work, where he took on Ezequiel Martínez Estrada and Domingo Faustino Sarmiento's view of the Argentine republic. He was born in the province of Buenos Aires, Argentina, and at a young age he began playing the piano and reading. He graduated from college in 1939, and did not receive his law degree until 1956. In 1987 he was inducted into the Argentine Academy of Letters. It is important to note Denevi's desire to be a playwright. He wrote many dramatic pieces but felt he was not talented enough to write for the theater in Spain. more…

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Submitted on August 05, 2018

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