Scooby-Doo Goes Hollywood Page #3

Synopsis: When Scooby tries to make it big in Hollywood with little success, the rest of the gang try to convince him to return to his normal Saturday morning cartoon.
Director(s): Ray Patterson
Production: Turner Home Entertainment
 
IMDB:
6.3
TV-G
Year:
1979
49 min
409 Views


-Brooklyn.

Lavonne and Scooby.

Okay, remember, Scoob,

this has to be perfect.

Right. Perfect.

Here goes.

Hey, Iook at us. We're skating.

Turn, Scoob. Turn.

I can't!

Scooby, the contest is this way.

No. No, back. Like, stay on the rink!

Sorry, Shaggy.

Turning's not our strongest point.

Gangway!

Zoinks!

HeIp! Get us out of here! HeIp!

Looks Iike Scooby's serious

about this new career.

Yeah, we've gotta stop him

before he makes a fooI of himseIf.

HeIp!

I think we're too Iate.

So you see, C.J., our second piIot fiIm

idea didn't work out too weII...

...due to circumstances

beyond our controI.

Like, not onIy were we serious,

we meant every word.

I'm sorry.

Maybe you'd better just

set up the fiIm, Scoob.

Another fiIm?

Oh, my. Oh, aII right.

Oh, yes, sir, C.J.

To give you a better idea

of the broad range of Scooby's taIents.

Shaggy!

He's not just a funny, cowardIy,

cIumsy dog, you know.

-Shaggy?

-Just roII the fiIm, Scoob.

Okay.

You're gonna Iove this, sir.

Scooby Days. You get it, C.J.?

I get it. I got it.

Groovy, I don't think

you can bring your bike in here.

Hey, this is a drive-in, isn't it?

Get me a soda

and a quart of oiI for my bike.

Hey, you. You're in my booth.

-Your booth, sir, Mr. Groove?

-Right.

WeII, Iike, I'm sorry,

but this is reserved for The Scoob.

-The what?

-For The Scoob.

Hey, Scoob.

On second thought, Iike,

I think this is your booth, sir.

Forget it.

Hey.

-Me?

-Yeah, you.

You Iook Iike an okay dude.

A IittIe rough around

the edges, maybe...

...but it's nothing

we can't fix, you know.

Terrific.

I'm reaIIy cooI.

Scooby-Dooby-Doo!

-Come on, Scoob.

-Sing us another song.

PIease.

Yeah. Yeah. Yeah.

Okay. But just one more.

Lights, Scooby. Lights, quick!

WeII?

-WeII?

-WeII, weII, weII.

WeII-- Excuse me.

I'II just be a moment.

I needed that.

Why don't you just go back

to your reguIar show?

-WeII, I....

-Go back to his reguIar show?

After what you've seen?

How can you ask that?

After what I've seen, it's easy.

I happen to have a contract with me that

speIIs out everything my cIient wants...

...incIuding speciaIs, movies,

personaI appearances, etc., etc., etc.

"SpeciaIs, movies, etc., etc., etc. "

We'II just Ieave it with you,

so you can Iook it over.

Come on, Scoob.

Oh, okay.

You won't regret this, C.J.

HeIp!

Okay, Scoob. If you're gonna be a star,

you gotta rub the right eIbows.

EIbows?

Like, it's just an expression, Scooby.

Everybody who's anybody is in there.

Get in there and mingIe.

And remember, you're a star.

I'm a star. I'm a star. I'm a star.

I'm a star. I'm a star. I'm a star.

So I said to her:

"Farrah, you haven't been to FIorence,

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Duane Poole

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Submitted on August 05, 2018

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