Scaramouche Page #4

Synopsis: Andre-Louis Moreau is a nobleman's bastard in the days of the French revolution. Noel, the Marquis de Mayne, a nobleman in love with the Queen, is ordered to seek the hand of a young ingenue, Aline, in marriage. Andre also meets Aline, and forms an interest in her. But when the marquis kills his best friend Andre declares himself the Marquis's enemy and vows to avenge his friend. He hides out, a wanted man, as an actor in a commedia troupe, and spends his days learning how to handle a sword. When de Maynes becomes a spadassinicide, challenging opposing National Assembly members to duels they have no hope of winning, Andre becomes a politician to protect the third estate (and hopefully ventilate de Maynes).
Director(s): George Sidney
Production: Warner Home Video
  2 nominations.
 
IMDB:
7.6
APPROVED
Year:
1952
115 min
412 Views


Yes.

- Moreau, l can't see you.

- You must be shortsighted. l'm here.

Be good enough to make out an advance

on my allowance for next year, say half.

Next year's allowance? lmpossible!

Figaro, you may leave us.

But there is no more money. None at all.

- Didn't you get my letter?

- l never read letters.

But l wrote and told you

the allowance has been stopped.

Stopped?

The gentleman is no longer able

to provide for your welfare.

Put that thing down and get out of here.

l shall go to this gentleman

and extract the allowance in person.

- What is his name?

- His name?

lmpossible.

You know l can't do that, Andre.

l know nothing at all!

For 30-odd years...

l have made a profession of ignorance with

particular reference to my real name...

my obscure beginnings,

and my mysterious birth.

lf you fidget, l may draw blood.

You're making me nervous. Where was l?

Yes, my birth.

Being adequately financed

by whoever was responsible...

for my arrival in what is termed

"the wrong side of the blanket"...

l was content

to be ignorant of my parentage.

But now l need money.

lt is at this moment

that my elusive papa concludes...

that his duty is done...

and that there should be

no more cakes and ale...

for his mischievous youth.

A lamentable conclusion in any event,

but at this moment, deplorably timed.

We must therefore face the fact...

that the hour has come

to tear down the veil...

and unmask this philandering gentleman.

Who is he, Fabian? Who is my father?

No! l won't tell.

You're making me nervous again.

l can't betray a client's confidence.

Look at my hand,

how it shakes and trembles with emotion.

What is his name, Fabian?

The name of my father. What is it?

Count de Gavrillac.

- The address?

- ln Normandy.

The manor of Gavrillac. Near Dieppe.

Here l am, Andre!

All in one piece? Where's the lady?

My bride-to-be, the light of my life.

- Come on, boy. Where's Lenore?

- l don't know. l mislaid her.

You mislaid her?

What is she, a button, a handkerchief that

can be dropped or sent to the laundry?

You dunderhead, where is she?

When we stopped at the city gates,

she was out and away...

before l could catch her.

Say, did she leave any message?

She just left.

l'm sorry, Andre. l let you down again.

The oceans are full of fish

and the heavens with stars.

To contemplate one woman

to the exclusion of others...

may be for some men, but not for me.

Come on, boy. To Gavrillac!

lt's coming, Andre, and no one can stop it.

The apple cart the tyrants are riding

will be overturned.

l tell you, it can't be much longer.

Longer?

l think it's already happened.

Happy the rascal traveling life's byway...

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Ronald Millar

Sir Ronald Graeme Millar (12 November 1919 – 16 April 1998) was an English actor, scriptwriter, and dramatist.After Charterhouse and studying at King's College, Cambridge, for a year, Millar joined the Royal Navy in 1940, during the Second World War. He established himself as a playwright after the war and, between 1948 and 1954, lived in Hollywood, where he wrote scripts for MGM. On his return to Britain, he successfully adapted several C. P. Snow novels – and, in 1967, William Clark's novel Number 10 – for the stage. He also wrote the book and lyrics for the musical Robert and Elizabeth. He acted as speechwriter for three British prime ministers, including Margaret Thatcher, for whom he wrote the famous line "The lady's not for turning."Millar was the son of a professional actress, Dorothy Dacre-Hill. Prior to becoming a full-time dramatist and then a speechwriter, Millar acted in a number of West End productions during and after World War II, in the company of luminaries as Ivor Novello, Alastair Sim and John Gielgud. He also appeared in the 1943 war film We Dive at Dawn directed by Anthony Asquith. One of his most well-received productions was Abelard and Heloise featuring Keith Michell and Diana Rigg. more…

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Submitted on August 05, 2018

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    "Scaramouche" Scripts.com. STANDS4 LLC, 2024. Web. 3 May 2024. <https://www.scripts.com/script/scaramouche_17553>.

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