San Francisco Page #2

Synopsis: Mary Blake arrives at Blackie Norton's Paradise gambling hall and beer garden looking for work as a singer. Blackie embarrasses her by asking to see her legs, but does hire her. She faints from hunger. Nob Hill Socialite Jack Burley and Maestro Baldini of the Tivoli Opera House see her singing and offer her a chance to do opera, but Blackie has her under a two-year contract which she sorrowfully stands by. Later, when he makes up posters featuring Mary in tights, she does leave for the Tivoli. Blackie gets an injunction against Burley, but knocks out the process server when he hears Mary's performance as Marguerite in "Faust". She asks her to marry him and she agrees to go back to the Paradise as his kind of singer, but Blackie's childhood chum Father Tim intervenes. After Blackie slugs the priest, Mary leaves. She is soon the star of the Tivoli and Blackie's place is closed down. She sings a rousing "San Francisco" on behalf of the Paradise at the annual "Chicken Ball" and wins the $1
Director(s): W.S. Van Dyke
Production: MGM
  Won 1 Oscar. Another 1 win & 6 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
100%
UNRATED
Year:
1936
115 min
254 Views


of those Benson glad rags...

and dig you up some swell, new scenery.

You got all the makings, kid.

Why, you're going to do great.

What's the matter?

- Where are you going?

- I don't know.

Well, wait a minute. Wait a minute.

You don't have to stall me, honey.

Well, you know,

I wrote that old spiel you just pulled...

parson father, sacrificing mother,

the whole thing, years ago.

I guess you got some John on the string.

Is that it?

Please let me go.

I see.

How much is the railroad fare here

from Benson?

I paid $16.80.

Tomorrow morning I'll have Babe

give you an advance in salary, $20.

And you can send for that mug

you're stuck on.

You know, if there's anything I admire,

it's a woman you can trust out of town.

Getting late.

You could bunk here, if you want to.

Try the sofa.

Good night, sucker.

Hey, Blackie, that professor's waiting

for that new girl to show up for rehearsal.

- She hasn't showed up.

- That so?

- I guess we can forget her, huh?

- Yeah, forget her.

- Oh, am I relieved.

- No good, huh?

I'll say she's good.

Her father was a preacher.

What, are you falling

for an old preacher gag?

Maybe her father was a preacher.

Oh, so you still believe

in Santa Claus, huh?

Trouble with you

is you don't believe in anything.

No, that's where I'm smart.

- Did you say smart?

- That's what I said.

I'm a sucker if I'll ever learn anything.

For 20 years, that big mug

has been mauling me around...

making a chump out of me,

and I always come back for more.

Well, he got to bed

earlier than you did last night.

Come on, get up.

I'm not going to move from this spot

till you're out of the building.

All right, kid. So long, mug.

- Goodbye.

- That guy packs an awful wallop, don't he?

Yeah.

Is he gone?

- Look at the parade.

- Hello, Blackie.

- Hello, Mat.

- Hello, boys.

Blackie, would you like to...

Yeah, thanks.

Someone just showed me to a seat.

- Mat, get me my robe, will you?

- Okay.

Blackie, we've looked you up

to complain about that fire...

last night on Dupont Street.

Complain? Why, I thought it was perfect.

What do you boys want

in the way of a fire?

Listen, you talk better at the meeting,

sitting down.

Hey, listen, Blackie.

Jim Sullivan's kids got trapped

in that fire last night.

- They had to jump for it.

- Yeah, I know. I saw them.

They pulled it off like circus performers.

Mr. Norton, you ain't got no kids.

I got plenty kids.

Luigi, Pedro, Maria and little Tony...

and maybe one or two more

when I get home.

Well, don't go home.

Well, look, boys, put me down for $100

for Jim and the kids, and tell them...

That isn't what we came for, Blackie.

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Anita Loos

Anita Loos (April 26, 1889 – August 18, 1981) was an American screenwriter, playwright and author, best known for her blockbuster comic novel, Gentlemen Prefer Blondes. She wrote film scripts from 1912, and became arguably the first-ever staff scriptwriter, when D.W. Griffith put her on the payroll at Triangle Film Corporation. She went on to write many of the Douglas Fairbanks films, as well as the stage adaptation of Colette’s Gigi. more…

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Submitted on August 05, 2018

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