San Andreas Page #8

Synopsis: In San Andreas, California is experiencing a statewide earthquake that goes on record as easily the biggest earthquake in history. Dwayne Johnson plays Ray Gaines, a helicopter rescue pilot for the Los Angeles Fire Department, who is trying to find his daughter, Blake (Alexandra Daddario), who is in San Francisco amidst the chaos. Ray's estranged wife, Emma, is forced to turn to Ray for help, as he is her last resort. Together they journey to save their daughter.
Director(s): Brad Peyton
Production: Warner Bros.
  2 wins & 10 nominations.
 
IMDB:
6.1
Metacritic:
43
Rotten Tomatoes:
50%
PG-13
Year:
2015
114 min
$127,666,001
Website
9,059 Views


Right here. Move, move, move.

Here we go. Up. Lift.

Let's go! Over here.

It should be just up ahead.

There it is.

Okay, anything running on electricity

isn't gonna work...

...so we have to find

a rotary or a push-button phone.

How do you know all this?

My dad.

He works for L.A. Fire and Rescue.

Over here.

Great. I'll look for a landline.

I got one!

Blake?

Dad.

Dad. I got out. I'm okay.

Aah. She's okay.

Let me talk to her.

Blake?

Mom?

Thank God, honey.

Is Daniel okay?

He left me, Mom.

He what?

He told a security guard where I was...

...and then he just took off...

...and these two brothers that I met

overheard him and they came to help me.

I'm with them right now.

He left her?

We're coming to get you, honey.

Where are you?

I'm in an electronics store in Chinatown.

Honey, it's gonna be okay,

but I need you to listen to me.

Getting outta there is gonna be

a complete gridlock nightmare.

So get to higher ground. It's safer.

That's where I'm gonna

be able to see you.

Do you remember where we spent

Mallory's birthday weekend?

- At Coit Tower?

- Yeah. Yeah.

- That tall cement nozzle thing on the hill.

- Exactly.

Don't stop anywhere. Go there.

That's where we'll meet.

Stay strong, honey.

- We're coming to get you.

- Okay.

Wait, Mom.

How are you and Dad together?

We'll explain later. Okay, honey?

I love you.

I love you guys.

Bye.

Hi, you've reached Daniel. Please leave

me a message and I'll get back to you.

You left my daughter?

If you're not already dead,

I'm gonna f***ing kill you.

Thattagirl.

All right. We need to get going.

So how is your dad going to pick us up?

He's on his way in a helicopter.

That's so cool.

I need you to look up Coit Tower

on your map.

It's your turn.

Your parents will be worried sick.

Thank you.

Don't run.

Get in the street.

Where are we going?

- Stay away from the buildings.

- He wasn't there.

- Another aftershock!

- It's okay. It's all right.

Run! Run!

Get out of my way!

Hey! That was my spot!

You know, when you were

talking to Blake...

...that was the first time I heard you

say Mallory's name since we lost her.

Hey, did you know that Blake keeps

pictures from our San Francisco trip?

Yeah, in her memory box.

It's ironic.

Us heading back up there.

It was a fun trip.

- Where are we?

- Bakersfield.

Or what's left of it.

We're just about 90 minutes

from San Francisco.

Ray?

Did you just turn off the engine?

We got a gearbox failure.

Must've been that hit we took in L.A.

- I'm gonna have to autorotate down.

- Auto-what?

We're gonna crash.

- Right. Okay.

- Hold on.

Here we go.

Aah!

Hold on!

- My God!

- Almost there. Almost there.

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Carlton Cuse

Arthur Carlton Cuse (born March 22, 1959) is an American screenwriter, showrunner and producer, best known as an executive producer and screenwriter for the American television series Lost, for which he made the Time magazine list of the 100 most influential people in the world in 2010. Cuse is considered a pioneer in transmedia storytelling. more…

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Submitted on August 05, 2018

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