Samurai Wolf Page #4

Synopsis: A charismatic ronin gets snared into a conflict between officials at a waystation, and gains the enmity of a group of thugs.
 
IMDB:
7.2
Year:
1966
75 min
28 Views


saved my life.

How?

I came here seven years ago.

I was looking for someone.

Then I lost my sight.

I was totally desperate

and this man saved me.

What happened with

the one you were looking for?

I don't want to talk about it.

It's ancient history.

Stop!

Help me, sir!

Let him have fun.

Leave me alone.

- Kill him!

- Who are you?

What do you want?

During a fight with Iwazo,

you killed our chief. You must pay.

Go! What are you waiting for?

Tonight, I'm not in the mood,

but if someone follows me, I kill him.

The bastard...

Idiot!

What happened to you?

Nothing. You want

the 30000 ryos, right?

You're a fast learner.

Listen, Sanai.

We ask you to take them.

The relay will be blamed

and the administrator will keep this money.

But think.

Are you going to keep killing

for a miserable salary?

Do you want us to run away with the money?

Exactly.

I was waiting for a man like you.

What's happening to you?

I never trust a woman.

How nice of you.

It would be funny if one of us

would try to swindle the other.

The 30000 ryos have arrived to the relay.

The relief will take some time.

Sanai, time to set off.

Don't forget my instructions.

Understood?

He left without noticing anything.

If you hadn't informed me,

he would have conned us.

I need your help.

Team with me.

What should we do about Sanai?

You don't handle a spear with just your arms.

Move your hip.

If you proceed like that,

no one will resist you.

Do you understand?

Your hip!

- Let's go!

- Sir Wolf!

En route!

I MAGAWA RELAY 28 KM

I MAGAWA RELAY 20 KM

If they attack us,

it will be on this road.

You're right.

Listen to me! Be very watchful!

I MAGAWA RELAY 16 KM

I MAGAWA RELAY 8 KM

We'll arrive soon.

They disappoint me.

They were afraid to fight us.

Seizo, Hang on!

Mister the samurai...

Don't worry about me.

Get the 30000 ryos back...

Seizo!

Ohide, get on quick!

Good job.

Now you're gonna die.

I see. Nizaemon sends you.

But you did all this for rocks.

I've been waiting for this moment

since a long time.

Ohide!

Who are you?

Do you remember what you did...

five years ago...

durings the farmers riots?

Okinu!

Goddamn it!

Wait!

Wait!

What are you doing?

Your load seems very heavy.

Where do you come from?

- From the relay before Arai.

- What?

Who hires you?

The widow of Arai relay.

A fake cargo is carried by horses

She entrusted us with these crates.

Is it you who were riding the horses?

Unbelievable...

Goddamn it...

What happened?

What happened?

Nizaemon...

He kidnapped Lady Chise!

- Hello.

- Come in, please.

Confess.

Where did you hide the 30000 ryos?

Don't be stubborn.

I'd rather die...

She's obstinate as a mule.

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Hideo Gosha

Hideo Gosha (五社 英雄, Gosha Hideo, February 26, 1929 – August 30, 1992) was a Japanese film director. Born in Arasaka, Tokyo Prefecture, Gosha graduated from high school and served in the Imperial Navy during the Second World War. After earning a business degree at Meiji University, he joined Nippon television as a reporter in 1953. In 1957 he moved on to the newly founded Fuji Television and rose through the ranks as a producer and director. One of his television shows, the chambara Three Outlaw Samurai, so impressed the heads of the Shochiku film studio that he was offered the chance to adapt it as a feature film in 1964. Following this film's financial success, he directed a string of equally successful chambara productions through the end of the 1960s. His two most critical and popular successes of the period are Goyokin and Hitokiri (also known as Tenchu), both released in 1969 and both considered to be two of the finest examples of the chambara genre. During the 1970s Gosha abandoned pure chambara and turned his productive energies toward films in the yakuza genre but he still produced period sword films such as The Wolves (1971 film) (1972), Bandits vs. Samurai Squadron (1978), and Hunter in the Dark (1979). His films Three Outlaw Samurai and Sword of the Beast (1965) have been released by Criterion.By the early 1980s, Gosha began making period films that featured prostitutes as protagonists that were renowned for their realism, violence, and overt sexuality. They were critically panned for those very reasons, but they were also all box office successes. In 1984 he was awarded the Japan Academy Prize for Director of the Year for The Geisha.Gosha’s films have influenced directors including Chang Cheh, Takashi Miike, and Yoshiaki Kawajiri. more…

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Submitted on August 05, 2018

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