Rocha que Voa Page #2
- Year:
- 2002
- 12 Views
In 1968, Cuban cinema
was out in the worid.
It was discovered in many places.
There is a prestige,
a history and a tradition...
that I think we owe it
basically to documentaries.
IF:
THE BLACKS:
H0W? THE BLACKS? The disintegration
of American imperialism.
The vanguard rebellion,
the total revolution.
The political revolution,
the human revolution.
The Third Word revolution.
We all, in a certain way,
came from Italian neorealism...
thanks to the strength that,
in the 40's and 50's...
neorealism had in cinema
woridwide, specially...
in Latin America.
I think that, in that time...
we were looking...
our own authenticity,
our own way...
to express our feelings...
our thoughts and our reality.
Glauber filmed
"Black God, White Devil" in 1964.
That meant he was ahead of us...
in regard to...
to Italian neorealism.
And I can remember...
Glauber as one of the first
to exteriorize...
his disavowal and make
a moral contribution.
To meet Glauber was like...
to see the light
at the end of the tunnel.
He was a pioneer.
He was a storm, a cyclone.
He theorized, because it was not
just his films...
it was also his sense of aesthetics.
The "aesthetics of hunger" moved...
many filmmakers
and really contributed...
so that we saw cinema
in a more objective way...
in face of the
Latin American needs.
And Glauber was the one
who did that, in my opinion.
He was very important.
It was a wave of feelings...
and affirmation...
of the authenticity, of the
authenticity of each country...
of the authenticity
of each country's culture.
Each was looking
for its own image.
We didn't want to see
a mirror that reflected...
our most external side...
we wanted to see ourselves
in a poetic mirror...
one that reflected the deepest
side of ourselves.
That was our thesis,
mine and Glauber's.
The vanguard intellectuals
of today...
they don't want to be called...
intellectuals.
Not that they feel guilt...
for being intellectuals
or for not deserving it...
not because they think
their function is useless...
to engage in philosophical
and artistic speculations...
or in scientific research.
No, on the contrary.
It's, above all,
because they value more...
this capacity that man has
to produce for the collectivity...
which is what intellectuals
don't want to be anymore...
an elite character.
And "elite" in quotes...
because he was always
submissive...
economically or morally
to the interests of aristocracy...
or of bourgeoisie.
So the intellectual...
is no longer that and...
became a man integrated
to society...
like a working man
or any other man.
And when he gives up
this position...
and identify socially
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"Rocha que Voa" Scripts.com. STANDS4 LLC, 2024. Web. 29 Apr. 2024. <https://www.scripts.com/script/rocha_que_voa_17067>.
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