Riptide Page #5

Synopsis: Park Avenue party-girl Mary (Norma Shearer) and staid English nobleman, Lord Phillip Rexford (Herbert Marshall) are married on a lark, they live happily in London. He must travel to America on business leaving her home alone. Lord Rexford's aunt invites Mary on a trip to the Riviera where she runs into an old flame, Tommie Treal (Robert Montgomery). Under the spell of the sea breezes and the Mediterranean moon (a semi-excuse for adultery to keep Queen Norma's image clean, as this was a post-Production Code film), Mary is the "innocent" victim of a romantic escapade that makes headlines as well as the scandal sheets. None of Mary's explanations can soothe Lord Phillip, his cold indifference drives Mary, who fights against it (a minor and feeble struggle at best), closer to Tommie. As the two lovers surrender to their ardor, Lord R. learns from his lawyer that Mary had been telling the truth, and he calls for her to join him in Cannes with a clean slate. O.K, but as Chief White Eagle tol
Genre: Drama, Romance
Director(s): Edmund Goulding
Production: Warner Bros.
 
IMDB:
6.5
PASSED
Year:
1934
92 min
174 Views


Yes, milady.

And make sure they're cold.

They must be cold, my dear, we mustn't tell him.

Aunt Hetty, you're very naughty.

Of course I am. Why not ?

Why not ? I was once.

I'm sure you were,

with that molted twinkle in your eye.

And does Philip know ?

Hm-hm.

Since you were married ?

Before ?

He caught you red-handed ?

Oh, no, I told him everything.

Oh, my dear, you foolish girl.

It isn't that I don't adore Philip, I do.

And I'm not a neglected wife, don't think that.

I think as I please,

you're telling the story, I'm listening.

It's just that I don't seem

to amuse him these days.

He's like the conductor of an orchestra in a theater,

who doesn't laugh at the poor comedian's jokes any more.

No sense of humor. He never had any.

He looks at me in that funny dry way of his

and I feel more like crying than laughing.

I seem to have developed an unconscious fear

of displeasing him somehow or other.

My dear girl, come with me to Cannes.

What ?

Come and stay with me at Cannes.

That sounds divine, but...

You need sunshine, and laughter and a coat of tan.

Get thee behind me, Satan...

You need music.

Hi to yourself.

Lovely, gracias seorita.

Thank you, Brooklin, New York.

I must say...

Oh, do your best. Go and find Tommie...

Look at you.

My dear, I'm furious I'm living !

You know, you're missing all the fun.

The heartlessness of youth !

Now what's the matter ?

Have you forgotten Nina Pourtals' mad party tonight ?

You were invited.

A mad party ? Why aren't we there ?

This is a mad party right here...

Oh, but where is Tommie ?

He's upstairs in bed.

Who's in bed ?

Tommie Trent.

Tommie what ?

Tommie, you know...

He's from New York, so are you, aren't you ?

Am I ? And do I know Tommie ?

Why, the old slouch, where is he ?

In bed with his miseries.

With whom.

No names, please. Even among cads.

He's in bed with his sorrows, his miseries,

he won't see a doctor, he won't even take a drink any more.

He says he's world weary.

Poor Tommie. Misery and too much fun.

He promised faithfully. We must get him.

Dynamite wouldn't get him out of bed tonight.

He has skull pains up to here. No kidding.

I bet I could get him out of bed, we're old friends.

My dear, I promised Nina Pourtals.

You know that Tommie can make any party.

Yes, so I've heard.

I'm gonna get him.

No, no, then you won't come.

Tommie can bend anyone to his will.

I'm not bending this season.

Come on you, chaperone me. I'll get him out.

He looked my way once in New York.

Lucky you.

Now what does that mean in American ?

That means making a pass, my darling. Making a pass.

Come on, what's your name ?

You tell me yours first...

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Edmund Goulding

Edmund Goulding (20 March 1891 – 24 December 1959) was a British film writer and director. As an actor early in his career he was one of the 'Ghosts' in the 1922 British made Paramount silent Three Live Ghosts alongside Norman Kerry and Cyril Chadwick. Also in the early 1920s he wrote several screenplays for star Mae Murray for films directed by her then husband Robert Z. Leonard. Goulding is best remembered for directing cultured dramas such as Love (1927), Grand Hotel (1932) with Greta Garbo and Joan Crawford, Dark Victory (1939) with Bette Davis, and The Razor's Edge (1946) with Gene Tierney and Tyrone Power. He also directed the classic film noir Nightmare Alley (1947) with Tyrone Power and Joan Blondell, and the action drama The Dawn Patrol. He was also a successful songwriter, composer, and producer. more…

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Submitted on August 05, 2018

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