Red Riding Page #7

Synopsis: In 1974, Eddie Dunford, comes home from South England and gets a job as a cub reporter for the Yorkshire Post. A schoolgirl has gone missing, and Eddie suspects it's one of several crimes dating back six years; the police think not and blame gypsies. Eddie digs; the police stonewall him then two of them beat him after he visits the widowed mother of one of the girls missing for a few years. When a child's body turns up at a construction site of local building magnate John Dawson, Eddie has another thread to pull. By now, he's begun an affair with Paula, the widowed mom, and he suspects collusion among Dawson, the police, and his newspaper - but what are they covering up?
Genre: Crime, Drama, Mystery
Director(s): Julian Jarrold
Production: Revolution Films
  4 wins & 9 nominations.
 
IMDB:
7.1
Rotten Tomatoes:
100%
NOT RATED
Year:
2009
102 min
Website
866 Views


1974.TG.170808 Locked Draft - 1st Revision

17

23 INT. STREETS - DAY 23

Eddie and Barry walk. Eddie looks like sh*t. He swallows acouple of pills. He’s in the middle of telling Barry aboutthe previous night.

EDDIE:

It was f***ing vicious, Barry.

BARRY:

Games, Eddie. Hidden agendas. Youwatch out...

EDDIE:

That phone call - “White vans andGypos”? What’s that about?

*

*

*

BARRY:

Bill Molloy’s got it in forGypsies, hasn’t he.

*

*

*

EDDIE:

Question is, who’s got it in forBill?

*

*

*

BARRY:

Be one of his. Breaking ranks. It’s

been like the Medici court in

there.

*

*

EDDIE:

That brown nose, Hadley wouldnever’ve printed it anyway. *

Barry watches Eddie - sizing him up...

BARRY:

That land’s ear-marked. New John

Dawson Development. *

EDDIE:

What? Flats? *

BARRY:

Flats my arse. A temple! Averitable pleasure dome...

(pulls back)

Here, don’t be late, mate. BadgerBill doesn’t like newspaper men.

(shoves him forward)

Into the lion’s den you go.

*

*

24 INT. WAKEFIELD POLICE STATION, MOLLOY’S OFFICE - DAY 24

Bill Molloy - white streak through his black hair - sitsscowling behind his desk looking very tired and very pissedoff. Eddie is afraid and nervous.

1974.TG.170808 Locked Draft - 1st Revision

18

MOLLOY:

How’s Jack Whitehead and that boss

of yours?

EDDIE:

They’re both fine, sir, thank

you...

MOLLOY:

Detective Chief Superintendent.

EDDIE:

Detective Chief Superintendent...

MOLLOY:

Go on, then son, surprise me.

EDDIE:

Well sir, Chief Superintendent,

I was wondering if, well, if there

was any news about Clare Kemplay...

MOLLOY:

Nothing! Sweet f*** all. That poor

lass is dead, son...

EDDIE:

I see...

(readies himself)

And Jeanette Garland, Susan

Ridyard?...

(silence from Molloy)

I mean, there’s a similarity... I

was thinking about the A34 Murders -

Cannock Chase...

MOLLOY:

What the f*** do you know about

Cannock Chase?

EDDIE:

What I’m trying to say is, it

turned out to be the work of one

man, and Jeanette Garland and Susan *

Ridyard went missing... *

MOLLOY:

You think you’re the only one to

put that together, you vain little

twat. My senile bloody aunty could.

Eddie back in his crib. The telephone buzzer goes.

MOLLOY:

You haven’t got a story, son. Best

we find a body and quick. Check the

bins, see who’s got themselves an

early Away Day...

1974.TG.170808 Locked Draft - 1st Revision

19

EDDIE:

Right. Pull in the local Gypos and

Paddies...

MOLLOY:

Who said anything about Gypos?

EDDIE:

Well, I just thought... They’d be

likely suspects, wouldn’t they...?

MOLLOY:

Have we met before, son?

EDDIE:

Don’t think so, sir, no...

The buzzer goes again. Molloy’s on his feet.

Rate this script:3.7 / 3 votes

Tony Grisoni

Tony Grisoni (born 28 October 1952) is a British screenwriter. He lives in London. His first feature film, Queen of Hearts, directed by Jon Amiel, won the Grand Prix at the 1990 Festival du Film de Paris. more…

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Submitted by acronimous on February 21, 2016

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