Ray Harryhausen: Special Effects Titan Page #3
(Narrator) 'The beast
would come back,
'back to the caverns
of the deepest Atlantic
'where it was spawned.
'An armored giant...'
(Bradbury) Ray Harryhausen and I
showed up at the same time.
He said, "Well, maybe some day
you'll write a screenplay for me
"and I'll do dinosaurs for you."
I said, "I'm gonna pray to God for that."
His budget for that was $5,000
to put all special effects together,
build the models, miniatures, everything.
(Ray) When we were making
Mighty Joe Young
we had 27 people on the stage.
The budget went up so high.
So I tried to reduce
the whole process
to a simple way
of combining the live action
with the animated model.
(Man) He'd shoot the live action first
on a rear projection screen back there.
Screen's here, projector's back there,
project one frame at a time.
In front of that, he would put a camera.
Then he'd put his animation table
and then he would take a puppet.
He'd then matte out the animation stage
the puppet was sitting on with paint.
So it was live action,
still frame, puppet, still,
black below.
Advance the projector,
pose the puppet,
take a frame of film,
et cetera, et cetera.
So what he'd do is he'd undo the
animation stage, lower it out of the screen,
he would then put a counter matte
which was painted
to block out the area that
had previously been exposed.
And so then he would put
take a frame on the camera,
put the projector
on frame two,
take a frame on the camera,
et cetera, et cetera.
Now he had all of the live action
and the animation together in one go.
(Ray) You could intricately interweave
the animated model with live actors.
It looked like they were photographed
at the same time.
I tried to do a lot of research.
When I did The Bees;
I studied lizards.
So you have an influence
of these creatures
that are similar to
what may have happened in the past.
(Tony) The Beast From 20,000 Fathoms
being the first monster rampage movie
after King Kong, really,
and from The Bees; of course,
the Japanese made Godzilla.
Who was a man in a suit
stomping around on miniature sets.
(John Landis) Gojira is a direct result
of Beast From 20,000 Fathoms, exactly.
Toho said, "We'll make one of those!"
Ray's creatures,
the way they move
essentially is the way
we think of dinosaurs,
how they move.
I mean, even to this day.
I mean, when you see a movie
like Jurassic Park..
(Dinosaur growls)
- (Man screams)
- (Bones crunch)
It was, it was like
Ray did that kind of stuff all the time,
which is cool,
you wanna see people being eaten alive.
You know,
that's what it's about.
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"Ray Harryhausen: Special Effects Titan" Scripts.com. STANDS4 LLC, 2024. Web. 5 May 2024. <https://www.scripts.com/script/ray_harryhausen:_special_effects_titan_16619>.
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