Ray Page #5

Synopsis: The story of Ray Charles, music legend. Told in his adult live with flashbacks to his youth we see his humble origins in Florida, his turbulent childhood which included losing his brother and then his sight, his rise as pianist in a touring band, his writing his own songs and running his own band and then stardom. Also includes his addiction to drugs and its affect on his working life and family life.
Director(s): Taylor Hackford
Production: Universal Pictures
  Won 2 Oscars. Another 52 wins & 54 nominations.
 
IMDB:
7.7
Metacritic:
73
Rotten Tomatoes:
80%
PG-13
Year:
2004
152 min
$75,000,000
Website
3,239 Views


Hey, what's the haps, Jack?

Oh, my goodness.

Give me some skin.

What's up, baby?

How you doin'?

Lowell Fulson, meet your new

piano player:
Ray Charles.

Ray Charles,

the blind sensation.

Ow! Damn! I'm gonna use that

on the album cover.

He's really

the sensation.

I... I love your music,

Mr. Fulson.

Uh, the man's got taste.

Hey, and the man ain't

been on the road

with a band before,

so now you take care of him.

Like my own brother.

Ray.

I'm gonna be right back.

All right.

Yeah, you got the one

on the left.

Look here,

let me do the talking.

Don't go inside that place.

You know what Mama said.

Go home

and don't tell Mama nothin'.

Go, George.

George, get out of here!

Hey, boy,

who let you in?

You must be

Aretha's son, huh?

Yes, sir.

Ray Charles Robinson.

I've been seeing you

sneakin' around here.

You like the piano, huh?

Come on, you want

to learn how to play?

Come on over here.

Let me show you how to play.

Come on.

I'm gonna teach you

how to play.

What we'll do, I'm gonna teach

you three notes, right?

This is the first note,

right here.

Play that.

And here's the second note,

right here.

Play that.

Here's the third note.

Now, here's the way

it goes.

Listen.

Listen closely, now.

Play that.

Good!

Try the other notes.

Every club we hit,

it's your responsibility

to rehearse the band.

These are some

lazy-ass bastards,

so you gotta make sure

that they don't slough off.

You gotta be ready

and dressed to open the show.

Now, Lowell likes to take

a nap before he goes on.

You just do your thing until

he feels like comin' out.

And when Lowell's playin',

you keep the band sharp.

Uh... uh, just one thing.

What?

Did Jack tell you that

I have to be paid in singles?

You just do your job,

you're gonna get your money.

Baby, come on, down

Your daddy's

in the heart of town

Come on down

Your daddy's

in the heart of town

How'd you get the name

Fathead anyway?

Why do they call me

Fathead?

Nah, you don't want to hear.

But this is what

I really want to know.

Do any of you

fine young ladies know

where we can get a nice steak

this time of night?

You mean something big,

thick, and juicy?

Oh, yeah,

that's just what I mean.

Fathead, where you guys

headed, man?

I ain't babysittin'

no blind cat.

Uh, I'm sorry, Ray,

but, uh, the law says

there's only six to a cab.

Come on, ladies,

let's get out of here.

Everyday

Everyday I have the blues

Everyday, everyday

Pay up, baby!

Yeah, that's all right.

I been shootin' craps

since I was 12 years old.

Don't never shoot craps

on a white woman's grave.

Why not?

It's bad luck.

You know bad luck

and trouble, people

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James L. White

James L. White (November 15, 1947 – July 23, 2015) was an American screenwriter best known for his original screenplay for the 2004 film, Ray, a biopic on Ray Charles. White received a BAFTA Award nomination for Best Original Screenplay for his work on Ray.White was born on November 15, 1947, in Mount Sterling, Kentucky. He was raised by his single mother in Mount Sterling, approximately 35 miles east of Lexington. A love of reading led White to pursue a career as a writer. He served in the U.S. Navy before enrolling at the University of Massachusetts. He left the university after a year and worked a series of jobs in the Boston area. He moved to Los Angeles during the 1970s to pursue screenwriting.White credited his friend, actor Sidney Poitier, with helping in get his first screenwriting job. Poitier hired White to 1992 to pen the screenplay for a thriller called "Red Money." The film was never made, but it marked White's breakthrough into screenwriting after decades of attempts. In a 2005 award acceptance speech before the Friends of the Black Oscar Nominees group, White publicly thanked Poitier, "I would like to publicly thank Mr. Poitier, who was the first person in Hollywood to take a chance on me as a screenwriter."White was working on two screenplays at the time of his death in 2015 - a biopic on Bessie Smith titled "Empress of the Blues" and second film focusing on Dinah Washington, which is in pre-production.James L. White died from complications of liver and pancreatic cancer at his home in Santa Monica, California, on July 23, 2015, at the age of 67. He was survived by his wife, Elizabeth, two daughters and a son. more…

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Submitted on August 05, 2018

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