Ray Page #3

Synopsis: The story of Ray Charles, music legend. Told in his adult live with flashbacks to his youth we see his humble origins in Florida, his turbulent childhood which included losing his brother and then his sight, his rise as pianist in a touring band, his writing his own songs and running his own band and then stardom. Also includes his addiction to drugs and its affect on his working life and family life.
Director(s): Taylor Hackford
Production: Universal Pictures
  Won 2 Oscars. Another 52 wins & 54 nominations.
 
IMDB:
7.7
Metacritic:
73
Rotten Tomatoes:
80%
PG-13
Year:
2004
152 min
$75,000,000
Website
3,183 Views


Oh, yeah, yeah.

Hell, yeah! Let's do that.

Can I help you?

I don't think so.

We're just talking

a little business.

Then you need to talk to me,

'cause I'm his manager.

Whichever way

the wind blows.

It's blowing.

Jack Lauderdale,

Swing Time Records.

Marlene Andres.

Marlene?

Gossie McGee.

Gossie McGee.

Great set, baby.

We're going to talk

with Mr. Lauderdale here.

Come on, Jack.

I'm buying.

I'm coming in, uh,

to talk to him.

You are doing

a fabulous job!

Yes, man.

Eh, look, let's talk to him

about this record.

Hey, no, no, we're gonna

let Marlene handle that.

You get Oberon

to call you a cab, all right.

Great set, Ray.

Goss!

Hey, daddy-o, want a smoke?

I got some gage,

fresh off the boat.

It's clean and seedless.

So that's how it is, huh?

You keep me high

while they talk the business?

I ain't the one

playing you, man.

Oberon, listen...

You know, Marlene and Gossie are the

ones running the game on you, Ray.

What?

They sliced up the pie

the first night you played.

35 percent off the top.

Plus Gossie's

double scale as leader.

Leader?

If anybody's leading the band,

I'm the one

that's the leader.

Forget the bo' humps.

You know what?

I... I'm... I'm gonna go

my own way.

Who's gonna

book your gigs?

Marlene's got you locked up.

And she ain't gonna give up

her golden goose.

Straighten up

and fly right

Cool down, papa,

don't you blow your top

Hey, Ray Robinson,

you are fantastic.

There you go.

Give me some skin.

What's that?

Jack's card.

I got his number

at the hotel.

Come on, Q.

It's not that complicated.

Now let's just play it again.

That's a B flat,

C 7, scale it up,

and triple it off

the back end.

Yeah, n*gger!

Yeah, that's it.

Ray, what did I tell you

about cookin' in the dark?

Are you tryin'

to burn the house down?

Think about it, Marlene. Uh...

uh, What do I need the light for?

Well, you don't need

to be cookin' anyway.

We brought you

takeout from Oscar's.

Well, get your money back.

I got fried chicken

right here.

Come on, Seven-oh,

try this.

Yeah! About time.

Hey, that's home-cooked,

right there.

Mmm, no, thank you.

This chicken

is the mostest, huh.

Just needs a little hot sauce

and it'll be perfect.

Yeah. So, what did

Jack Lauderdale have to say?

Oh, I clocked him

comin' out the gate.

He's a two-bit hustler.

Oh, I see.

Yeah, turns out the only hit

that Swing Time ever had

was Open the Door, Richard,

which was a joke record.

Uh... uh... uh, what about him

recordin' me?

Oh, he'll record you,

if we pay the freight.

Scratch a liar,

find a thief.

What's that

supposed to mean?

This.

You see I saw

Jack Lauderdale tonight,

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James L. White

James L. White (November 15, 1947 – July 23, 2015) was an American screenwriter best known for his original screenplay for the 2004 film, Ray, a biopic on Ray Charles. White received a BAFTA Award nomination for Best Original Screenplay for his work on Ray.White was born on November 15, 1947, in Mount Sterling, Kentucky. He was raised by his single mother in Mount Sterling, approximately 35 miles east of Lexington. A love of reading led White to pursue a career as a writer. He served in the U.S. Navy before enrolling at the University of Massachusetts. He left the university after a year and worked a series of jobs in the Boston area. He moved to Los Angeles during the 1970s to pursue screenwriting.White credited his friend, actor Sidney Poitier, with helping in get his first screenwriting job. Poitier hired White to 1992 to pen the screenplay for a thriller called "Red Money." The film was never made, but it marked White's breakthrough into screenwriting after decades of attempts. In a 2005 award acceptance speech before the Friends of the Black Oscar Nominees group, White publicly thanked Poitier, "I would like to publicly thank Mr. Poitier, who was the first person in Hollywood to take a chance on me as a screenwriter."White was working on two screenplays at the time of his death in 2015 - a biopic on Bessie Smith titled "Empress of the Blues" and second film focusing on Dinah Washington, which is in pre-production.James L. White died from complications of liver and pancreatic cancer at his home in Santa Monica, California, on July 23, 2015, at the age of 67. He was survived by his wife, Elizabeth, two daughters and a son. more…

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Submitted on August 05, 2018

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