Rasathanthram Page #3

Synopsis: Premachandran is a good carpenter well-versed in Thachu-Shastra (Science of Carpentry). He is sought after by many for being true to his profession. Having a painful past and shunned by the rest of his family he lives with his father who supports him wholeheartedly. One day Premachandran notices Kanmani, a poor ill-treated servant girl. When Kanmani decides to end her life Premachandran dissuades her and takes her into his care. To give the slip to her former abusers and to avoid suspicion, Kanmani dresses up as a boy and soon joins Premachandran's team of carpenters. There are repercussions when the girl starts to fall in love with him.
 
IMDB:
6.5
Year:
2006
308 Views


Anyway, it is a job without sawdust and sweat.

Hey, l earn in two days what he earns

from the STD booth in one month.

Anyway it is carpenter's work.

You don't delay, son.

Daddy'll start quarreling. Bye Bye.

Why are you keeping aside?

- For Kunjuttettan.

All these?

ln the morning if he doesn't take

stomach full, he'll be tired.

Then what shall l give to Maniettan?

Mother ... ldli.

- For me also.

You've not finished yet.

- l have finshed.

Vilasini!

You got up late brother? Here, tea.

l think there is more milk in the tea.

- Never mind. lt is milk.

What are all your program, Kunjutta?

l want to take an oil bath in hot waterfirst.

Then after breakfast l want to go to

school for children's admission.

Then after lunch a sound sleep.

That is today's programme.

l didn't ask that.

We'll be here only.

lt is a pleasure to take bath and

have food from wife's house.

That pleasure you can't have hereafter.

Those who can't work and look

afterfamily should not marry.

Don't utter such words. l've seen

chisel and all long before you.

Go to Beypore and enquire who is Kunjuttan.

Forthat no need of going to Beypore.

Who made table for cobbler George?

Table turned out to be a birds cage.

You made a cot for mother

of Subbairfrom Gulf.

That cot broke on the first day

and that lady is bedridden.

You make Almirah, it will be hen-coop.

lf you make hen-coop, l will be rat-trap.

Whatever l say, a Beypore.

lf you say Beypore once again,

l'll burn Beypore.

You talk ill of Beypore?

Beypore is my livelihood.

l'll set right your livelihood today.

Mother, father and uncle are fighting.

Will you raise your hands at me?

Not only hands, l'll raise my legs also.

lts she who needs beating.

She has two children. ls it not?

Whatever may be the problem,

we can settle it by talks.

Come here.-Will you raise

your hands at me?

He is not as intelligent as you.

Be calm for a minute.

Have you forgotten what i told you yesterday.

The plan to take kunjuttettan in

our group is being settled.

Difference of opinion will be

there for everyone.

ls it properto beat each other.

At the time of Birth

At the time of Death

At the time we meet

Why do we quarrel in vain?

Haven't you heard Poet

Poonthanam's lines?-Who?

Can we insist someone to behave as

we like. So one compromise.

From tomorrow Kunjuttetan also

coming with us for work.

Oh God.- Don't talk.

We are all one. lsn't it Manikandan Cheta.

l am with you. OK?

Central-TmG

Farfar away, clouds offer prayers

And sweetly chants the daylight.

Dear Perunthachan,

You created a world with your skill.

With illusory trees,

You built a palace of dreams.

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Sathyan Anthikad

Sathyan Anthikad is an Indian film director, screenwriter, and lyricist best known for his family dramas in Malayalam cinema. Sathyan has created many critical and commercially successful films, especially when working with Sreenivasan as the scriptwriter. His popular films include T. P. Balagopalan M.A. (1986), Gandhinagar 2nd Street (1986), Nadodikkattu (1987), Varavelpu (1989), Mazhavilkavadi (1989), Sasneham (1990), Sandesam (1991), My Dear Muthachan (1992), Santhanagopalam (1994), Thooval Kottaram (1996), Irattakuttikalude Achan (1997), Veendum Chila Veettukaryangal (1999), Kochu Kochu Santhoshangal (2000), Manassinakkare (2003), and Rasatanthram (2006). Actors Mohanlal and Jayaram embodied the typical Sathyan Anthikkad protagonist in most of the films. On the other hand, Sathyan Anthikad had tried making movies in different genres as well but because of their lower success rate at the box-office he hasn't pursued to make more of them. Some of his such films include Pappan Priyappetta Pappan (1986), Artham (1989), Samooham (1993), and Pingami (1994). more…

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Submitted on August 05, 2018

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