Quills Page #5

Synopsis: The infamous writer, the Marquis de Sade of 18th Century France, is imprisoned at Charenton Insane Asylum for unmentionable activities. He manages to befriend the young Abbé de Coulmier, who runs the asylum, along with a beautiful laundress named Madeline. Things go terribly wrong when the Abbe finds out that the Marquis' books are being secretly published. The emperor Napoleon contemplates sending Dr. Royer-Collard to oversee the asylum, a man famed for his torturous punishments. It could mean the end of Charenton and possibly the Marquis himself.
Genre: Biography, Drama
Director(s): Philip Kaufman
Production: 20th Century Fox
  Nominated for 3 Oscars. Another 18 wins & 41 nominations.
 
IMDB:
7.3
Metacritic:
70
Rotten Tomatoes:
75%
R
Year:
2000
124 min
$4,284,664
Website
728 Views


He's been slipping manuscripts|to a publisher.

- He has ?

I placed my trust|too carelessly, Madeleine.

- This is a complete and utter...|- Oh.

disappointment.

Yes, it is.

The paper's cheap.|The type's too small.

What did you do,|bribe one of the guards ?

But you implored me to write|for curative purposes,|to stave off my madness.

But you've no right|to publish...

behind my back|without my sanction.

Have you truly read it,|or did you run straightaway|to the dog-eared pages ?

Oh, enough to discern|its tenor.

And ?

It's not even a proper novel.

It's nothing but an encyclopedia|of perversions.

Frankly, it even fails|as an exercise in craft.

Characters are wooden.|The dialogue is inane.

Not to mention the endless repetition|of words like "nipple" and "pikestaff."

There I was taxed,|it's true.

And such puny scope.

Nothing but the very worst|in man's nature.

I write of the great|eternal truths...

that bind together all mankind|the whole world over.

We eat, we sh*t, we f***,|we kill and we die.

But we also fall in love.

We build cities,|we compose symphonies|and we endure.

Why not put that|in your books as well ?

It's a fiction,|not a moral treatise.

But isn't the duty of art|to elevate us above the beasts ?

I'd have thought that was|your duty, Abbe, not mine.

One more trick like this...

and I'll be forced|to revoke all your liberties.

It's that doctor fellow,|isn't it ?

He's come to usurp|your place here, hasn't he ?

Marquis, more than|your writing's at stake.

The ministry has threatened us|with closure.

Ah, they can't be serious !

Our future lies|in the stroke of your pen.

Mightier than the sword,|indeed.

Put yourself in my place. I have|your fellow patients to consider.

If Charenton folds, they have|no place to go, no manner|to clothe or feed themselves.

F*** them ! They're half-wits !|Let them die on the streets|as nature intended !

You among them ?

If ever I showed you|a kind hand, Marquis,

if ever I granted you|walking privileges|on a spring day...

or slipped an extra pillow|beneath your door,

if ever I shared your wine,|laughed at your vulgarities|or humored you with argument,

then you will oblige me now...

for your sake...|and for all Charenton.

You've a touch|of the poet too.

Perhaps you should|take up the quill.

- Do I have your word ?|- Honestly, you cut me to the core.

What's the point of all your|valiant attempts at rehabilitation...

if, when I finally succumb,|when at long last I pledge|myself to righteous conduct,

you regard me|with nothing but suspicion ?

Have you no faith|in your own medicine ?

My, my.

At Charenton,|even the walls have eyes.

Don't they ?

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Doug Wright

Doug Wright (born 1962) is an American playwright, librettist, and screenwriter. He received the Pulitzer Prize for Drama in 2004 for his play, I Am My Own Wife. more…

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Submitted on August 05, 2018

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