Q & A Page #5

Synopsis: A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuses to help him in this gritty crime film.
Genre: Crime, Drama, Thriller
Director(s): Sidney Lumet
Production: TriStar Pictures
 
IMDB:
6.5
Rotten Tomatoes:
87%
R
Year:
1990
132 min
473 Views


judges at another and defendants at a third.

How many deals do you think get cut

in the men's room? Don't answer that.

- What are you drinking?

- Some soda. Can I have a soda?

An Irishman turning down a drink?

The prophet Elijah's coming

for Passover this year.

Mr. Bloomenfeld, an honor.

Once again, we meet.

Pearlstein, f*** off!

I'm seen talking to you and

shooflies will follow my children's children.

Al, this is Preston Pearlstein.

When Jesse Jackson used

the word "Hymie," he meant him.

What a character!

How do you do? I'm delighted.

That's it, Pearlstein. Don't spoil my appetite.

We haven't eaten yet.

What a character.

[Pearlstein laughing]

Look at that son of a b*tch.

Twenty years ago he was wearing the jacket

from one suit and the pants from another.

Now he's living in 516, his wife

just bought half of West Palm Beach...

...and I'm sitting here pulling my putz.

We'll eat here at the bar, Phil. The usual.

What is this, Tuesday? Yes, it must be.

You're crying in your Scotch again.

You're right.

How come my generation of Jews drink?

My parents, they come over from Poland,

they used to sing this song:

[Singing in Yiddish]

I'll translate for your mick ears.

"A drunk is a gentile."

And then I forget..."He has to drink,

because a gentile is a drunk."

REILLY:
Leo, you know the DA's office

would fall apart without you.

- You're the best tactician.

- Yeah, that and a token...

...will get you a ride on the subway.

Thirty years.

Thirty years in this f***ing office.

I should've quit years ago.

Gone private. Made some money.

Molly deserves better.

So, why didn't you?

Because I had the same disease you've got.

I thought I could make a difference.

- You're blushing.

- Am I?

Choirboy, I hope they don't break your heart.

How do you like your new boss?

He's a pisser. Tough but fair. I like that.

And decisive.

All we heard about in law school,

was his track record, his memory.

He was reading my summary...

...and he said,

"You've got Vasquez's record wrong.

"We've brought him in 11 times

but he's had two convictions, not three."

I looked it up.

On the Xerox of the yellow sheet...

...the "2" was smudged

and it looked like a "3".

He was right.

He's a prick. He's a racist

and an anti-Semite and a prick.

BLOOMENFELD:
He wants to be Tom Dewey

and he will be.

He married for politics and

all he can see is his way clear to...

...God knows how high up.

Years ago,

when we still had executions in the state...

...he used to volunteer as a witness.

His first murder case...

...he was a young ADA then,

I'm talking years ago...

The case was shaky,

largely circumstantial...

...and he wanted

a recommended death penalty from the jury.

Rate this script:4.0 / 1 vote

Sidney Lumet

Sidney Arthur Lumet ( loo-MET; June 25, 1924 – April 9, 2011) was an American director, producer, and screenwriter with over 50 films to his credit. He was nominated for the Academy Award for Best Director for 12 Angry Men (1957), Serpico (1973), Dog Day Afternoon (1975), Network (1976), and The Verdict (1982). He did not win an individual Academy Award, but he did receive an Academy Honorary Award and 14 of his films were nominated for various Oscars, such as Network, which was nominated for ten, winning four. The Encyclopedia of Hollywood states that Lumet was one of the most prolific filmmakers of the modern era, having directed more than one movie a year on average since his directorial debut in 1957. He was noted by Turner Classic Movies for his "strong direction of actors," "vigorous storytelling" and the "social realism" in his best work. Film critic Roger Ebert described him as having been "one of the finest craftsmen and warmest humanitarians among all film directors." Lumet was also known as an "actor's director," having worked with the best of them during his career, probably more than "any other director." Sean Connery, who acted in five of his films, considered him one of his favorite directors, and a director who had that "vision thing."A member of the maiden cohort of New York's Actors Studio, Lumet began his directorial career in Off-Broadway productions, then became a highly efficient TV director. His first movie, 12 Angry Men (1957), was a courtroom drama centered on tense jury deliberations. Lumet subsequently divided his energies among other political and social drama films, as well as adaptations of literary plays and novels, big stylish stories, New York-based black comedies, and realistic crime dramas, including Serpico and Prince of the City. As a result of directing 12 Angry Men, he was also responsible for leading the first wave of directors who made a successful transition from TV to movies.In 2005, Lumet received an Academy Award for Lifetime Achievement for his "brilliant services to screenwriters, performers, and the art of the motion picture." Two years later, he concluded his career with the acclaimed drama Before the Devil Knows You're Dead (2007). A few months after Lumet's death in April 2011, a retrospective celebration of his work was held at New York's Lincoln Center with the appearance of numerous speakers and film stars. In 2015, Nancy Buirski directed By Sidney Lumet, a documentary about his career, and in January 2017 PBS devoted its American Masters series to Lumet's life as a director. more…

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Submitted on August 05, 2018

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