Q & A Page #3

Synopsis: A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuses to help him in this gritty crime film.
Genre: Crime, Drama, Thriller
Director(s): Sidney Lumet
Production: TriStar Pictures
 
IMDB:
6.5
Rotten Tomatoes:
87%
R
Year:
1990
132 min
466 Views


Whose words is he going to tell it in?

Lubin, I make the jokes around here.

LUBIN:
Yes, your holiness.

I think it best not to include

that last exchange, Lubin.

Not if I'm gonna be off on Passover.

[All chuckle]

Earlier this evening, I was at the 23

on 104th Street between Park and 3rd.

I was investigating

the homicide of one Julio Sierra.

Investigation revealed

that Sierra's lifelong friend and associate...

...Antonio Vasquez, had been cheated

out of a vast sum of money...

...by the aforementioned Sierra.

So a little after midnight,

I get a call from a reliable informant...

...as to the whereabouts

of this Antonio Vasquez.

I realized that this Vasquez should

be questioned in the murder of Sierra...

...as he had ample motive.

He's got a long yellow sheet of violence.

BRENNAN:
I went to this after-hours joint,

a club at 3111 Park Avenue.

The door was open.

I saw the deceased, Tony Vasquez.

He was known to me as Tony

from previous encounters.

I said, "Tony, come here.

I want to talk to you."

Or words to that effect.

I don't expect nothing. I'm nonchalant.

Tony comes over and we talk.

I no sooner say the words "Julio Sierra"

to Tony and he goes crazy.

He starts screaming at me, "I'll kill you!"

Or words to that effect.

I don't mind saying that I was scared

because Tony is known as a shooter.

I saw him reach. I saw a flash of metal...

...and in fear of my life,

I drew my gun and popped him.

And God was with me.

I hit him in the head.

Then the people emerged from the club

and started shouting abuse at me.

They were pushing and shoving.

I pointed out to them

that the deceased had a pistol in his hand.

Then I held them back at bay

until reinforcements arrived.

BRENNAN:
Ballistics is checking out

whether the gun of the deceased...

...is the same gun that killed Julio Sierra

because they were both.45 caliber.

That's about it, Mr. Reilly.

Anyhow, I'm sick a human life was lost.

But Jesus, I mean, it was quick!

It was him or me!

Lieutenant, you certainly covered everything.

LUBIN:
You want that last remark

on the record?

That was a spontaneous, refreshing reaction.

I'd leave it in, Reilly.

Yes. Leave it in.

I'll be happy to answer

any more questions, Mr. Reilly.

We nave no more questions.

Do we, Mr. Quinn?

That's up to you to decide.

Okay, thank you. End of statement.

All right, thank you, gentlemen.

Everybody go home and get some sleep.

- You handled that well, Francis.

- It's pretty cut-and-dried.

It's a good case

for you to cut your teeth on.

All you need for the grand jury is...

...statements from the witnesses at the club,

ballistics and autopsy reports...

...and a statement from Brennan's informant.

Rate this script:4.0 / 1 vote

Sidney Lumet

Sidney Arthur Lumet ( loo-MET; June 25, 1924 – April 9, 2011) was an American director, producer, and screenwriter with over 50 films to his credit. He was nominated for the Academy Award for Best Director for 12 Angry Men (1957), Serpico (1973), Dog Day Afternoon (1975), Network (1976), and The Verdict (1982). He did not win an individual Academy Award, but he did receive an Academy Honorary Award and 14 of his films were nominated for various Oscars, such as Network, which was nominated for ten, winning four. The Encyclopedia of Hollywood states that Lumet was one of the most prolific filmmakers of the modern era, having directed more than one movie a year on average since his directorial debut in 1957. He was noted by Turner Classic Movies for his "strong direction of actors," "vigorous storytelling" and the "social realism" in his best work. Film critic Roger Ebert described him as having been "one of the finest craftsmen and warmest humanitarians among all film directors." Lumet was also known as an "actor's director," having worked with the best of them during his career, probably more than "any other director." Sean Connery, who acted in five of his films, considered him one of his favorite directors, and a director who had that "vision thing."A member of the maiden cohort of New York's Actors Studio, Lumet began his directorial career in Off-Broadway productions, then became a highly efficient TV director. His first movie, 12 Angry Men (1957), was a courtroom drama centered on tense jury deliberations. Lumet subsequently divided his energies among other political and social drama films, as well as adaptations of literary plays and novels, big stylish stories, New York-based black comedies, and realistic crime dramas, including Serpico and Prince of the City. As a result of directing 12 Angry Men, he was also responsible for leading the first wave of directors who made a successful transition from TV to movies.In 2005, Lumet received an Academy Award for Lifetime Achievement for his "brilliant services to screenwriters, performers, and the art of the motion picture." Two years later, he concluded his career with the acclaimed drama Before the Devil Knows You're Dead (2007). A few months after Lumet's death in April 2011, a retrospective celebration of his work was held at New York's Lincoln Center with the appearance of numerous speakers and film stars. In 2015, Nancy Buirski directed By Sidney Lumet, a documentary about his career, and in January 2017 PBS devoted its American Masters series to Lumet's life as a director. more…

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