Primary Colors Page #4

Synopsis: Jack Stanton is running for president. The election is seen through the eyes of young Henry Burton. Along the way Stanton must deal with a sex scandal.
Genre: Comedy, Drama
Director(s): Mike Nichols
Production: Universal
  Nominated for 2 Oscars. Another 10 wins & 29 nominations.
 
IMDB:
6.7
Metacritic:
70
Rotten Tomatoes:
80%
R
Year:
1998
143 min
648 Views


No one ever voted with us

because it was right.

They always asked for a lulu.

Lulu?

It's New York for artificial

sweetener.

Anyway, we'd win and

then be gutted...

in the Senate. We'd accept

heir version.

Then the White House would veto,

which was no surprise.

Then we'd celebrate our great moral

victory. We'd forced a veto.

So you dropped out.

So why are you here?

Tell me.

Tell me.

It's four in the morning.

Let's just tell the truth.

Okay. Well...

I wondered how it would be to

work with someone...

who actually cared about...

I mean...

it couldn't always have been

the way it is now.

It must have been different in

my grandfather's time.

You were there. You had Kennedy.

I didn't.

I've never heard a president say

"destiny" and "sacrifice"...

without thinking, "bullshit."

Okay, maybe it was bullshit with

Kennedy, too, but...

but people believed it.

And, I guess, that's

what I want.

I want to believe it.

I want to be part of something

that's history.

I bet this is the longest answer

to a five word...

question you've ever gotten.

No, it isn't.

The longest was the one

I got to...

"Do you do much fly-fishing?"

It's a good answer, Henry.

History is what we're about, too.

What else is there?

Hei, March. Some guy about an

automobile insurance scam.

-It's me. Don't hang up again.

-F*** you.

I'm in a coffee shop in New

Hampshire. I may not...

find another phone. Listen.

I think this guy could be

the real thing.

He's so incredible you could

work for him.

I mean, this son of a b*tch actually

likes these people.

He's worth the risk.

Help me get him out of here. We

have a fund-raiser in 20 minutes.

You bastard. I waited form

you all night.

I can explain about that.

I got you some stuff at

the drugstore.

I can't go to Mammoth Falls

without clothes.

Give me your keys. Daisy can pack

some things and bring them to you.

Why I can't pack the things?

Because you're going to

Mississippi.

We have to set up campaign

headquarters before we go. Keys.

I thought you told us to hurry.

Susan... Mrs. Stanton, I'm not

sure. I mean, I don't know.

I've never helped run a presidential

campaign before.

Well, neither have we.

That's how history is made, Henry...

by the first-timers.

Are you, uh...?

Is this...?

Where are the state

party people?

They're tied up with the

congressional races. We're it.

All right.

Get me the national mailing

lists of every donor...

since the beginning of time.

I also need a complete database of

voting records on every candidate...

so we can set up a rapid

response operation.

How do we do that, honey?

Don't you, uh...?

Don't any of you have any

special skills?

Rate this script:5.0 / 1 vote

Elaine May

Elaine Iva May (née Berlin; born April 21, 1932) is an American screenwriter, film director, actress, and comedienne. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter. Her screenwriting has been twice nominated for the Academy Award, for Heaven Can Wait (1978) and the Nichols-directed Primary Colors (1998). May is celebrated for the string of films she directed in the 1970s: her 1971 black comedy A New Leaf, in which she also starred; her 1972 dark romantic comedy The Heartbreak Kid; and her 1976 gritty drama Mikey and Nicky, starring John Cassavetes and Peter Falk. In 1996, she reunited with Nichols to write the screenplay for The Birdcage, directed by Nichols. After studying acting with theater coach Maria Ouspenskaya in Los Angeles, she moved to Chicago in 1955 and became a founding member of the Compass Players, an improvisational theater group. May began working alongside Nichols, who was also in the group, and together they began writing and performing their own comedy sketches, which were enormously popular. In 1957 they both quit the group to form their own stage act, Nichols and May, in New York. Jack Rollins, who produced most of Woody Allen's films, said their act was "so startling, so new, as fresh as could be. I was stunned by how really good they were."They performed nightly to mostly sold-out shows, in addition to making TV appearances and radio broadcasts. In their comedy act, they created satirical clichés and character types which made fun of the new intellectual, cultural, and social order that was just emerging at the time. In doing so, she was instrumental in removing the stereotype of women being unable to succeed at live comedy. Together, they became an inspiration to many younger comedians, including Lily Tomlin and Steve Martin. After four years, at the height of their fame, they decided to discontinue their act. May became a screenwriter and playwright, along with acting and directing. Their relatively brief time together as comedy stars led New York talk show host Dick Cavett to call their act "one of the comic meteors in the sky." Gerald Nachman noted that "Nichols and May are perhaps the most ardently missed of all the satirical comedians of their era." more…

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