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[Man] | They say that women change.
but you are ever-constant | in your changefulness.
Ever-anewed | and ever-moving on.
"And you... | I love you for it...
from one of only two copies | of this poem...
- Bit of an old monster. | - Yeah.
Yes. Who are you | with again?
I'm, uh, Roland Michell. | Who?
You're that American | who's over here.
[Chuckles] | Well, I'm sure | there are others.
Look, Maud, | it's Mortimer Cropper.
- You know him? | - Of him.
It's | a very male quality. | Mm.
I know it's vulgar, | but I have to introduce myself.
Oh, all right.
L4,000. L4,000. | Excuse me. Sorry.
You wouldn't remember. | I'm sorry, I don't. | Nice coat though.
Ah, you're one of | Blackadder's boys | from the British Museum.
Hello. | Hildebrand Ash,
man of leisure. | Oh, hello.
[Chuckles] | He hasn't got any money.
[Randolph's Voice] | Dear Madame: :
of continuing our talk.
: | I know that you came only | to honor Crabb-Robinson...
at his small, | informal party...
Excuse me, sir.
Meal is served.
- Well, hello. | - Hello.
Ah, my tenant. | Your evening sherry.
Candy, this is Roland. | Roland, Candy.
- Okay. | - So, coming in?
So how do you | always know it's me?
I'm a solicitor. | I know everything.
Candy, huh? | Oh, no, no, no, | please.
Candy's just a friend. | Why, are you interested?
I told you | I'm off women. | Yeah, but...
it isn't a reason | to be off women.
Why do we always | sit in your hall?
- A place to sit. | - No.
Ash. Oh, doesn't he have | some sort of celebration going?
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