Pickup on South Street Page #4

Synopsis: On a crowded subway, Skip McCoy picks the purse of Candy. Among his take, although he does not know it at the time, is a piece of top-secret microfilm that was being passed by Candy's consort, a Communist agent. Candy discovers the whereabouts of the film through Moe Williams, a police informer. She attempts to seduce McCoy to recover the film. She fails to get back the film and falls in love with him. The desperate agent exterminates Moe and savagely beats Candy. McCoy, now goaded into action, confronts the agent in a particularly brutal fight in a subway.
Director(s): Samuel Fuller
Production: Twentieth Century Fox
  Nominated for 1 Oscar. Another 1 win & 1 nomination.
 
IMDB:
7.8
Rotten Tomatoes:
90%
APPROVED
Year:
1953
80 min
302 Views


receiving the film from her,

you broke up the ball game.

Can't you see how important this is?

We just want your cooperation,

and the charges will be dropped.

- Isn't that right, Captain?

- I'd like to make this rap stick...

but what he's got to do is more important.

You boys are talking in the wrong corner.

I'm just a guy keeping my hands in my pockets.

If you refuse to cooperate, you'll be as guilty

as the traitors that gave Stalin the A-bomb.

- Are you waving the flag at me?

- I know something inside you should give.

And I know you pinched me three times,

got me convicted three times...

and made me a three-time loser.

And I know you took an oath

to put me away for life.

Well, you're trying awful hard

with all this patriotic eyewash, but get this:

I didn't grift that film,

and you can't prove I did.

And if I said I did, you'd slap that fourth rap across

my teeth no matter what promises you made.

- Do you know what treason means?

- Who cares?

- Answer the man!

- Is there a law now I gotta listen to lectures?

MacGregor, get him out of here.

Get him out of this building.

Hello.

If that's Winoki,

ask him if he put my beer back on ice, huh?

Hey, Willie, what've you been

feeding the Tiger lately?

Watch it, bud.

Going up, please.

- May I help you?

- I'd like to see a copy of the New York Times...

January 5, 1947.

- Fill this out, please.

- Sure.

- So, who told you to ask me?

- The pinboy in the bowling alley.

So who told you to ask him?

The fella that works at

the Houston Street Auction Shop.

So why didn't you go to the cops?

Look, 20 bucks if you tell me

where I can find Lightning Louie.

- Put it on the table.

- Not till you tell me.

- I'm Lightning Louie.

- Then why'd you tell me your name was Godkin?

Look, blubbermouth, you give me back

my dough or there's gonna be trouble.

Lum.

- What's my name?

- Uptown or downtown?

- My downtown name.

- Lightning Louie.

For another 20 I'll give you the name of the stoolie

who knows everything about cannons.

I hope you bust.

174 Bowery.

Over a tattoo shop.

One flight up, head of the stairs.

Her name is Moe.

A woman?

Tell her I sent ya.

Lum, bring me another order of chow fun.

Cha siu bow.

Who is it?

Lightning Louie sent me.

- Who?

- Lightning Louie.

- Are you Moe?

- Who are you?

You've been recommended as the best

pickpocket stoolie in the business.

What kind of talk is that,

calling me a stoolie?

I was brought up to report

any injustice to the police authorities.

I call that being a solid citizen.

But you get paid for it.

You're gonna knock it?

I'm looking for the pickpocket who lifted

my wallet in the subway this morning.

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Samuel Fuller

Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist, and film director known for low-budget, understated genre movies with controversial themes, often made outside the conventional studio system. Fuller wrote his first screenplay for Hats Off in 1936, and made his directorial debut with the Western I Shot Jesse James (1949). He would continue to direct several other Westerns and war thrillers throughout the 1950s. Fuller shifted from Westerns and war thrillers in the 1960s with his low-budget thriller Shock Corridor in 1963, followed by the neo-noir The Naked Kiss (1964). He was inactive in filmmaking for most of the 1970s, before writing and directing the war epic The Big Red One (1980), and the experimental White Dog (1982), whose screenplay he co-wrote with Curtis Hanson. more…

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Submitted on August 05, 2018

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