On the Waterfront Page #5

Synopsis: Dockworker Terry Malloy (Marlon Brando) had been an up-and-coming boxer until powerful local mob boss Johnny Friendly (Lee J. Cobb) persuaded him to throw a fight. When a longshoreman is murdered before he can testify about Friendly's control of the Hoboken waterfront, Terry teams up with the dead man's sister Edie (Eva Marie Saint) and the streetwise priest Father Barry (Karl Malden) to testify himself, against the advice of Friendly's lawyer, Terry's older brother Charley (Rod Steiger).
Genre: Crime, Drama, Thriller
Production: Sony Pictures
  Won 8 Oscars. Another 21 wins & 9 nominations.
 
IMDB:
8.2
Metacritic:
88
Rotten Tomatoes:
98%
NOT RATED
Year:
1954
108 min
3,735 Views


puts on glasses, incongruous on his beefy face

--twenty-six seventy-three.

JOHNNY:

(to Charley)

Here, you count it. Countin' makes me sleepy.

Terry enters during the above and sits at the bar, brooding. Johnny is

glad to see him.

JOHNNY:

(continued)

H'ya, slugger, how they hangin'?

TERRY:

(subdued)

So-so, Johnny.

JOHNNY:

(pantomiming, defending against blows)

Don't hit me, now, don't hit me!

BIG MAC:

We got a banana boat at forty-six tomorra.

If we pull a walkout it might be a few bucks

from the shippers. Them bananas go bad

in a hurry.

JOHNNY:

We'll ask ten G.

(looks around)

Where's Morgan? Where's that big banker of mine?

As Johnny talks he holds on to Terry, and fondles him casually. MORGAN,

a big-eared, large-nosed little weasel of a man, pokes his head in the

door as if he were waiting just outside.

MORGAN:

Right here, boss.

JOHNNY:

(mockingly — Morgan is sort of court jester)

Well, J.P., how's business?

J.P.

Havin' trouble with Kelly again, boss. He

Won't take no loans and Big Mac puts him to

work anyway.

BIG MAC:

(shouting at J.P.)

He's my wife's nephew.

J.P.

(right back at Big Mac)

But he don't take no loans.

BIG MAC:

I got to give him work. She'd murda me... .

J.P.

(shakes his head)

That's why I stay single.

(turns to Johnny)

Here's the interest on the day, boss.

Five thirty two.

JOHNNY:

(taking it from him and handing it to Sonny)

Count it.

Now Sonny and Charley are both counting. SKINS, another runner for the

mob, a nervous, pasty-faced man, enters.

JOHNNY:

(continued)

Hey, Skins—

(as Skins approaches Johnny lowers his voice)

--get away with that sheet metal all right?

SKINS:

Easy, that new checker faked the receipt.

Here it is, boss.

(offers receipt)

JOHNNY:

Stow the receipt. I'll take the cash.

SKINS:

(producing another roll of bills)

Forty-five bills.

JOHNNY:

(to Terry, sulking at the bar)

Hey, Terry, front and center.

Terry comes over reluctantly and Johnny hands him the bills.

JOHNNY:

(continued)

Count this.

TERRY:

Aw, you know I don't like to count, Johnny.

JOHNNY:

It's good for you. Develops your mind.

SKINS:

What mind?

He starts to laugh but Johnny stops him with a look.

JOHNNY:

Shut up. I like the kid.

(tweaks Terry's cheek fondly)

Remember the night he took Farella

at St. Nick's, Charley. We won a bundle.

Real tough. A big try.

TERRY:

(stops counting and taps his nose proudly)

Not a dent.

(tweaks his nose)

Perfect

JOHNNY:

(laughs, rubs Terry's head)

My favorite little cousin.

TERRY:

(disconcerted as he tries to count)

Thirty-six— sev— aah I lost the count.

JOHNNY:

(tolerantly)

OK— skip it, Einstein. How come you never got

no education like the rest of us?

Rate this script:3.7 / 3 votes

Budd Schulberg

Budd Schulberg (March 27, 1914 – August 5, 2009) was an American screenwriter, television producer, novelist and sports writer. He was known for his 1941 novel, What Makes Sammy Run?, his 1947 novel The Harder They Fall, his 1954 Academy Award-winning screenplay for On the Waterfront, and his 1957 screenplay for A Face in the Crowd. more…

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Submitted by aviv on November 01, 2016

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