Omega Doom Page #4

Synopsis: After earth is taken over by an army of robots, the small number of humans left are forced into hiding. In the nuclear winter, only droids walk the face of the earth, in fear of the rumored human resurgence, and in search of a hidden cache of weapons. One robot, his evil circuits destroyed, enters a small town where a robot civil war is taking place. He tries to convince both sides to join forces in search of the weapons, all the while having a hidden agenda, and an affinity for one of the local droids.
Director(s): Albert Pyun
Production: Largo Entertainment
 
IMDB:
4.5
R
Year:
1996
84 min
138 Views


Make your move, a**hole!

Okay.

Just say when.

All right!

Marko asked for it.

Yeah, I warned you about your temper, Marko.

I told you that one day you'd lose your head.

Why did you have to kill him outright?

Why didn't you make him suffer the way he made me suffer?

- I was tryin' to make a point.

- Oh, yeah?

What was your point, that you're serious?

Something like that.

I think everyone's got it. Too bad you had to wreck Marko's body.

It looks okay. There you go.

Oh, man.

The circuits are damaged. I'm not gonna be able to move my legs.

Stop whining. Just morph.

"Just morph".

It's easier said than done!

We need to talk.

You're fast with the shank.

I'm impressed.

Frankly, I could use a bot like you on my side.

It's destiny for us to meet.

God must be smiling down on us.

- God is on a vacation.

- Still...

I could use a good guardian angel.

To guard you from what?

Blackheart.

Haven't you heard about the human army coming out of hiding...

hunting us down?

These guns could be the difference.

Since the humans are the enemy...

why don't we approach the Droids with a partnership?

I don't trust the Droids. They want the world all to themselves.

We don't have to share anything.

We're tougher than the Droids.

And with these guns, we can take them all.

You still have your two guys.

We have a truce. If it's broken, there could be a free-for-all.

We could all end up dead.

But you...

you're an outsider.

Did she tell you about the treasure?

I told her I know where it is.

I just need a little help.

- And she agreed?

- She's thinking about it.

I don't need to think about it.

I'll help.

Where are the guns?

It would have to be a 50-50 split.

Sure. Whatever.

Let's go get them now.

Now, we would have a little problem if we did that, wouldn't we?

- How so?

- What do you think she's gonna do...

when we go out of town with the whole gang?

She'll come after us, there'll be a war...

we all lose a lot of megabytes and nobody gets the guns.

You're right.

So what should we do?

I suppose...

I'll tell her I'd like to...

take one of her guys and show him the spot.

Then I could send out a man after you.

Then you zap him.

Two against one.

I like it.

Then she realizes she's defeated and she leaves town.

And I would get the treasure.

You've got a good head on your shoulders.

I'm Zik.

What should I call you?

Guardian Angel will do.

One more for the road.

One last shot before you get yourself dismantled?

So delicate.

It must be old.

It belonged to my last mistress.

A little girl.

I was her nanny when the clouds came.

She used to sing along with it.

Funny...

I can hear her voice, but...

I can't hear the words anymore.

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Albert Pyun

Albert Pyun (born May 19, 1953) is an American film director best known for having made many low-budget B-movies and direct-to-video action films. The Independent Film Channel said that Pyun "has carved out a unique niche as a director of low-budget, high-concept genre films starring actors past their prime", adding that "others believe this a charitable description for Pyun, who has also been derided as the new Ed Wood." Though he frequently blends kickboxing and hybrid martial arts with science fiction and dystopic or post-apocalyptic themes, which often include cyborgs. Pyun stated in an interview that "I have really no interest in cyborgs. And I've never really had any interest in post-apocalyptic stories or settings. It just seemed that those situations presented a way for me to make movies with very little money, and to explore ideas that I really wanted to explore — even if they were [controversial]."Some of Pyun's better known films include The Sword and the Sorcerer, Cyborg, Captain America and Nemesis.Pyun was a military brat and lived on bases around the world until his father settled in Hawaii. Pyun went to school in Kailua, a small town located on the windward side of Oahu. Pyun's first 8mm and 16mm movies were made in Kailua and he credits living in foreign countries and growing up in Hawaii as strong influences on his filmmaking style. more…

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Submitted on August 05, 2018

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