Night Falls on Manhattan Page #3

Synopsis: Sean Casey is the newest member of the district attorneys office and he is close to uncovering a police scandal that might involve his father Liam, who works for the NYPD. Then his father is critically wounded in a stake-out, Sean is chosen to prosecute the case.
Genre: Crime, Drama
Director(s): Sidney Lumet
Production: Republic Pictures Home Video
  1 nomination.
 
IMDB:
6.6
Metacritic:
58
Rotten Tomatoes:
68%
R
Year:
1996
113 min
449 Views


subtleties here.

We get this cop-killing son-of-a-b*tch,

and I'll deal with the ACLU later.

Do you hear me?

Who the f*** are you? Why are you late?

- Sean Casey, sir.

I was at the hospital with my father.

- Oh, my God. Come here, kid.

First, how is he?

He's critical, but he's stable.

They think the operation went well.

How bad was he hit?

He got three bullet wounds and there

were a lot of slivers from...

you know, damage from the door

there's some in his eyes.

You gave blood?

- Yes. Twice.

You hear that, you dead-asses?

This kid just gave his blood. Twice.

So, get to work. Get to work.

Now, come on.

Sean. Elihu.

In my office.

Sean, I'm Elihu Harrison.

Sorry to meet under these circumstances.

Come on, I'll show you

the way to Morgy's office.

It's down the hall.

Over here.

Right. I know.

Here, sit, sit, sit.

Have you eaten anything? It's all right.

- No.

Eileen, call downstairs.

Two eggs over light, bacon very crisp...

toasted bagel, butter and jam, and

a large pot of coffee. Get it here fast.

Does the... Oh, Eli, you want anything?

- No, thanks.

Does the hospital know how to reach you?

I think I left an office number.

Sean, nobody's going to answer

your phone, if you're not there.

Eileen, if there are any calls from

the hospital for S. Casey...

transfer them here.

So kid, tell me:
is he conscious?

- Not yet.

But the operation,

it went well?

Well, I think that's what they said.

They use so many technical terms, I...

Eileen, call Dr. Pritzker. Tell him

I want a no-bullshit report on Sean's...

Excuse me, your father's first name?

- Liam.

Liam? Liam Casey.

And to keep me informed.

Pritzker's the head of surgery

Thank you, Mr. Morgenstern.

Morgy. Morgy to you, but not in front of

those a**holes you came in with.

How old are you, kid?

- Thirty-three.

You're older than the rest of

your class. How come?

Right after college...

- What college?

St John's.

Right after St John's,

I joined the force...

but I was trying to get

my law degree at night.

I was working three shifts

it took a long time.

Do you hear that?

Not like you, Eli. No ivy walls, no cute

little co-eds with high tits, tight asses.

Eli here, his folks have a private seat

reserved for family members...

at Harvard Law School.

Morgy's still angry I didn't have to

go to City College.

You're goddamn right: in this office,

it pays to know the street.

You know the street, kid.

- I know the street.

- I'll bet you do.

Okay.

Sean, you know why you're here?

Not really, Mr. Morgenstern.

- Morgy.

Morgy, you're being very kind.

It's not in my character

I always want something in return.

Right, Eli? You don't mind if I call

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Sidney Lumet

Sidney Arthur Lumet ( loo-MET; June 25, 1924 – April 9, 2011) was an American director, producer, and screenwriter with over 50 films to his credit. He was nominated for the Academy Award for Best Director for 12 Angry Men (1957), Serpico (1973), Dog Day Afternoon (1975), Network (1976), and The Verdict (1982). He did not win an individual Academy Award, but he did receive an Academy Honorary Award and 14 of his films were nominated for various Oscars, such as Network, which was nominated for ten, winning four. The Encyclopedia of Hollywood states that Lumet was one of the most prolific filmmakers of the modern era, having directed more than one movie a year on average since his directorial debut in 1957. He was noted by Turner Classic Movies for his "strong direction of actors," "vigorous storytelling" and the "social realism" in his best work. Film critic Roger Ebert described him as having been "one of the finest craftsmen and warmest humanitarians among all film directors." Lumet was also known as an "actor's director," having worked with the best of them during his career, probably more than "any other director." Sean Connery, who acted in five of his films, considered him one of his favorite directors, and a director who had that "vision thing."A member of the maiden cohort of New York's Actors Studio, Lumet began his directorial career in Off-Broadway productions, then became a highly efficient TV director. His first movie, 12 Angry Men (1957), was a courtroom drama centered on tense jury deliberations. Lumet subsequently divided his energies among other political and social drama films, as well as adaptations of literary plays and novels, big stylish stories, New York-based black comedies, and realistic crime dramas, including Serpico and Prince of the City. As a result of directing 12 Angry Men, he was also responsible for leading the first wave of directors who made a successful transition from TV to movies.In 2005, Lumet received an Academy Award for Lifetime Achievement for his "brilliant services to screenwriters, performers, and the art of the motion picture." Two years later, he concluded his career with the acclaimed drama Before the Devil Knows You're Dead (2007). A few months after Lumet's death in April 2011, a retrospective celebration of his work was held at New York's Lincoln Center with the appearance of numerous speakers and film stars. In 2015, Nancy Buirski directed By Sidney Lumet, a documentary about his career, and in January 2017 PBS devoted its American Masters series to Lumet's life as a director. more…

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