Night and the City Page #2

Synopsis: Harry Fabian is a London hustler with ambitious plans that never work out. One day, when he encounters the most famous Greco-Roman wrestler in the world, Gregorius, at a London wrestling arena run by his son Kristo, he dreams up a scheme that he thinks will finally be his ticket to financial independence. As Fabian attempts to con everyone around him to get his scheme to work, he of course only ends up conning himself. This is an interesting tale of blind ambition, self-deception, broken dreams, and how a man who always thinks he's ahead of the game ends up tripping himself very badly.
Director(s): Jules Dassin
Production: Criterion Collection
 
IMDB:
8.0
Rotten Tomatoes:
79%
NOT RATED
Year:
1950
96 min
384 Views


and no complaints later.

Remember, if a gentleman wants to dance,

or if he wants you to sit with him...

your time costs anything

from a quid up.

But don't harp on money.

Be subtle.

Whatever he gives you, take it first,

look disappointed afterwards.

If a man offers you a Turkish cigarette,

tell him you only smoke Virginian.

If he's smoking Virginian,

then you'll smoke Turkish.

Oh, yes, chocolates.

Fancy boxes we sell at two pounds.

- Isn't two quid a bit steep for a box of chocolates?

- They're hand-dipped, deary.

When the night's up, I buy 'em back from you

for a third of what the gentleman paid.

Evening, Phil.

Well, need any help with that stuff?

- Where have you been, dear boy?

- Well, l-I've, uh--

Been having a pleasant holiday

at Cannes?

Or spending the weekend

at Windsor Castle?

- I've been ill.

- Oh! Tsk-tsk-tsk. Poor boy's been ill.

I read all about it

in the Times.

"Mr. Fabian,

it is reported...

"is suffiering from

a highly inflamed imagination...

coupled by

delusions of grandeur."

- Well, where's he been?

- Now, now, Helen. Mustn't be unkind.

- The dear boy's been at death's door.

- Tsk-tsk-tsk.

I'm glad to see

you're fully recovered.

- We were worried about him, weren't we, Phil?

- Indeed we were.

It's getting late. Time for "dear boy"

to get dressed and hop it.

"Hop it."

Take care of yourself, dear boy.

Hey, Harry. Three live ones.

What's it worth to you?

- Depends on how much you know.

- Depends on how much you'll go.

From Chicago.

Men's clothing business.

One of them, the half-pint, kept talkin' about

a friend of his called Lamont he must write to.

This here Lamont's in the motor supply business

in something he called "the loop."

- Good evening, sir.

- Good evening.

- The usual?

- If you please.

- It's good to have you back in London, sir.

- Thank you, Charles.

Good evening.

Uh-oh.

I beg your pardon. Does this wallet

belong to one of you gentlemen?

Why, no, it doesn't.

- Good evening, Mr. Fabian.

- Good evening, Emil.

Someone must have

dropped this.

- Soon come running for it, no doubt.

- Thank you, Mr. Fabian.

Happened to me once

back in the States.

Traveling from New York to San Francisco,

changed trains in Chicago.

- Darned if I don't lose my wallet.

- No!

Luckily I knew a chap in the loop--

motor supplies. Fella named Lamont.

- Lamont? Did you say Lamont?

- Why, yes.

- You mean Stubby Lamont?

- Why, yes!

- Well, what do you know? We were just talking about him!

- No!

- Oh, wait till I tell Stubby!

- Yes, just wait.

- It's like meeting someone from home.

- It's quite a coincidence.

- Yes! Have a cigarette.

- Yes, have a cigarette.

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Jo Eisinger

Jo Eisinger (1909 - 1991) was a film and television writer whose career spanned more than forty years from the early forties well into the eighties. He is widely recognized as the writer of two of the most psychologically complex film noirs: Gilda (1946) and Night and the City (1950). His credits also include The Sleeping City (1950) and Crime of Passion (1957), a coda to the films of the noir style, for which he wrote the story as well as the screenplay. Starring Barbara Stanwyck, it is a strikingly modern commentary about how women were driven mad by the limitations imposed upon them in the postwar period. Jo Eisinger started writing for radio penning numerous segments for the Adventures of Sam Spade series. He returned to thriller and private eye adventure series writing for the ITC television series Danger Man (1960–61) and the mid-1980s HBO series Philip Marlowe, Private Eye. His script for an episode of the latter show, "The Pencil", earned him a 1984 Edgar Award. Eisinger's credits also include several films that departed from his accustomed genres of mystery, adventure and crime. Among them are Oscar Wilde (1960), starring Robert Morley and Sir Ralph Richardson, The Rover (L'Avventuriero, 1967), from the novel by Joseph Conrad and starring Rita Hayworth and Anthony Quinn, and The Jigsaw Man (1983), starring Laurence Olivier and directed by Terence Young. Eisinger wrote the books on which the Broadway plays What Big Ears! (1942) and A Point of Honor (1937) were based. His novel The Walls Came Tumbling Down (1943) was adapted for the long-running radio drama program Suspense in 1944; the episode featured screen and radio actors Keenan Wynn and Hans Conried. A film version of The Walls Came Tumbling Down starring Edgar Buchanan and George Macready was released in 1946. Jo Eisinger's second marriage was to Lorain Beaumont. Eisinger used his wife's maiden name for Mr. Beaumont, one of the characters in The Walls Came Tumbling Down. more…

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Submitted on August 05, 2018

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