Night After Night Page #3

Synopsis: A successful ex-boxer opens a high-class speakeasy in what once was the childhood home of a formerly rich society girl.
Genre: Comedy, Drama
Director(s): Archie Mayo
Production: Paramount Pictures
 
IMDB:
6.9
PASSED
Year:
1932
73 min
124 Views


This is a long one.

''Partic...pating.'' | Participating.

''Participating nations.'' | That means ''sharing.''

Umm. ''The settlement of | reparations reached at Lausanne''-

I got it that time. | Very good.

''must stand as a forward step | of tremendous importance.''

I'm doin' pretty good, | ain't I?

Oh, excellently, but not | ''ain't I'', ''am I not.''

Hiya, sugar. How's the show? Okay.

Hello,Joe.

Why, how are ya, Mr. Wilson? | Where have you been? Europe.

Oh. Say, Mr. Wilson, I've been | reading about this Lausanne conference.

Is that a lot of talk, or, or | will the nations get together?

Well, uh, nations are like | people,Joe, and do people get together?

That's a swell way of puttin' it. | I never thought of it that way.

See ya later, Mr. Wilson.

Hiya, mug. They're bringing my mother | home tomorrow from the hospital.

You don't know how much I appreciate | - Listen, mug,

if you mention | that again, I'll-

Why, how are you? | I'm better now,Joe.

Have you been sick? No, | I just got my divorce.

I didn't know | you were married.

Joe, I'm afraid you've been | watching me too closely.

Oh, you got me | that time.

Give us a drink, will | you? What'll you have?

You wanna okay this,Joe?

You'd better look at it. | It's Georgie Harrison's check.

Tell him no. | Okay.

Hey,Joe. | Maudie's on the phone.

Oh, well, I mean | - You mean what?

I mean I'm not here. | That's what I mean.

You can't still be at | the ball game. It's night.

I'm at a show. They're | open nights, ain't they?

Yeah, sure, | they're open nights.

Well, that's great. Give | me a drink of water, Tom.

Well, I told her. | Give us a drink, Tom.

What are you | so sore about?

All the time I've wasted with | dames like Maudie and Iris.

You can't have a woman like her, | you're better off with nothin'.

Oh, she's | here again.

Look at the way | she sits there.

It's funny, but to me she don't seem | to sit different than anybody else.

Oh, you don't know class | when you see it. Yeah?

I didn't know classy gals | went alone to nightclubs.

That's the mystery. Oh, | she's a lady, all right.

You don't think she's here for a pickup?

I'll say she ain't. ''Keep off the | grass'' is written all over her.

Well, there's a guy | who don't see the sign.

You can't sit here. | Oh, come on.

Let's have a little ''drinkie.'' | Let's, let's have a little talk, huh?

You know him? | No.

Come on, get out of | here. Oh, don't do that.

I'm sorry I can't talk, I'm leaving | right away. Forgive me, will you?

You mean, you don't want | to talk? Not tonight.

Aw, that's all right, | old girl, that's all right.

There's no hard feelings, | huh?

None at all. | That's splendid.

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Louis Bromfield

Louis Bromfield (December 27, 1896 – March 18, 1956) was an American author and conservationist. He gained international recognition, winning the Pulitzer Prize and pioneering innovative scientific farming concepts. more…

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Submitted on August 05, 2018

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    "Night After Night" Scripts.com. STANDS4 LLC, 2024. Web. 8 May 2024. <https://www.scripts.com/script/night_after_night_14754>.

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