Naked Lunch

Synopsis: Not an adaptation of beat writer William S. Burrough's novel but a mix of biography and an interpretation of his drug- induced writing processes combined with elements of his work in this paranoid fantasy about Bill Lee, a writer who accidentally shoots his wife, whose typewriter transforms into a cockroach and who becomes involved in a mysterious plot in North African port called Interzone. Wonderfully bizarre, not unlike Burrough's books.
Genre: Drama
Director(s): David Cronenberg
Production: Twentieth Century Fox Home Entertainment
  13 wins & 13 nominations.
 
IMDB:
7.1
Metacritic:
67
Rotten Tomatoes:
69%
R
Year:
1991
115 min
195 Views

Exterminator.

Mm-hmm.

You want I should spit right in your face?

You want, hmm?

You want? You want?

I ran out.

You ran out?

Oh, that's nice.

You ran out.

It's impossible you run out!

What'd you do, eat the stuff?

The Chink shortchanged me.

No "glot." Come "Fliday."

It's funny.

It's actual very funny what you just said.

Ran out.

They can either paint it, or draw it, or write

it down and then pass it on to somebody.

They read what you're saying,

and then they reexperience.

That's the only connection

you have with that, man.

So you can't rewrite...

'cause to rewrite is to deceive and lie...

and you betray your own thoughts.

To rethink the flow and the rhythm

and the tumbling out of the words...

is a betrayal.

And it's a sin, Martin.

It's a sin.

I don't accept your, uh...

Catholic interpretation

of my compulsive, uh...

necessity to rewrite

every single word at least 1 00 times.

Guilt is -Thanks.

Guilt is the key, not sin.

Guilt re not writing

the best that I can.

Guilt re not, uh, considering everything

from every possible angle.

Balancing everything.

Well, how about guilt

re censoring your best thoughts?

Your most honest,

primitive, real thoughts...

because that's what your laborious

rewriting amounts to, Martin.

Is rewriting really censorship, Bill?

Because I'm completely fucked if it is.

Exterminate all rational thought.

That is the conclusion I have come to.

What is the man talking about?

I'm being serious.

So is he.

So how is the extermination business

going there, Bill?

Somebody's stealing my roach powder.

Somebody's got it in for me.

Hmm. Well, Bill,

maybe you should take it as a sign.

Maybe you ought to try your hand

at writing pornography.

Yeah, a novel a week at 120 bucks.

It's serious money.

I can connect you with the guy.

We're thinking of

collaborating on one ourselves.

I gave up writing when I was 1 0.

- Too dangerous.

- Only if someone reads what you write.

So far we haven't had that problem.

I've found my profession.

I'm an exterminator.

Of course, Bill. That's just

what the world needs...

- ...more literate exterminators.

- Give me a cigarette.

Of course, then, you know...

you're gonna have trouble

if you can't keep track of your roach powder.

Wait a minute.

Do you boys know something about this?

We don't exactly know anything.

No, but we suspect

it's a domestic problem.

- My God, what are you doing?

- You weren't supposed to see this.

Well, now that I'm seeing it, what is it?

I'm shooting up your bug powder.

You might like to try it yourself.

Or you might not.

I ran out in the middle of a job.

You gotta stop using the stuff,Joan.

They ration it out like snakebite serum.

Well,just do what everybody else does -

cut it with baby laxative.

The roaches will

shit themselves to death.

It's the best job I ever had.

If I run out again, I'm finished.

Hmm.

It's, um -

It's a very literary high.

Very literary.

Is that why Hank and Martin

know all about it?

No, we just, uh -

We all just tried it together-

spur of the moment thing.

They didn't like it, I did.

What do you mean,

it's a literary high?

It's a Kafka high.

You feel like a bug.

Try some.

Well, I don't know.

I don't know.

- I think our metabolisms are very different.

- Whose?

Yours and Kafka's?

I thought you were finished

with doing weird stuff.

I thought I was, too,

but I guess I'm not.

Personally...

I prefer a pyrethrum job to a fluoride.

With the pyrethrum...

you kill the roaches right there

in front of God and the client...

whereas this starch and fluoride-

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William S. Burroughs

William Seward Burroughs II (; February 5, 1914 – August 2, 1997) was an American writer and visual artist. Burroughs was a primary figure of the Beat Generation and a major postmodernist author whose influence is considered to have affected a range of popular culture as well as literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and correspondences. He also collaborated on projects and recordings with numerous performers and musicians, and made many appearances in films. He was also briefly known by the pen name William Lee. Burroughs created and exhibited thousands of paintings and other visual art works, including his celebrated 'Gunshot Paintings'. He was born into a wealthy family in St. Louis, Missouri, grandson of the inventor and founder of the Burroughs Corporation, William Seward Burroughs I, and nephew of public relations manager Ivy Lee. Burroughs began writing essays and journals in early adolescence, but did not begin publicizing his writing until his thirties. He left home in 1932 to attend Harvard University, studied English, and anthropology as a postgraduate, and later attended medical school in Vienna. In 1942 Burroughs enlisted in the U.S. Army to serve during World War II, but was turned down by the Office of Strategic Services and Navy, after which he picked up the drug addiction that affected him for the rest of his life, while working a variety of jobs. In 1943, while living in New York City, he befriended Allen Ginsberg and Jack Kerouac, and out of their mutual influence grew the foundation of the Beat Generation, which was later a defining influence on the 1960s counterculture. Much of Burroughs' work is semiautobiographical, primarily drawn from his experiences as a heroin addict, as he lived throughout Mexico City, London, Paris and Tangier in Morocco, as well as from his travels in the South American Amazon. His work also features frequent mystical, occult or otherwise magical themes – a constant preoccupation for Burroughs, both in fiction and in real life.Burroughs accidentally killed his second wife, Joan Vollmer, in 1951 in Mexico City with a pistol during a drunken "William Tell" game; he was consequently convicted of manslaughter. Burroughs found success with his confessional first novel, Junkie (1953), but he is perhaps best known for his third novel Naked Lunch (1959), a highly controversial work that was the subject of a court case after it was challenged as being in violation of the U.S. sodomy laws. With Brion Gysin, he also popularized the literary cut-up technique in works such as The Nova Trilogy (1961–1964). In 1983, Burroughs was elected to the American Academy and Institute of Arts and Letters, and in 1984 he was awarded the Ordre des Arts et des Lettres by France. Jack Kerouac called Burroughs the "greatest satirical writer since Jonathan Swift", a reputation he owes to his "lifelong subversion" of the moral, political, and economic systems of modern American society, articulated in often darkly humorous sardonicism. J. G. Ballard considered Burroughs to be "the most important writer to emerge since the Second World War", while Norman Mailer declared him "the only American writer who may be conceivably possessed by genius".Burroughs created visual art throughout his lifetime, but never exhibited it until 1987, after the death of his friend and collaborator Brion Gysin. For the next and last 10 years of his life, he presented his paintings and drawings at museums and galleries worldwide. Burroughs had one child, William S. Burroughs Jr. (1947–1981), with his second wife Joan Vollmer. William Burroughs died at his home in Lawrence, Kansas, after suffering a heart attack in 1997. more…

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Submitted on August 05, 2018

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