Murder Ahoy Page #3

Synopsis: Miss Marple investigates the murder of one of her fellow trustees of a fund which rehabilitates young criminals. To investigate she goes aboard the ship used to train the juveniles, much to the distress of the Captain. She soon stumbles onto more murders, and a ring of thieves.
Genre: Comedy, Crime, Drama
Director(s): George Pollock
Production: Warner Home Video
 
IMDB:
7.1
UNRATED
Year:
1964
93 min
Website
291 Views


Navigation and seamanship.

Lieutenant Compton, ma'am.

Discipline and character building.

Sub-Lieutenant Humbert, madam.

Physical training.

- And?

- We find that's quite enough, ma'am.

Assistant Matron

Shirley Boston, ma'am.

Yes, and last but not least...

- Matron - first class - Fanbraid.

- How do you do? First class!

Yes, yes. First class.

That went smoothly.

May I, on behalf

of the rest of the crew,

offer our condolences

on the loss of your fellow trustee.

Thank you very much.

Let's not waste time -

here's my programme.

Just a minute. Humbert! Come here.

Thank you.

Naturally.

...there's a tour

of instructional classes,

then 18:
45 to 19:45 - drinks

and cold collation in the wardroom.

sea shanties by port watch of hands.

the last bus to Milchester.

- I thought...

- Excuse me.

- Miller?

- Sir!

What are you doing with that?

- Carrying it, sir.

- It's mine, Captain.

- Yours?

- Yes. My seabag, you know.

Seabag? You're only

staying a few hours, aren't you?

Well, I do feel it my duty,

Captain, as a new trustee,

to be some little time with you.

I had hoped to spend the night.

Spend the night? Spend the night!

I'm terribly sorry,

but it's entirely out of question.

Apart from anything else, there's

no suitable quarters. I'm sorry.

Splendid quarters, Captain.

So kind of you to give them up.

Not at all.

Not at all.

Yes, this will do splendidly I think.

Delightful view.

Delightful view, Captain.

Yes, I'm going to miss it.

Snuff.

I think that's about all then, madam.

A handsome blade, Captain.

- Yes, it is, isn't it?

- Yes.

It was given to my great grandfather

after the Battle of Trafalgar.

- Really?

- I've never been parted with it.

I see.

Good. Yes, well, I'll see you on

the poop in about 10 minutes then.

- Captain.

- Yes, madam.

- Haven't you forgotten something?

- I don't think so.

Surely you want your snuff?

Oh, yes, thank you.

Thank you very much.

- Allow me.

- Oh, thank you.

I wonder if you'd mind...

Thank you.

No, you can have that on me.

- In memory of Trafalgar.

- How very kind of you.

Thank you.

Oh, heavens!

I hope I'm not giving

too much trouble?

No, of course not, madam.

After all, it is for only

one night... isn't it?

What a waste.

What a diabolical waste!

Oh, come on everyone. Cheer up!

It's only for one night.

The captain and his visitor

will be here soon,

for heaven's sake,

let's create a good impression.

Sir, Eric and I were going

to the Ellington's party!

Bingley Castle -

the party of the year!

Darling, there's always another night

and tomorrow night I'm free.

If you want trouble, Compton,

now isn't the time.

Darling, please!

I do agree, Muscles.

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David Pursall

David spent his early life in Erdington (England), the son of an accountant; he was always interested in writing and had two murder mystery novels published by the time he was sixteen. So, on leaving school, he took an apprenticeship as a journalist and became a reporter working on a local Birmingham newspaper. His ambition was to move to London to work on a national newspaper but with the threat of war looming, he joined the Royal Service Voluntary Reserve of the Fleet Air Arm as a trainee pilot before taking an officer's course at The Greenwich Naval College. During the Second World War he spent the first three years flying, winning a DSC for bravery and then transferred to the Admiralty Press Division. It was whilst he was stationed in Sydney that he met Captain Anthony Kimmins, the well-known broadcaster on naval affairs, who inspired him to work in the film industry. In 1947, settling in London, he eventually landed a post as Publicity Director for The Rank Organization and, in collaboration with the iconic portrait photographer Cornel Lucas, handled the press relations for Rank film stars, some of those he mentioned include : Jean Simmons, Petula Clark, Diana Dors, Joan Collins, Jill Ireland and Brigitte Bardot. In 1956, he joined forces with long term writing partner Jack Seddon, basing full time at Pinewood Studios, initially writing a script from his own idea Tomorrow Never Comes (1978). However, the plot was considered too provocative at that time and it was whilst trying to interest producers in this, that David and Jack were commissioned to write the script for Count Five and Die (1957); and it took twenty-one years' before Tomorrow Never Comes (1978), was made. Continuing later as a freelance film and TV scriptwriter, David worked mainly on war and murder mystery themes; his last movie made for TV was Black Arrow in 1985, a 15th century historical war drama. He worked constantly, and together with the titles listed, there were many more commissioned scripts, treatments, and original stories developed which never reached the sound stage. He also tried his hand at writing for the theatre, worked for a short time in Bollywood, took his tape recorder to the front line in Israel for a documentary on the Six Day War, and later became a Film and TV adviser; he also continued to write newspaper articles. David lived the good life; a popular, charismatic conversationalist, an idea's man, who enjoyed travelling the world circumnavigating twice, partying, theatergoing, watching night shooting at Pinewood Studios, finishing The Daily Telegraph cryptic crossword daily and driving fast cars; as well as helping the aspiring young achieve success in their careers in film and the media. Aged 69, he announced from his hospital bed, that as he'd written everything there was to write, it was his time to go. He left behind a devoted wife and a daughter. more…

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Submitted on August 05, 2018

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