Mr. Skeffington Page #4

Synopsis: It's 1914 in New York City. Adult brother and sister Trippy Trellis and Fanny Trellis, whose parents are now deceased, were once wealthy, but Trippy squandered away the family fortune, about which no one knows except their cousin George Trellis and their many creditors. Fanny and Trippy still put on the façade to the outside world that they have money. The beautiful Fanny can have any man that she wants to marry, but she sets her sights on Job Skeffington, the son of Russian-Jewish immigrants. Job's wealth was self-made in finance. They met as Trippy was once employed by Job in his brokerage house. Fanny and Job, who is now aware of the Trellis' financial straits, ultimately do get married, much to the consternation of Fanny's many suitors, but most specifically to Trippy, who knows the reason why Fanny married him. Job also realizes that Fanny does not love him, but is unaware of the real reason she agreed to marry him. After their marriage, Fanny's suitors are still around with more
Genre: Drama, Romance
Director(s): Vincent Sherman
Production: MGM Home Entertainment
 
IMDB:
7.8
Rotten Tomatoes:
50%
APPROVED
Year:
1944
146 min
345 Views


He created everything but Rhode Island.

Naturally, we started to investigate

other orders that hadn't been confirmed.

We found he'd sold $50,000

worth of railroad bonds...

...to a man whose address placed him

squarely in the middle of the Hudson River.

Another block was sold to a man who

could have had only the mildest interest...

...in stocks and bonds,

having been dead for 23 years.

Good heavens.

How long was he doing this?

For about three weeks.

Weren't you suspicious at all?

He threw in enough cancellations

to make the thing seem authentic.

And here and there,

there was a legitimate sale.

But you had to look for them.

It wasn't very clever of him, was it?

Well, he showed a certain flare

for picking odd names and places...

...but it was hardly worth the $24,000

we paid him in commissions.

You mean he stole $24,000 from you?

Yes. I'm afraid that's it.

Does Trippy know you know?

Oh, yes. We called him in

and told him we'd give him...

...every opportunity to return the money.

Then we sent him to a smaller office...

...and took his name off the door.

That was two weeks ago.

- Has he made any effort to make good?

- Not only hasn't he returned a penny...

...but three days ago he forgot himself

and handed in another order...

...from Mr. Clarence Pruitt.

When a man becomes repetitious,

it's time to go to the DA.

You should have gone long ago.

Well, I was quite touched

when I discovered...

...that he'd lost most of the money

at the racetrack.

- That touched you?

- Yes.

They were my horses he bet on,

and I gave him the tips.

How was I to know

it was my own money?

Poor Trippy.

I'm sorry, Miss Trellis.

I know it won't be any hardship...

...for you to return the money.

- No hardship?

There won't be unpleasantness.

Mr. Skeffington, you may as well know

that Miss Trellis and Trippy are stone broke.

I don't understand.

- The Trellis wealth was a legend.

- Well, it's now a myth.

When my father died four years ago

he did leave a considerable estate...

...but, you see,

Trippy insisted on managing it.

He went through their fortune

and was starting in on yours.

I see.

But the house, servants.

I was under the impression...

Everybody's under the same impression.

Even the creditors.

I take it, then, there's no chance

of the money being returned, is there?

I'll be leaving now.

Unless, of course, Trippy could get another

job and pay you back a little each week.

You couldn't write him

a reference, could you?

I could, but my heart

wouldn't be in it, really.

Well...

...all we can do is throw ourselves

on your mercy.

You see, there are stockholders.

It's not my money, it's the corporation's.

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Julius J. Epstein

Julius J. Epstein (August 22, 1909 – December 30, 2000) was an American screenwriter, who had a long career, best remembered for his screenplay – written with his twin brother, Philip, and Howard E. Koch – of the film Casablanca (1942), for which the writers won an Academy Award. It was adapted from an unpublished play, Everybody Comes to Rick's, written by Murray Bennett and Joan Alison. more…

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Submitted on August 05, 2018

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