Mr. Arkadin Page #5

Year:
1955
398 Views


- They're Penitentes.

Yeah, I know. But what are they

dressed up like that for?

They're doing penance.

It means they're sorry for their sins.

They must be awful sorry.

Well?

Did you get on that cruise yet?

What do you think I came to Spain for,

to see you?

Look, Mily, I've been thinking this thing over.

I think maybe we ought to forget it.

- Guy!

- Coming!

Forget it? You're going after Arkadin's money in

your own way- through his daughter- aren't you?

Well, you'd better watch your step

or I might decide to start talking.

I mean it, Guy. And it won't be about Bracco

or anything mysterious like that.

It'll be all about you.

Are you, by any chance,

trying to threaten me?

I'm just telling you

to leave her alone.

- Hi, chum. What are you doing here?

- Just waiting.

Not right under the castle like this,

where we can be seen.

- That castle's kind of hard to get away from.

- I know. And the town's swarming with secretaries.

I'll phone you as soon

as I get away from the ogre.

Look, why don't you take me up there,

introduce me to him and be done with it?

Because we're having fun,

and I'd like it to last a few days, cornball!

- Look! You win!

- Hey!

- I knew it.

- What do I win?

These.

Come on.

- Hey, what's all the rush?

- There are a couple of secretaries back there.

- Checkin' up on you, huh?

- Yes.

- He treats you like he was a jealous husband.

- If Father had his way, I'd never get married.

- You don't have to worry about that, honey.

- Oh, what do you mean?

I'll make you a promise. As long as I live,

I'll never ask you to marry me.

Gee, thanks.

Hey!

- One moment, please, sir.

- I beg your pardon?

Does the Count de Torregon know

that you're here with his invitation, sir?

- Well -

- Don't be dreary, Rudi. Of course he does.

- Raina sent me to fetch you, old boy.

- Oh, thanks.

No, this way. And put your mask on.

That's the form, you know.

- Anyway, where's the ogre?

- I beg your pardon?

- Our host. I would like to see him.

- Well, you can't mean that.

- Why not?

- I've been trying to keep him from seeing me.

- What do you mean?

- Ever since I was caught taking Raina out without

official permission, I've been persona non grata.

Who? All right. So it's a masquerade,

but it isn't Halloween, is it?

What's with all

these crazy Frankensteins?

Now, look, old boy,

you don't understand.

All these people are supposed

to represent the paintings.

Now, some of us have come

as visions and monsters. Goya.

- Who?

- You know Goya.

Glad to meet ya.

- Now what?

- Just a whim of the ogre.

Tell me, do I have to fight

a duel with these two characters?

- No, drink the triple vodka, and you pass.

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Orson Welles

George Orson Welles (; May 6, 1915 – October 10, 1985) was an American actor, director, writer, and producer who worked in theatre, radio, and film. He is remembered for his innovative work in all three: in theatre, most notably Caesar (1937), a Broadway adaptation of William Shakespeare's Julius Caesar; in radio, the legendary 1938 broadcast "The War of the Worlds"; and in film, Citizen Kane (1941), consistently ranked as one of the greatest films ever made. In his 20s, Welles directed a number of high-profile stage productions for the Federal Theatre Project, including an adaptation of Macbeth with an entirely African American cast, and the political musical The Cradle Will Rock. In 1937 he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941. Welles found national and international fame as the director and narrator of a 1938 radio adaptation of H. G. Wells' novel The War of the Worlds performed for his radio anthology series The Mercury Theatre on the Air. It reportedly caused widespread panic when listeners thought that an invasion by extraterrestrial beings was actually occurring. Although some contemporary sources say these reports of panic were mostly false and overstated, they rocketed Welles to notoriety. His first film was Citizen Kane (1941), which he co-wrote, produced, directed, and starred in as Charles Foster Kane. Welles was an outsider to the studio system and directed only 13 full-length films in his career. He struggled for creative control on his projects early on with the major film studios and later in life with a variety of independent financiers, and his films were either heavily edited or remained unreleased. His distinctive directorial style featured layered and nonlinear narrative forms, uses of lighting such as chiaroscuro, unusual camera angles, sound techniques borrowed from radio, deep focus shots, and long takes. He has been praised as "the ultimate auteur".Welles followed up Citizen Kane with 12 other feature films, the most acclaimed of which include The Magnificent Ambersons (1942), Touch of Evil (1958), and Chimes at Midnight (1966). Other works of his, such as The Lady from Shanghai (1947) and F for Fake (1973), are also well-regarded. In 2002, Welles was voted the greatest film director of all time in two British Film Institute polls among directors and critics. Known for his baritone voice, Welles was an actor in radio and film, a Shakespearean stage actor, and a magician noted for presenting troop variety shows in the war years. more…

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