Moontide Page #3

Synopsis: After a drunken binge on the San Pablo waterfront, longshoreman Bobo fears he may have killed a man. In his uncertainty, he takes a job on an isolated bait barge. That night, he rescues lovely Anna from a watery suicide attempt and installs her on the barge. But Tiny, Bobo's longtime pal and parasite, hopes to drive Anna away before domestic bliss tears Bobo away from him; the still unsolved murder may be just the wedge Tiny needs. There's fog on the water and evil brewing...
Director(s): Archie Mayo, Fritz Lang
Production: 20th Century Fox Film Corporation
  Nominated for 1 Oscar. Another 2 wins.
 
IMDB:
6.9
Year:
1942
94 min
101 Views


- Oh, he has to have his exercise.

Sure, I'm taking my exercise!

Cut it out, I tell ya.

Oh, thanks for bringing my bag.

By the way, did you-

- did you leave me?

- Leave ya?

- Yeah.

- What do you mean?

I mean last night.

I had a good time, hmm?

You did.

Then you and that bait barge guy.

And I liked everybody?

Old friends, good time?

Sure. Hey, listen.

Let's blow out of this jerk town.

I know a fella. We can get a ride north,

Frisco. Tonight. A truck.

All the time from

the Red Dot to the...

chop suey joint we-

we had a good time together?

Sure.

Don't you remember anything?

Sure. Sure, I remember.

It was a swell party.

When we do it, we do it right.

Listen, ya big slob.

We gonna grab that truck or not?

- Sure. Why not?

- But I mean it.

Okay. Okay.

Up north-

San Francisco or Portland-

you get a good dock job.

It's always good for him

when I get a good job. Eh, Tiny?

What do you mean?

Don't I work?

Oh, you work hard.

Tiny stands in line hours.

Hard work. But the job

is always for me, not for him.

- What are you doing? Kidding me?

- Kidding? Why?

Listen.

That truck leaves tonight at 10:00.

- Okay. I'll be there. Where?

- Outside here.

- I'll be here.

- All right.

I don't know whether you're kidding or not,

but don't forget this.

It's always me that gets you out of trouble.

Every time.

That's right.

I couldn't make a move without my Tiny.

Well, thanks for the good deed.

That towel hurt.

- Oh, it's nothing. Nothing at all.

- Oh.

Don't take the good part

away by saying that.

You don't have to be ashamed.

What do you want me to do?

Take a bow?

This world.

You know, the people in this world,

when they do a good thing...

maybe it would be better if they...

took a bow every time.

Hey.

This fellow outside is charging me

for two nights when I only stayed one.

So I guess this is worth about, uh...

15 cents, huh?

Looks like a couple of dollars to me.

Two dollars?

That's better.

You see, when I do a good thing,

it's pretty good...

and when I do a bad thing,

it's pretty darn bad.

Huh? Come on.

Well, that's what makes horse racing.

I like to hear you talk, Nutsy.

You have ideas.

What's that girl doing?

- What girl?

- Over there.

She's going in the water dressed!

Come back here!

Come back!

- Help! Help!

- It's over there.

Help! Help! Help!

- Help!

- Somebody help!

- Help!

- Hey!

Help!

- Oh, I think she's coming to.

- Try again.

- How is she?

- She's okay, or will be...

if we can get her to hold on

to a little of this brandy.

Give me.

Go on, baby.

Go on. Take it.

- Go on.

- Who says so?

Listen, you. You've caused enough trouble

for one night. Take it!

Go on. Take it.

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John O'Hara

John Henry O'Hara (January 31, 1905 – April 11, 1970) was an American writer who earned his early literary reputation for short stories and became a best-selling novelist before the age of 30 with Appointment in Samarra and Butterfield 8. His work stands out among that of contemporaries for its unvarnished realism. While O'Hara's legacy as a writer is debated, his champions rank him highly among the underappreciated and unjustly neglected major American writers of the 20th century. Few college students educated after O'Hara's death in 1970 have discovered him, chiefly because he refused to allow his work to be reprinted in anthologies used to teach literature at college level. "O’Hara may not have been the best story writer of the twentieth century, but he is the most addictive," wrote Lorin Stein, editor-in-chief of the Paris Review, in a 2013 appreciation of O'Hara's work. Stein added, "You can binge on his collections the way some people binge on Mad Men, and for some of the same reasons. On the topics of class, sex, and alcohol—that is, the topics that mattered to him—his novels amount to a secret history of American life." Five of O'Hara's stories were adapted into popular films in the 1950s and 1960s, yet, during his lifetime, O'Hara's literary reputation was damaged by the detractors he accumulated due to his outsized and easily bruised ego, alcoholic crankiness, long held resentments and by politically conservative columns he wrote in the 1960s, all of which at times overshadowed his gift for story telling. John Updike, a fan of O'Hara's writing and a fellow Pennsylvanian, said that the prolific author "outproduced our capacity for appreciation; maybe now we can settle down and marvel at him all over again." more…

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Submitted on August 05, 2018

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