Mekong Hotel Page #3

Synopsis: Shifting between fact and fiction in a hotel situated along the Mekong River, a film-maker rehearses a movie expressing the bonds between a vampiric mother and daughter.
Genre: Drama
Production: Illuminations Films
  2 nominations.
 
IMDB:
6.1
Metacritic:
57
Rotten Tomatoes:
67%
Year:
2012
61 min
Website
169 Views


The forest ranger

has a lot of it. They gave it to us.

I wonder how

the people of Bangkok

will be able to build their rafts.

With plastic bottles.

All stuck together.

When I was young, I used

large plastic bins.

A large bin per person

is sufficient.

Where has all this happened?

In Bangplad.

The Laotians came after

the border was closed.

They came here, and then ...

they were stopped

at the police stations.

But police stations...

Did they migrate here ?

Yes, but the police stations

were crowded.

A fund was created

to build

a refugee camp.

They wrote down a list.

Every refugee had a dossier

and received an ID card.

The hill tribes

were separated from Laotians.

They could file an asylum

application in a third country.

It wasn't easy.

Some failed

the language test

and couldn't leave.

- Did they make a test?

- Yes, and interviews too.

Thai people

married to Laotian people

chose to go to France.

Back then I was jealous.

They run away and got to our place...

I didn't know where the

aids had arrived from or how.

I was too young.

There were trucks

who delivered cereals,

dry legumes

and many other things.

They came every week.

It was like a country within another country.

There was a soccer field

and a market.

- Why were you jealous ?

- A school, a temple.

- Why jealous ?

- I didn't have enough to eat.

And they

were so well fed.

There were more and more of them.

I saw them arrive in crowds.

So I decided ...

Mom.

Mom!

Where are you ?

I know you're here.

Please, get out of his body.

My daughter, I miss you.

Please, go back in your vase.

The vase ?

They broke it.

Phon ?

Is this your wandering soul ?

Yes.

You still remember me ?

Yes.

I remember you.

I fell sad.

I'm not sure...

I still love you.

It was a long time ago.

But you said you loved me

by the riverside.

Now, I'm married.

I have children.

I'm old now.

I'm losing my memory.

Believe me, Masato.

Don't go.

I want to go home.

Don't go...

Please.

Can you hear me, Masato ?

I know, I'll reborn into a horse.

And into different species of

insects.

I don't know

how long it takes ...

before returning human again.

I 'll reborn into a child

in Philippines.

And I know

you'll always follow me.

Why

don't you stop, then?

I can't...

for the same reason of yours.

What are you looking for ?

Your spirit can travel

out of your body

while you're still alive,

with this machine.

No one doubts the existence of the spirit.

He knows you're here.

But he doesn't care.

Because everyone

has their own path.

His spirit may wander everywhere...

until the battery is discharged.

Believe me, Phon.

He doesn't care.

What about you ?

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Apichatpong Weerasethakul

Apichatpong "Joe" Weerasethakul (born July 16, 1970) is a Thai independent film director, screenwriter, and film producer. His feature films include Uncle Boonmee Who Can Recall His Past Lives, winner of the prestigious 2010 Cannes Film Festival Palme d'Or prize; Tropical Malady, which won a jury prize at the 2004 Cannes Film Festival; Blissfully Yours, which won the top prize in the Un Certain Regard program at the 2002 Cannes Film Festival; Syndromes and a Century, which premiered at the 63rd Venice Film Festival and was the first Thai film to be entered in competition there; and Cemetery of Splendour, which premiered in the Un Certain Regard section of the 2015 Cannes Film Festival to critical acclaim. Weerasethakul has received numerous additional accolades, including the 2016 Principal Prince Claus Award. Working outside the strict confines of the Thai film studio system, Weerasethakul has directed several features and dozens of short films. Themes reflected in his films (frequently discussed in interviews) include dreams, nature, sexuality (including his own homosexuality), and Western perceptions of Thailand and Asia, and his films display a preference for unconventional narrative structures (like placing titles/credits at the middle of a film) and for working with non-actors. Cinephiles affectionately refer to him as "Joe" (a nickname that he, like many with similarly long Thai names, has adopted out of convenience). more…

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Submitted on August 05, 2018

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    "Mekong Hotel" Scripts.com. STANDS4 LLC, 2024. Web. 8 May 2024. <https://www.scripts.com/script/mekong_hotel_13606>.

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