Mata Hari Page #3

Synopsis: During World War I, Mata Hari is a German spy, working in Paris. She has already seduced the Russian general Shubin, and has now set her eyes on lieutenant Rosanov, a young up-and-coming officer. In order to get her hand on secret documents in his possession, she spends a night with him. But the secret police is on to her, only waiting to get enough evidence to arrest her.
Genre: Crime, Drama, Romance
Director(s): George Fitzmaurice
Production: MGM Home Entertainment
 
IMDB:
6.7
Rotten Tomatoes:
57%
PASSED
Year:
1931
89 min
398 Views


It's bought.

- Going?

- Wait. I may be back.

Thank you.

Still 4ooo in the bank.

Well, you're looking magnificent tonight,

my dear.

Last time I seemed only beautiful to you.

You must have something very difficult

for me tonight.

No, it shouldn't be for you. Important

dispatches have arrived from Russia.

All right. I'm having supper

with Shubin tomorrow night.

Splendid. Splendid. Why not tonight?

He's at the embassy.

- A conference.

- Probably concerns these dispatches.

- Probably.

- Then tomorrow night won't do.

You must see Shubin

the minute he returns.

- I have arranged differently.

- Then change your arrangements.

I think you should handle Shubin yourself.

You get along beautifully.

- You're so alike.

- This is no time for any of your moods.

Something vital may be involved in this.

Something vital is involved in it.

- Good night, Andriani.

- Then I insist you see Shubin tonight.

A car will be waiting for you

when you leave here.

You also insisted on that submarine job.

You finally had to do it yourself,

as far as I remember.

How well you did it.

I intend to do a better job in finding out who

informed the French authorities about it.

Of course, there's carlotta, she knew.

- And you knew.

- And so did you.

You don't trust me, do you?

Yes. Yes.

But you're capricious.

You're a little bit mad.

You might give me away just

for the excitement of the thing.

You might get me killed.

Unless I kill you first.

Hadn't you better wait

until after tomorrow night?

A car will be waiting for you tonight.

Madame.

I beg your pardon.

I saw you admire this ring...

...and I thought perhaps

you would like to have it.

Why?

Well, as a token

of my admiration for you.

How charming.

Beautiful.

Madame, the car you ordered is waiting.

I won't need it. This young man

has offered to take me home.

Good night, Andriani.

- No, no, no.

- Just for a little while.

- No, no further.

- Please, don't say that.

I think you're very absurd,

very persistent and...

- Very nice? Thank you.

- And very Russian.

Now, go home.

I'm afraid of losing what I've found.

Meaning?

You.

Hadn't you better take that off?

As long as you insist upon staying.

For a little while.

How long have you been in Paris?

I flew from London this morning.

I saw you once in the Bois.

You were so lovely.

I watched you till you drove out

of sight among the chestnut blossoms.

Oh, Paris in the spring.

Spring.

And now I'm here.

- With you.

- But it's autumn.

But perhaps next spring,

the war will be over...

...you and l...

- I never look ahead.

By next spring,

I shall probably be quite alone.

Never alone again.

I mean, at least my thoughts

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Benjamin Glazer

Benjamin Glazer (May 7, 1887 – March 18, 1956) was a screenwriter, producer, foley artist, and director of American films from the 1920s through the 1950s. He made the first translation of Ferenc Molnár's play Liliom into English in 1921. His translation was used in the original Broadway production, in the 1930 film version, and in every production in English of the play until recently. It also served as the basis for the libretto for Rodgers and Hammerstein's Carousel, as well as for Phoebe and Henry Ephron's screenplay for the 1956 film version of the classic musical. Glazer was born in Belfast, Ireland, into a Hungarian Jewish family. After moving to the United States, he studied at the University of Pennsylvania Law School and passed the bar exam to become a lawyer in 1906. Glazer was one of the founding members of the Academy of Motion Picture Arts and Sciences. He is best known for his Oscar-winning writing for 7th Heaven (1927) and Arise, My Love (1941). Additional screenwriting credits include The Merry Widow, Flesh and the Devil, Mata Hari, A Farewell to Arms, We're Not Dressing, and Tortilla Flat. Glazer also directed one film, the 1948 Song of My Heart, a highly fictionalized biography of Tchaikovsky. Glazer was married to actress Sharon Lynn. He died of circulatory failure in Hollywood, at the age of 68. more…

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Submitted on August 05, 2018

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    "Mata Hari" Scripts.com. STANDS4 LLC, 2024. Web. 28 Apr. 2024. <https://www.scripts.com/script/mata_hari_13477>.

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