Living Hell Page #3

Synopsis: In a top secret Cold War military project an unstoppable, malignant organism who feeds on light and energy is unleashed, threatening to destroy everything in it's path, and the only person who can stop it is a schoolteacher Frank Sears, along the help of a specialist Carrie Freeborn ...
Director(s): Richard Jefferies
Production: Image Entertainment
 
IMDB:
4.7
R
Year:
2008
92 min
16 Views


Discoveries were utilized

or written off as failures,

or deemed so hideous

they were shut down.

The very knowledge of their existence

buried in a labyrinth of

classified paperwork,

decades of blackout blocks of redacted text

and documents that always seemed

to end up lost or destroyed.

Before we did this work,

we thought the Army must know,

at some level, everything it's ever done.

We've since found out that's just not true.

No measurable radiation, no bios,

zero toxicity, pH normal.

Well, whatever must have been

in here is gone.

We should check it out, Carrie.

Go to the back wall. Tap on it.

Keep moving along the wall.

Son of a b*tch!

What's going on? What's going on?

Don't disturb it! Please!

Don't disturb it! Don't!

- Get this thing covered.

- Yes, sir!

Please, don't disturb it! Don't disturb it!

I told you, don't disturb it!

Gloves are good.

Seams good. Check.

Air pack at 100%.

They're bringing them out.

There's 20 more in here.

Check the power connection?

Yeah, I'm pulling it up.

Can I get a digital lock on that?

Arbogast.

Sir.

Glenn, we've broken through.

Glenn, do you see this?

Get that damned thing moving!

Colonel Maitland, sir, it's for you.

Yeah, Maitland.

Tank? What kind of tank?

Design unknown. Contents unknown.

It's a 30-day job.

Metallurgy, ultrasound, x-ray.

Look, you got a containment setup

Down there, this is what

your team is trained to do.

So open the damn thing,

figure out what's inside, neutralize it!

- I heard him, Glenn.

- Carrie...

We'll take it one step at a time.

Promise me,

if you feel the slightest hesitation,

you'll back off, and we'll think it through.

Guys?

- I'm good.

- We can do this.

Glenn, it's cool, man,

we got her back.

Struss, there's a lot of jagged

concrete down there, so let's make sure

everybody watches for breaches

and tears in their suits.

What's our IAT?

I'm not seeing any container as waste.

I'm going up the ladder behind you.

Crane coming up, sir.

Breaking the seal.

Gayle, get this. Taking samples...

Percentages are rising.

Now, we're gonna do a panel.

Winch is good to go.

I'm coming down.

Okay, guys, let's take it slow.

Let's get in and out.

Stand clear.

Easy. Easy.

Container's open.

Equipment is stable.

Now watch your heads.

What've you got, Carrie?

Somebody talk to me.

Laboratory detritus.

Petri dishes, rat cadavers.

Struss, MPP.

All right, I'm setting for

a PCR sample.

Camera's up.

Get a probe reading.

It's formaldehyde.

Checking impurities.

Flashing.

- Carrie, what have you got?

- Rhesus monkey cadaver.

No disease apparent.

Struss, bring me an EVC, EFA 6243.

One step at a time, Carrie.

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Richard Jefferies

John Richard Jefferies (6 November 1848 – 14 August 1887) was an English nature writer, noted for his depiction of English rural life in essays, books of natural history, and novels. His childhood on a small Wiltshire farm had a great influence on him and provides the background to all his major works of fiction. Jefferies's corpus of writings includes a diversity of genres and topics, including Bevis (1882), a classic children's book, and After London (1885), an early work of science fiction. For much of his adult life, he suffered from tuberculosis, and his struggles with the illness and with poverty also play a role in his writing. Jefferies valued and cultivated an intensity of feeling in his experience of the world around him, a cultivation that he describes in detail in The Story of My Heart (1883). This work, an introspective depiction of his thoughts and feelings on the world, gained him the reputation of a nature mystic at the time. But it is his success in conveying his awareness of nature and people within it, both in his fiction and in essay collections such as The Amateur Poacher (1879) and Round About a Great Estate (1880), that has drawn most admirers. Walter Besant wrote of his reaction on first reading Jefferies: "Why, we must have been blind all our lives; here were the most wonderful things possible going on under our very noses, but we saw them not." more…

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Submitted on August 05, 2018

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    "Living Hell" Scripts.com. STANDS4 LLC, 2024. Web. 2 May 2024. <https://www.scripts.com/script/living_hell_12708>.

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