Le Beau Serge Page #3

Synopsis: Francois comes back to his home village in France after more than a decade. He notices that the village hasn't changed much, but the people have, especially his old friend Serge who has become a drunkard. Francois now tries to find out what happened to him and tries to help him.
Genre: Drama
Director(s): Claude Chabrol
Production: Criterion Collection
  2 wins.
 
IMDB:
7.2
Rotten Tomatoes:
100%
NOT RATED
Year:
1958
98 min
144 Views


What's the matter, Franois?

I'm very shy.

I thought you got over that.

Five gallons, please.

Thought you got rid of me, eh?

I admit I find

your behavior puzzling.

You ain't seen nothing yet.

Wait here.

Ask if they've seen Pop.

Glomaud hasn't been here yet.

Where could he be?

It's always breakfast time!

- Why do you do it?

- I like wine. Lay off.

- Listen...

- When I need you, I'll call.

Poor Franois.

Always eager to do a good deed.

Get down, boy scout. I'm off.

What's the matter with him?

Nothing.

That's just how he is.

How'd he get that way?

I don't know.

Walk me to my place?

Maybe Glomaud's back.

You coming?

What did he say about me?

- Lots of things.

- I mean in general.

He said you were

the only friend he ever had.

And how did he say it?

Sometimes he was happy.

Sometimes it made him mad.

You so concerned

about what he thinks?

No, just curious

whether I've changed too.

Well, I think you have.

You didn't even know me.

This way.

I remember you.

You chased all the girls.

Marie.

How old are you?

Seventeen.

Want me to kiss you?

- Come to the house.

- What about your father?

He's not there.

- You don't know that.

- Yes, I do.

I thought you were looking for him.

Come on.

- See if he's there.

- Come on.

No, he's not home.

You coming?

When did you start?

Two years ago.

Who with?

What do you care?

I know anyway, so say it.

If you already know...

Serge?

It wasn't Serge?

I thought so.

His wife know?

We only did it once.

Answer me.

Did she find out?

- Yes, he told her.

- How'd that happen?

He told her one day

when he was drunk and angry.

We should leave.

Glomaud will be home for lunch.

You're afraid of him, huh?

- Why do you call him Glomaud?

- Glomaud or Pop - it's all the same.

People used to say

he wasn't your father.

Really?

You mind me saying that?

It's funny. You observe us

as if we were insects.

You really don't like anyone.

On the contrary. I like everybody.

Why'd you say that about Glomaud?

Because...

because I love the truth.

Are you very sick?

I honestly don't know.

They won't tell me anything.

I was sick.

I was afraid I'd die.

No, he's not my father,

and I think everybody

knows it except him.

Now let's go.

Why do you live with him?

Someone has to look after him.

You know who your father is?

Ma wouldn't tell me,

even when she was dying.

Serge says she didn't know.

All done?

- You're all dirty.

- I know.

It's filthy work.

Serge, darling.

Leave me alone.

God, what a life!

What a stupid life!

I get up every day hoping

to just not think about anything.

And now Franois is back.

What have I got to show him?

That I've turned rotten.

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Claude Chabrol

Claude Henri Jean Chabrol (French: [klod ʃabʁɔl]; 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave (nouvelle vague) group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine Cahiers du cinéma before beginning his career as a film maker. Chabrol's career began with Le Beau Serge (1958), inspired by Hitchcock's Shadow of a Doubt (1943). Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity. This is especially apparent in Les Biches (1968), La Femme infidèle (1969), and Le Boucher (1970) – all featuring Stéphane Audran, who was his wife at the time. Sometimes characterized as a "mainstream" New Wave director, Chabrol remained prolific and popular throughout his half-century career. In 1978, he cast Isabelle Huppert as the lead in Violette Nozière. On the strength of that effort, the pair went on to others including the successful Madame Bovary (1991) and La Cérémonie (1996). Film critic John Russell Taylor has stated that "there are few directors whose films are more difficult to explain or evoke on paper, if only because so much of the overall effect turns on Chabrol's sheer hedonistic relish for the medium...Some of his films become almost private jokes, made to amuse himself." James Monaco has called Chabrol "the craftsman par excellence of the New Wave, and his variations upon a theme give us an understanding of the explicitness and precision of the language of the film that we don't get from the more varied experiments in genre of Truffaut or Godard." more…

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Submitted on August 05, 2018

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