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looking St. Patrick's Cathedral. At the moment the
in chairs, sitting on desks, all of them very tense.
She is a lawyer with the agency.
fifteen seconds. Clearly he is very distraught.
(predicting the worst)
They're not gonna call...I tell
you they're not gonna call. I
blew it. I don't know what I
did wrong, but I--
drink in one hand.
Ted, will you take it easy?
Revlon's not about to drop an
account that represents more
than two million in gross
billing receipts in a small
agency like this, without making
us sweat. Now just relax, okay?
Everything's gonna be fine.
(at this stage,
nothing will help)
the phone rings.
Everyone freezes. As O'Connor reaches for the phone,
2A INT. CHILD'S ROOM, KRAMER APT. - EVENING
(BILLY KRAMER). He lies in bed, half asleep. HOLD
I love you, Billy...
I love you too, mommy...Good-
ON JOANNA--She gets up from the bed and starts toward
the door of the child's room.
Don't let the bedbugs bite...
light. She turns, takes a last look at her son, then
3INT. HALLWAY - EVENING
ON JOANNA--Now that the light is brighter, we can SEE
her more clearly. In her mid-thirties, she is beauti-
clothes and dumps them helter-skelter into the
5INT. O'CONNOR'S OFFICE - EVENING
Jim O'Connor, now standing, raises one hand for
silence, then making a toast.
Here's to Ted Kramer.
Cheers and good-natured jokes.
(putting an arm around
Ted squeezing him tight)
this little runt. He went out
there and sold the shit out of
Revlon and that's why we got
the account. It was his idea,
it was his concept, right down
cannot stop grinning)
All I can say...All I can say
is this is maybe one of the five
best days of my whole life...
6INT. BATHROOM, KRAMER APT. - EVENING
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