Knock on Wood Page #5

Synopsis: Ventriloquist Jerry Morgan has to see another love affair fail. The reason: when the relationship reaches the point when it is time to discuss marriage, his doll Clarence becomes mean and jealous. His fiancée Audrey leaves him and Jerry smashes his two dolls, Clarence and Terrence. Morgan's doll maker Papinek is a member of a spy ring who has stolen secret plans to the top secret Lafayette airplane. Since Morgan is leaving for Zurich the same night, Papinek decides to use Morgan's dolls as a mailbox and hides the secret plans in the heads of the dolls. Another secret spy ring also wants to get their hands on Jerry's luggage and they *also* follow him. Eventually, Jerry is chased by both these organizations as well as the police, who suspects him of murder.
Genre: Comedy
Production: Paramount Pictures
  Nominated for 1 Oscar. Another 2 nominations.
 
IMDB:
6.9
PASSED
Year:
1954
103 min
177 Views


- Good, maybe some other time.

You can't pass this up. This might

be the opportunity of a lifetime.

Alright, okay. If I don't do it

I'll never hear the end of it.

Good.

And when you meet him, don't play it

too big, you know how the British are,

very dignified, reserved.

So throw everything away.

- You know, nice and casual.

- You know, this is pretty silly.

Come on, kid, do it for me.

Okay.

- Mr Langston?

- Yes. How nice of you Mr Morgan.

- Won't you sit down?

- Alright. Don't mind if I do.

I must apologise for

asking you over like this.

- But, I am quite a fan of yours.

- Oh, really?

- Turkish or Egyptian?

- Err, Egyptian I think.

I have seen your act at

"La Poule d'Or" a dozen times at least.

I want to tell you that in your

special field, I think your planning,

your technique, your execution

are not only daring but brilliant.

Oh, it's routine stuff, really.

In a way, it puts one in mind of

the daring of another performance.

A performance that took

place tonight, at 26 Ru Di Orlan.

Now you certainly do a lot

of night clubbing, don't you?

I'm afraid there's a theft of

some top secret documents

which are at this moment being

transported out of the country

- by some clever courier.

- Oh?

That performance also requires

a certain daring and brilliance.

For all we know, he may be

on a ship from Bordeaux,

a train to Berlin or

even on this very plane.

The chap's have to travel

somewhere, I imagine.

Imagine the anxiety of such a man,

the tension he must be

feeling in the pit of his stomach.

I mean, if anyone knew who

he was or what he was carrying

his life wouldn't be worth

a moments purchase.

In certain circumstances,

you'd imagine he'd be prepared

to change his hazardous position

for one of a luxury, security,

and what's more important, safety.

- Don't you agree with me?

- Um, yes, err.

In other words, you will think that he'd

be prepared to enter into a negotiation

if the price were right?

Oh, he'd be a fool, not to.

I'm so glad you agreed

with me, Mr Morgan.

Tell me, Mr Morgan, how many stars,

would you say, there were out there?

Well...

- Stars... in the sky, stars?

- Yes.

Well... I don't know...

Off hand, I would say

way of in the thousands...

- A 100 thousand.

- I think more than that.

-200 thousand?

- No, possibly a little bit more.

300 thousand.

I don't like to seem impertinent,

Mr Langston but that's the Milky Way.

Very well, Mr Morgan, how many

would you say there were?

Stars? Well, I'd say about a million.

- A million?

- Yeah... about...

Very well Mr Morgan,

let us say a million.

Very well, Mr Langston, let's.

- Good.

Shall we say, lunch

tomorrow, at my hotel?

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Norman Panama

Norman Kaye Panama (April 21, 1914 – January 13, 2003) was an American screenwriter and film director born in Chicago, Illinois. He collaborated with a former schoolfriend, Melvin Frank, to form a writing partnership which endured for three decades. He also wrote gags for comedians such as Bob Hope's radio program and for Groucho Marx. The most famous films he directed were Li'l Abner (1959), the Danny Kaye film The Court Jester (1956), and the Bob Hope film How to Commit Marriage (1969). He wrote Mr. Blandings Builds His Dream House (1948), Road to Utopia (1946), and The Court Jester, among other movies. He won an Edgar Award for A Talent for Murder (1981), a play he co-wrote with Jerome Chodorov. Panama continued to write and direct through the 1980s. He died in 2003 in Los Angeles, California, aged 88, from complications of Parkinson's disease. more…

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Submitted on August 05, 2018

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